描绘的

One of the most common ways to describe a wood's tonal properties is in terms of its frequency range,which is often broken down into low-end frequencies,mid-range and high-end frequencies.picture it as a visual spectrum,as we've done in the chart to the right,with the lower frequencies on the left and the higher frequen-cies on the right.the graph line for each wood visually depicts its general tonal range.rosewood and ovang kol,for example,tend to resonate with more low-end frequencies,whereas koa,cocobolo and maple tend to sound brighter from having more top-end frequencies.note also rosewood's"scooped"midrange and ovang-kol's fuller midrange.the doted lines for walnut and koa denote the expansion of low-end frequency range as the guitar opens up after a period of playing it.

最常见的方式描述了木材的声音特性是在其频率范围内，这往往是细分为低端频率，中端和高端frequencies.picture它作为一个视觉频谱，因为我们'维生素E这样做的图表，以权，以较低的频率在左边和更高的频率，种上right.the图线的每一个木材视觉描绘的一般音调range.rosewood和ovang科尔举例来说，往往会产生共鸣更多的低端频率，而兴亚， cocobolo和枫树往往从健全光明有更多的高端frequencies.note也花梨木的"收购"的中端和ovang -科尔的充分midrange.the doted线的核桃和兴亚指扩大低端频率范围内的吉他开辟了一段时间后，打它。

Liv; His capture is foretold in the words "pursue and take him" and "they will hunt after the soul of the just"(Ps. lxx; xciii); His trial with its false witnesses may be found represented in the words "unjust witnesses have risen up against me, and iniquity hath lied to itself"; His flagellation is portrayed in the description of the man of sorrows (Isaiah 52:13; 53:12) and the words "scourges were gathered together upon me"; the betrayer's evil lot is pictured in the imprecations of Psalm 108; the crucifixion is referred to in the passages What are these wounds in the midst of thy hands?

supplanted我"，撒迦利亚众所周知的" 30枚银牌"；诗人祈祷，在痛苦的他的灵魂，是一种基督在他的痛苦（诗篇54 ）；他的被捕是预言中的话："追求和他的"和"他们将追捕后，灵魂的正义"（诗篇lxx ； xciii ），对他的审判与虚假证人有可能发现有代表在说话"不公正的证人都起来攻击我，不公平祂所骗本身"（诗篇26 ）；他flagellation描绘的是在描述该名男子的辛酸（以赛亚书52：13 ； 53：12 ），并在"洪水猛兽人纠合在一起后，我的"；背叛者的邪恶很多照片是在imprecations的诗篇108个；受难日是指在通道"，这些是什麼伤口在一片你的手？

Operationally, it's never been flatter than printer, no mater how flat I brush, and it's never been more photographic than photography, no matter how hard I draw. As a result, I tend to emphasize the hand-drawing characteristic and the contrived distinctness. Technology brings us convenience and rapidity, but my work shows some reaction against it. So far, the Technology could make one touch to complete all the things, and maybe in the future it could have made everything unlabored by just thinking. However, Technological operation makes physical perceptions getting degenerated, and the crisis of primordially physical degeneration is the fierce dilemma for me.

在身体的操作下意识到平涂即使再平最终也不会大於电脑影像输出，而在物体描绘的写实感也不会大於照片的真实感，所以转而强调手绘的真实性和人为刻意操弄下的距离，对於科技带来的便利性和快速性，在我的创作中某一程度显现了对科技的反动，但是科技的操作渐渐的让身体的感知退化，目前科技可以做到 one touch 就能办到生活的一切事情，而在以后甚至只需要动脑感应就可以达到很多劳动所不及的事情，如此身体的原始性逐步降低所带来的危机感正是我自身所处的一个拉扯状态，强调身体所操作出来的痕迹。

James fights all kinds of rationalism since its theory is superficial; its system is closed; and it shows us a static world, which has no practical life, no conflicts in it. Actually, the world is unfit for the true world, which is open, unperfect, and we live in it effectly.

詹姆士反对一切形式的理性主义，认为理性主义的哲学思想是肤浅的，所提供的理论体系是封闭的，所描绘的绝对统一的世界是没有实际生活、没有矛盾的、静态的世界，这与现实的、开放的、不完善的宇宙不相符合。2。

One of the most common ways to describe a wood's tonal properties is in terms of its frequency range,which is often broken down into low-end frequencies,mid-range and high-end frequencies.picture it as a visual spectrum,as we've done in the chart to the right,with the lower frequencies on the left and the higher frequen-cies on the right.the graph line for each wood visually depicts its general tonal range.rosewood and ovang kol,for example,tend to resonate with more low-end frequencies,whereas koa,cocobolo and maple tend to sound brighter from having more top-end frequencies.note also rosewood's"scooped"midrange and ovang-kol's fuller midrange.the doted lines for walnut and koa denote the expansion of low-end frequency range as the guitar opens up after a period of playing it.

最常见的方式描述了木材的声音特性是在其频率范围内，这往往是细分为低端频率，中端和高端frequencies.picture它作为一个视觉频谱，因为我们'维生素E这样做的图表，以权，以较低的频率在左边和更高的频率，种上right.the图线的每一个木材视觉描绘的一般音调range.rosewood和ovang科尔举例来说，往往会产生共鸣更多的低端频率，而兴亚， cocobolo和枫树往往从健全光明有更多的高端frequencies.note也花梨木的&收购&的中端和ovang -科尔的充分midrange.the doted线的核桃和兴亚指扩大低端频率范围内的吉他开辟了一段时间后，打它。

Perfect Indian is he Remembering him life is sweet Like a weeping willow His face on my pillow Comes to me still in my dreams And there I saw a young baby A beautiful daughter was she A face from a painting Red cheeks and teeth aching Her eyes like a wild Irish sea On a table in her yellow dress For a photograph feigned happiness Why in my life is that the only time That any of you will smile at me I\#m sailing on this terrible ocean I\#ve come for my self to retrieve Too long have I been feeling like Lir\#s children And there\#s only one way to be free He\#s shy and he speaks quietly He\#s gentle and he seems to me Like the elf-arrow His face worn and harrowed Is he a daydreamer like me 演唱者是爱尔兰光头女歌手Sinead O'cornor

歌词大意：她是完美的印第安人记忆中的她是如此温柔就象垂柳她的脸在我枕边走近了我的梦在梦中我看见一个魅力四射的姑娘她是一个美丽的女孩脸象一幅画渴望中的印第安人颊和牙齿眼睛象原始的爱尔兰海洋身上穿着黄色连衣裙这都是描绘的幸福为什么在我生活中那是唯一的梦你给我的任何一个微笑对於我都是拯救感觉像个孩子这是唯一的方法让我得到自由他羞怯平静地倾诉她对我是那么温柔象中了丘比特的箭她的面容憔悴又痛苦她和我一样在幻想吗我正在这美妙的海上帆行我要拯救我的一生感觉像个孩子这是唯一的方法让我得到自由

So there is an idea bourgeoned in my mind, which is to use the traditional painting to express the new appearance of Beijing.

于是我开着车跑遍了北京城，去寻找最佳的表现北京新貌的景观，西直门立交桥，夜景的长安街，都是我热衷描绘的景点，传统的水墨画的弱点是不容易塑造具象的东西，于是我在宣纸和毛笔作为主要媒材的同时加入了丙稀色和排刷，希望能拓宽水墨的表现领域，在保持着线条和水墨韵味的基础上增加了色彩的力度，闪烁的霓虹，华灯初上，行人如织，车水马龙，北京正一步步的向国际化大都市迈进，把北京每前进一步的印记用绘画的形式记录下来，也是人生一大快事，怀着对北京的神圣感情，用纸和画笔，从一个画家的独特视角出发，将北京的景观、尤其是不太被人注意的人文景观留下来，是我一生的夙愿。

Often I have visited the New York Museum of Natural History to touch with my hands many of the objects there exhibited, but I have longed to see with my eyes the condensed history of the earth and its inhabitants displayed there-animals and the race of men pictured in their native environment, gigantic carcasses of dinosaurs and mastodons which roamed the earth long before man appeared, with his tiny stature and powerful brain, to conquer the animal kingdom, realistic presentations of the processes of evolution in animals, in man, and in the implements which man has used to fashion for himself a secure home on this planet, and a thousand and one other aspects of natural history.

我经常到纽约自然历史博物馆去，用双手无数次地抚摸过那里陈列的展品，我多么渴望能用自己的眼睛看一看这浓缩的地球的历史，以及陈列在那里的地球上的居民--各种动物和以他们生活的天然环境为背景描绘的不同肤色的人种；以及早在人类出现以前就漫游在地球上的恐龙和柱牙象的巨大骨架，当时的人类靠自己矮小的身躯和发达的大脑征服了动物的王国；还有表现动物和人类进化过程的逼真画面，和人类用来为自己在这个星球上建造安全居处的工具，以及另外许许多多自然历史的其他方面的事物。

With my hands many of the objects there exhibited, but I have longed to see with my eyes the condensed history of the earth and its inhabitants displayed there-animals and the race of men pictured in their native environment, gigantic carcasses of dinosaurs and mastodons which roamed the earth long beforeman appeared, with his tiny stature and powerful brain, to conquer the animal kingdom, realistic presentations of the processes of evolution in animals, in man, and in the implements which man has used to fashion for himself a secure home on this planet, and a thousand and one other aspects of natural

我经常到纽约自然历史博物馆去，用双手无数次地抚摸过那里陈列的展品，我多么渴望能用自己的眼睛看一看这浓缩的地球的历史，以及陈列在那里的地球上的居民——各种动物和以他们生活的天然环境为背景描绘的不同肤色的人种；以及早在人类出现以前就漫游在地球上的恐龙和柱牙象的巨大骨架，当时的人类靠自己矮小的身躯和发达的大脑征服了动物的王国；还有表现动物和人类进化过程的逼真画面，和人类用来为自己在这个星球上建造安全居处的工具，以及另外许许多多自然历史的其他方面的事物。

Roland, Turpin, and Olivier become their own glorious forefathers, demonstrating the ideal of the holy warrior, who serves God and his king with the same fierce loyalty; the portrayal of the Saracens, on the other hand, demonstrates the blatant evil of the Muslims, the enemy they will meet and fight in the Middle East.

罗兰，平，和Olivier成为自己的光荣的祖先，这表明了理想的神圣战士，谁服务的上帝和他的国王以同样激烈的忠诚；描绘的撒拉，另一方面，表明了公然邪恶的穆斯林，敌人，他们将会见和打击在中东。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。