描写的人

And the poets indeed, have been busy with it; for it is, in effect, the thing which is fingered in that strange fiction of the ancient poets, which seems not to be without mystery; nay, and to have some approach to the state of a Christian; that Hercules when he went to unbind Prometheus (by whom human nature is represented) sailed the length of the great ocean in an earthen pot or pitcher: lively describing Christian resolution; that sails, in the frail barque of the flesh, through the waves of the world.

诗人们也真的常说这句话，因为这句话实际就是古诗人常述的那个奇谈中所表现的—而这个奇谈又似乎非无深意的；不特如此，它所描写的还很有点接近基督教徒的情形呢—那就是当赫扣力斯去解放普罗米修斯的时候（普罗米修斯是象征人性的）他坐在一个瓦盆或瓦罐里渡过了大海。

"YiYi" is a minded film that develops the blue profile of human life, and it is really worth seeing. By telling stories happened in a Chinese family and its neighborhoods, it grasps every scene explicitly to express every episode of every person. This is a plain but highly sophisticated and enriching story, which is fantastic without exemplum, and it also gives us a clear vision about the Chinese philosophy for life.

一一》是一部很有深度的难得的好片，它展现了人的生命中蓝色的一面，虽然它描写的是一个中国家庭及周遭所发生的事，但它精确地掌握着每一个镜头，把所有人物的每一件事都处理得恰到好处，故事情节简单，内涵深远，美不胜收，没有说教，但已赤裸裸地呈现出中国人的人生哲理。

His bizarre tales are the major sources of controversy, calling forth extremes of appreciation as in Paul Valery's assertion that Poe was "the only impeccable writer", and of depreciation, as in Emerson's judgment that "the jingle man".

他是争议最多的美国作家之一，他笔下那些描写神秘、怪诞的恐怖故事是争议的最主要来源，并引起了两种极端的观点，瓦勒瑞认为他是"唯一一位无可挑剔的作家"，而爱默生则评价他为"叮当作响的人"。

Yet, a few verses further on (Jn 18 :26), John sites the arrest in the garden proper when, following on Peter's denial, he has a relative of Malchus say, did I not see thee with him in the garden?

然而有少数深刻的描写(若十八26)，若望描述耶稣是在庄园被捕的，也就是他记载伯多禄否认主的事件之后，马尔曷(这是耳朵被伯多禄砍掉的人)的亲戚说过：「我不是看到他们和他一起在园子里吗？

There is no doubt, of course, that this theory was originally based on the Scriptural history of the Hebrew patriarchs in Lower Asia; but, as has been explained already, its connexion with Scripture rather militated than otherwise against its reception as a complete theory, since the majority of the inquirers who till recently addressed themselves with most earnestness to the colligation of social phenomena, were either influenced by the strongest prejudice against Hebrew antiquities or by the strongest desire to construct their system without the assistance of religious records.

这些诗句是适用于&独眼巨人&的，我以为如果说&独眼巨人&就是荷马心目中一种外国的和不进步的文明的典型，也许不完全是一种幻想；因为一个原始共产体对于在风尚上和它自己有非常不同的人，往往会感到几乎是自然的憎恶，这种憎恶通常表现为把他们描写成怪物，例如巨人甚至是魔鬼（在东方神话学中，几乎在所有情况中都是如此）。不论是不是这样，在这几行诗句中，正集中了古代法律事物所能给予我们的各种暗示的总和。

Most of his critics, he says, are young people who are either ashamed he's airing China's dirty linen, or don't even realize that the corrupt backwaters he describes still exist in modern China.

他说，大多数批评他的人是年轻人，他们或者不喜欢看到他揭露中国黑暗的一面，或者根本没有意识到他在书中描写的那些阴暗面依然存在于现代的中国。

Most of his critics, he says, areyoung people who are either ashamed he's airing China's dirty linen, ordon't even realize that the corrupt backwaters he describes still existin modern China.

他说，大多数批评他的人是年轻人，他们或者不喜欢看到他揭露中国黑暗的一面，或者根本没有意识到他在书中描写的那些阴暗面依然存在于现代的中国。

But the Depression coincided with the dawn of the sound era, so movie-goers went to everything. Musicals, gangster films, Westerns, romantic comedies, monster movies, historical spectacles, biopics, sexy pre-Production Code dramas, and even what passed at the time for gritty, rough-edged social realism. People checked their troubles at the door, not their brains. If you don't want to look back that far, how about the 1990s, when one of TV's most popular shows was Roseanne , which unflinchingly depicted a family that was struggling from paycheck to paycheck?

却忘了大萧条时期也是有声电影的黎明，常看电影的人爱好广泛，音乐剧，枪匪片，西部片，浪漫喜剧片，怪物片，历史记录片，传纪片，隐晦的情色电影，甚至是沉重的现实主义题材片也被广泛接受，人们的脑子不会永远想着麻烦事，如果你不想回看太远，那就以90年代为例吧，那时候电视上最流行的剧集是《罗斯安家庭生活》，该片还不是深入描写了一个为收支平衡而艰苦奋斗的家庭？

Anderson describes a picture of a group of grotesques in American's transition from rural to industrial society.

安德森在他的创作中并不注重故事情节而是更侧重于描写异化了的人在由农业社会转向工业社会大的背景下的内心挣扎。

Therefore the pen cannot describe the most perfect of the Perfect human beings, the Master of Masters, the King of Kings, the Sultan of Sultans of the Divine Presence.

因此，钢笔并不能描写完美的人类中最完美的人，他非凡的力量是领袖中的领袖，国王中的国王，苏丹中的苏丹。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。