描写的人

At the new period, the successful the writer the that attracts the by the and the describes one the square the Water the and soil the that the oneself the fall in the love the not the in the minority, the be the like the company the of the even the and the cave style the of writing the state series," the high northeast of the country" that Moyan, the LI3 RUI4's" the go the mountain too", peninsular" WaLizhen " the of east the of ZHANG the WEI3 JIAO, what WANG2 AN YI4 build is flexible to work properly etc. that the dynamic civilian turns big Shanghai, all giving person leave the impression of the hard detrition again.

在新时期以来，着意与描写自己所钟情的一方水土的成功作家并不在少数，像贾平凹笔下的商州系列，莫言的"高密东北乡"，李锐的"太行山"，张炜胶东半岛的"洼狸镇"，王安忆朔造的鲜活灵动的平民化大上海等，都给人又留下了难以磨灭的印象。

William Gilpin, who is so admirable in all that relates to landscapes, and usually so correct, standing at the head of Loch Fyne, in Scotland, which he describes as "a bay of salt water, sixty or seventy fathoms deep,four miles in breadth," and about fifty miles long, surrounded by mountains, observes, If we could have seen it immediately after the diluvian crash, or whatever convulsion of nature occasioned it,before the waters gushed in, what a horrid chasm must it have appeared!

威廉。吉尔平在描写风景时真是出色，而且总是很准确的，站在苏格兰的费因湖湾的尖端上，他描写道，"这一湾盐水，六七十英寻深，四英里阔，"约五十英里长，四面全是高山，他还加以评论："如果我们能在洪水泛滥，或者无论大自然的什么痉挛造成它的时候，在那水流奔湍人内以前，这一定是何等可怕的缺口啊！"

Actually, regional features has appeared in her early novels, especially in《Ben hua》she described the people of Benhua placable, simple, substantial daily life and their concordant, full of life sentiment and heroism spirit by using gentle words, which show us the local conditions and customs of central hebei plain involuntary.

其实在铁凝开始创作时就已经带有了地域性，铁凝的长篇小说《笨花》时就更自觉地向我们展示了冀中平原的风土人情，作家以平和的语言描写笨花人的温润、简朴、结实的日常生活，以及他们和谐的、富有人生情趣与英雄色彩的精神状态，可以说，《笨花》是铁凝最具地域风情和文化特色的作品。

However, deep down I knew the real reason for my ambivalence was that I was afraid of establishing a relationship with God; I was afraid to relinguish control of my life, especially my spiritual life - the freedom to be whatever I wanted to be in my inner self.

我越读圣经，就越惊奇地发现那些伟大的文学艺术作品中所描绘的人性及人的感情，在圣经里早有毫不逊色的描写；我越听讲道，就越体会到《罗马书》10章17节所说的：信道是从听道来的，听道是从基督的话来的。

Or his insubordination to the river-god, on whose divinity he is ready to lay hands; or his offering to the dead Patroclus of his own hair, which had been previously dedicated to the other river-god Spercheius, and that he actually performed this vow; or that he dragged Hector round the tomb of Patroclus, and slaughtered the captives at the pyre; of all this I cannot believe that he was guilty, any more than I can allow our citizens to believe that he, the wise Cheiron's pupil, the son of a goddess and of Peleus who was the gentlest of men and third in descent from Zeus, was so disordered in his wits as to be at one time the slave of two seemingly inconsistent passions, meanness, not untainted by avarice, combined with overweening contempt of gods and men.

还有关于阿喀琉斯冒犯河神的描写，说他准备跟他信奉的神大打出手；还说到他如何将已经发誓许愿献给河神斯普彻修斯的头发献给了亡友帕特罗克勒斯；还有说他拖着赫克托耳的尸首去帕特罗克勒斯之墓，在灵柩前残杀战俘以作祭奠；我们不能相信这些都是他造的罪，我也不能让我们的国民去相信阿喀琉斯这位喀戎的好学生，女神和温和之神、宙斯三世孙珀琉斯的儿子，竟是如此的心志丧乱，曾经如此这般性情矛盾地沦为两大恶欲之奴，卑鄙恶毒如斯，贪婪放荡如斯，而且还曾如此傲慢自大于人神之间。

Through thedepiction of Milkman, the representative of middle-class black young men, Morrison showsincisively modern black Americans'bitterness, oscillation, confusion and ignorance derivedfrom their rootlessness underneath the mainstream congesting with the racial discriminationand segregation.

莫里森通过对于"奶人"这个处于中产阶级的黑人年轻一代的典型成长过程的描写，一方面，集中展示了当前仍然充斥着种族歧视与种族隔离意识的美国白人主流文化下的美国黑人遭受的痛苦、彷徨、混乱以及无知的状态。

The essential concern of that world is not the poetic language and superficial skills but the black people s tragic existence and their never ceasing efforts in the self-defining process.

在优美动人的语言和貌似繁复零乱的叙事的掩盖下，莫里森的小说世界借以打动读者的本质内容还是对人的悲剧处境和寻求自我的努力的描写。

In their description, the"infatuation""foolishness"is the symbol of truth and purity, which reflected that the idea of"plainness and purity is the beauty"in Daoism aesthetics has influenced the art of literature a lot at that time.

三、"苦——乐"、"丑——美"的美感转化论在明清文学中也得到了艺术化的体现，四、明清时的文学思潮和文学作品对"痴"的人物形象的描写及推崇，将"痴"人形象作为真实无伪、纯真不俗的象征，反映了道教美学中以素朴为美的思想对明清文学艺术的影响。

Though bleakly portrayed, they still attract the reader's sympathy, not least for their precarious, ill-paid jobs and filthy working conditions (the office carpets not cleaned since 1977, according to the paper's lore).

作者的描写不带感情，但读者仍禁不住悲叹人物命运。他们做着岌岌可危，薪水微薄的工作，身处恶劣的环境（从报社史来看，办公室的地毯自1977年就没再清洗过），更是引人同情。

Baldwin's personal and literary patricides brought about internecine both to Wright and himself, while as an indispensable tache in the African- American literature progress, its positive significance must never be overlooked, but it is Ralph Ellison's Invisbile Man which brought about a new direction to the development of African American literature.

鲍德温在描写黑人人性、展示黑人文化、提升黑人文学的艺术水平、探索种族歧视与冲突问题等方面，都提出了超越赖特的抗议文学主张，但他本人的思想观念和创作实践又还存在诸多自相矛盾之处，新型黑人文学直到拉尔夫·埃利森的《无形人》问世才得以正式确立。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。