描绘的

The reporter of a picture when rural warm winter, when Yang village neighbor, asperse women will gather at home in Taiwan, the XXX is a circle, everybody hand needle, or sew up pants, or natrium shoes hammer bottom, talking about gossip, said her husband and children, bubbling laughter resounded through the sky, the rural life in peace and quiet all of the matter is, when people, but the spirit is faint, and the rich in the words the king ** depicts the pictures and the performance of a same and eternal happiness actually enlightenment is so simple.

这让记者想起小时候农村的一幅画面：每当冬日的暖阳洒满村庄时，邻家妇女们便聚集在家门口临溪xxx台边，围成一圈，人人手里拿着针线，或缝衣补裤，或纳鞋锤底，谈论着东家长西家短，说着丈夫和孩子，爽朗的笑声响彻乡村的天空，生活的一切定格在祥和与安宁中，那时人们的物质是困乏的，但精神却是丰富的，而王**言语中描绘的画面与此表现了某种相同而永恒的启示：快乐其实就是这么简单。

That Delacroix painting depicts the French Revolution, so it does fit that Martin tones down his relentless self-obsession — the songs aren't heavy on lyrics and some are shockingly written in character — which is a development as welcome as the expanded sonic palette.

Eugene Delacroix的作品描绘的是法国大革命，这的确符合了Martin在新专辑中对于自恋倾向的克制态度。歌曲的歌词并不沉重，有些甚至是从戏剧角色的视角来写的，这种歌词的进步与新专辑中音乐视野的拓展一样受人欢迎。

Any way at all in which the decision to marry comes first and is followed by the inclination so that the two come together in the actual marital union, can itself be regarded as the more ethical course...in those modern dramas and other artistic presentations in which love between the sexes is the basic interest, we encounter a pervasive element of frostiness which is brought into the heat of the passion such works portray by the total contingency associated with it.

(Hegel， 1991： 202)［无论如何，要是先有结婚的决定，然后才有两个人在现实的婚姻中结合的倾向，那么这本身可以被看为更符合伦理的过程，……在那些现代戏剧和其他形式的艺术表现中，两性间的爱情若是基本的利益所在，我们就在这些作品描绘的激情之炙热中，碰见由与此关联的整个偶然性导入的一种弥漫开来的冷若冰霜。

She had wonderful brown hair, shaded with threads of gold, a brow that seemed made of marble, cheeks that seemed made of rose-leaf, a pale flush, an agitated whiteness, an exquisite mouth,whence smiles darted like sunbeams, and words like music, a head such as Raphael would have given to Mary, set upon a neck that Jean Goujon would have attributed to a Venus.

那便是使人惊叹并夹着金丝纹的栗色头发，光洁如玉的额头，艳如一瓣蔷薇的双颊，晶莹的红，含羞的白，一张妙嘴，出来的笑声如同光明、语声如同音乐，一个让·古戎①要摹刻的维纳斯的颈子而拉斐尔要描绘的马利亚的头。

His life had "some sort of epic grandeur". There has been general agreement in the western literary critical world that he is the outstanding spokesman of the "Lost Generation", the "poet laureate" of the "Jazz Age", and an excelled "historiographer" as a great writer.

本文以菲茨杰拉德的创作生涯为线索，简要评述了在他各个不同时期发表的主要长、短篇小说的思想内容和艺术特色，探讨了这位天才作家的创作思想和艺术风格的形成过程，分析了他的作品的生命力之所以能够远远超过他所如实描绘的那个时代的原因所在。

For multi-layer fabric, Kronecker product and yarn grouping of different layers according to the arrangement ratio are combined together to explore the mathematical model of weaves automatic generation. The qualifications of forming the multi-layer weaves are also discussed.

对单系统织物组织类别，首先根据数学描绘的需要进行了重新划分，分为规则组织、准规则组织和非规则组织，接着分别建立了各种类别组织的数学模型，并对组织自动生成的参数和组织构成条件进行了归纳和总结；对于多系统组织的重组织和层组织，结合不同系统纱线按排列比的分组法和矩阵的Kronecker叉积运算建立了组织结构矩阵自动生成的数学模型，并对多系统组织构成条件的数学模型进行了分析。

For single-layer fabric, weaves are re-grouped for the purpose of mathematical description, and they fall into three groups: regular weaves, pre-regular weaves and irregular weaves. And then the mathematical models of every group are established, the parameters and the qualifications of weaves automatic generation are offered too. For multi-layer fabric, Kronecker product and yarn grouping of different layers according to the arrangement ratio are combined together to explore the mathematical model of weaves automatic generation. The qualifications of forming the multi-layer weaves are also discussed.

对单系统织物组织类别，首先根据数学描绘的需要进行了重新划分，分为规则组织、准规则组织和非规则组织，接着分别建立了各种类别组织的数学模型，并对组织自动生成的参数和组织构成条件进行了归纳和总结；对于多系统组织的重组织和层组织，结合不同系统纱线按排列比的分组法和矩阵的Kronecker叉积运算建立了组织结构矩阵自动生成的数学模型，并对多系统组织构成条件的数学模型进行了分析。

It appears at the top of a letter addressed to Alfred D'Harlingue, but has a two-bladed pusher propellor,(at first I thought it was 4-bladed, but I think it has a white fencepost behind it) and is a close approach to the Coates patent, apart from the size of the engine; it is clearly the machine depicted in "Our Own Oddities" below.

它出现在上方的写信给曹绍伟-阿兰格，，但有两个刀刃推p ropellor，（起初我以为这是4 -刀刃，但我认为它有一个白色f encepost背后）是密切的办法来科特斯专利，除了大小的引擎；很明显，这是机器所描绘的：&我们自己的宠物频道&的下面。

These 2,500-year-old petroglyphs, portraying figures with tulip-shaped heads and hourglass bodies, mark an ancient human presence in the Sahara desert's Air Mountains.

在撒哈拉沙漠的埃尔山脉，有着超过2500年历史的岩石雕刻，岩石上刻画有郁金香形状的头和沙漏形状身体的人形，描绘的是古老人类的出场。

From the 19th-century portraits of Indian chiefs by American artists who never made it west of the Mississippi, to the 20th – century German expressionists who chose Native Americans they'd never encountered to populate a happy Arcadia, what we see is never what it seens.

从始终没到过密西西比河以西的19世纪美国艺术家创作的印第安部落酋长画像，到从未谋面的印第安人在自己描绘的美妙世外桃源中占据一席之地的20世纪德国表现派画家，我们看到的绝非事物原本应有的样子。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。