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Some branches of Christianity fully accept the tradition of Adam and Eve as portrayed in the Bible, and although some hold various views expressed in the Pseudepigrapha, they do not accept the later Jewish Midrash.

一些基督教的分支完全地接受了传统上的亚当和夏娃,就像圣经所描绘的一样。尽管在圣经的模拟作品中是表达了一些持有的不同观点,但是他们并不接受后期的《米德西拉》(从犹太人被巴比伦俘虏起至公元1200年间所作的犹太法学博士的圣经注释)。

I am particularly attracted by the arching and sheaf-like top of the wool-grass; it brings back the summer to our winter memories, and is among the forms which art loves to copy, and which,in the vegetable kingdom, have the same relation to types already in the mind of man that astronomy has.

我特别给羊毛草的穹隆形的禾束似的顶部所吸引;它把夏天带到冬日我们的记忆中,那种形态,也是艺术家所喜欢描绘的,而且在植物王国中,它的形式和人心里的类型的关系正如星象学与人的心智的关系一样。

All looked colder and darker in that visionary hollow than in reality: and the strange little figure there gazing at me, with a white face and arms specking the gloom, and glittering eyes of fear moving where all else was still, had the effect of a real spirit: I thought it like one of the tiny phantoms, half fairy, half imp, Bessie's evening stories represented as coming out of lone, ferny dells in moors, and appearing before the eyes of belated travellers.

在虚幻的映像中,一切都显得比现实中更冷落、更阴沉。那个陌生的小家伙瞅着我,白白的脸上和胳膊上都蒙上了斑驳的阴影,在—切都凝滞时,唯有那双明亮恐惧的眼睛在闪动,看上去真像是一个幽灵。我觉得她像那种半仙半人的小精灵,恰如贝茵在夜晚的故事中所描绘的那样,从沼泽地带山蕨丛生的荒谷中冒出来,现身于迟归的旅行者眼前。

All looked colder and darker in that visionary hollow than in reality: and the strange little figure there gazing at me with a white face and arms specking the gloom, and glittering eyes of fear moving where all else was still, had the effect of a real spirit: I thought it like one of the tiny phantoms, half fairy, half imp, Bessie's evening stories represented as coming out of lone, ferny dells in moors, and appearing before the eyes of belated travellers.

那个陌生的小家伙瞅着我,白白的脸上和胳膊上都蒙上了斑驳的阴影,在—切都凝滞时,唯有那双明亮恐惧的眼睛在闪动,看上去真像是一个幽灵。我觉得她像那种半仙半人的小精灵,恰如贝茵在夜晚的故事中所描绘的那样,从沼泽地带山蕨丛生的荒谷中冒出来,现身于迟归的旅行者眼前。

"Emma has grown into one of the most talented and sought-afteryoung actresses in Hollywood and yet still brings such agirl-next-door charm to her Unfabulous character ," said MarjorieCohn, Nickelodeon's Executive Vice President, Development andOriginal Programming, Kids relate to Emma's endearing portrayal ofAddie and we think this 'no-parents allowed' Unfabulous TV movieadventure is a kid-dream-come true.

&艾玛的成长已经慢慢使她变为一个好莱坞最有才华和最吃香的女演员,但她的这个&非传奇&角色身上仍然保留有一种邻家女孩式的迷人气质。&发展及原创项目的执行副主管马乔里·科恩如是说,&孩子们看到的是艾玛描绘的浪漫的爱情憧憬,而我们则认为这次&让父母反感&的&非传奇电视电影的冒险行动只不过是一个希望梦想成真的孩童式理想。

"Emma has grown into one of the most talented and sought-afteryoung actresses in Hollywood and yet still brings such agirl-next-door charm to her Unfabulous character ," said MarjorieCohn, Nickelodeon's Executive Vice President, Development andOriginal Programming, Kids relate to Emma's endearing portrayalof Addie and we think this 'no-parents allowed' Unfabulous TVmovie adventure is a kid-dream-come true.

&艾玛的成长已经慢慢使她变为一个好莱坞最有才华和最吃香的女演员,但她的这个&非传奇&角色身上仍然保留有一种邻家女孩式的迷人气质。&发展及原创项目的执行副主管马乔里·科恩如是说,&孩子们看到的是艾玛描绘的浪漫的爱情憧憬,而我们则认为这次&让父母反感&的&非传奇电视电影的冒险行动只不过是一个希望梦想成真的孩童式理想。

The entire political practice of the present regime, as I have tried to outline it here step by step, confirms that those concepts which were always crucial for its program-order, calm, consolidation,"guiding the nation out of its crisis,""halting disruption,""assuaging hot tempers" and so on-have finally acquired the same lethal(causing or sufficient to cause death)meaning that they have for every regime committed to entropy.

这种现存制度的全部政治实践,像我在这里逐步描绘的,进一步证实了对它的纲领来说总是关键性的概念——秩序、安定、稳固,&带领民族走出危机&&停止分裂&&缓和激烈的情绪&等等——最终得到每一个提交*(这种译法殊为怪异,可译为&委身&)给熵的制度所具有的同样致命的意义。

Painting carries out a static expression through describing objects and things in perceptual space. A kind of definite perceptual space gives up its dynamic state and converts a static state, starting to use a scene chosen by a painter in painstaking to do painting activity. That makes the eternal movement world in static, in the static state it lets people unfold infinite thinking space to understand and comprehend the worldly kaleidoscope.

绘画就是通过感性空间中所描绘的物体和事物来进行静止的表述,一种确定的感性空间,放弃了它的运动状态而转入静止,开始用一个画家苦心孤诣地做出了选择的场面来进行着绘画的活动,以至使本来永恒地运动着的世界静止了,这种静止的状态中,让人们去展开无限的思维空间,去理解和感悟这人间百态。

Ernst eagerly intended to break through the new vision effect, created by Giorgio De Chirico, which was similar to Freud's "unconscious theory". After all, Ernst created a brand new combination style of philosophic theory, which was not only limited in "dream" but a all new theory combined with psychology, philosophy, and Freud's theory. Simply speaking, Ernst owned unique thought which was free from the limitation of logic and traditional esthetics thinking.

恩斯特野心勃勃的在艺术界全力以赴,企图超越基里诃所创造的一种新的视觉效果,一种接近佛洛伊德所描绘的潜意识理论,最后恩斯特不仅跨越佛洛伊德所发现的潜意识理论,进而创造一种全新的哲学风貌混合意象,这新的混合意象不再只限于梦的单纯表象而已,这全新的意象是结合心理学、哲学以及佛洛伊德学说三者而成。

Ernst eagerly intended to break through the new vision effect, created by Giorgio De Chirico, which was similar to Freud's "unconscious theory". After all, Ernst created a brand new combination style of philosophic theory, which was not only limited in "dream" but a all new theory combined with psychology, philosophy, and Freud's theory. Simply speaking, Ernst owned unique thought which was free from the limitation of logic and traditional esthetics thinking.

恩斯特野心勃勃的在艺术界全力以赴,企图超越基里诃所创造的一种新的视觉效果,一种接近佛洛伊德所描绘的潜意识理论,最后恩斯特不仅跨越佛洛伊德所发现的潜意识理论,进而创造一种全新的哲学风貌混合意象,这新的混合意象不再只限於梦的单纯表象而已,这全新的意象是结合心理学、哲学以及佛洛伊德学说三者而成。

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