描写的

"YiYi" is a minded film that develops the blue profile of human life, and it is really worth seeing. By telling stories happened in a Chinese family and its neighborhoods, it grasps every scene explicitly to express every episode of every person. This is a plain but highly sophisticated and enriching story, which is fantastic without exemplum, and it also gives us a clear vision about the Chinese philosophy for life.

一一》是一部很有深度的难得的好片，它展现了人的生命中蓝色的一面，虽然它描写的是一个中国家庭及周遭所发生的事，但它精确地掌握着每一个镜头，把所有人物的每一件事都处理得恰到好处，故事情节简单，内涵深远，美不胜收，没有说教，但已赤裸裸地呈现出中国人的人生哲理。

Other various scenery are also many by the topic volume, the antithetical couplet, the prefatory remarks and so on each kind of form cast the Confucianist thought to among; But the nearly 30 scenic spots have directly manifested Taoism"s natural boundary or the deity boundary pursue; Chinese tradition esthetics manifested and the imperial authority unification and the formula development in Old Summer Palace; Old Summer Palace makes the scenery mostly is the famous poem celebrated work description ideal condition and the famous painter"s landscape painting reappearance; In Old Summer Palace enables the north and south culture to south botanical garden imitation and the anomalous form design to achieve the fusion and so on manifests the Old Summer Palace landscape all the profound cultural connotation, unfolds the Old Summer Palace landscape is the Qing Dynasty culture carrier characteristic.

其他各景也多以题额、对联、题记等各种形式熔铸儒家思想于其中；而近30处景点直接体现了道家的自然境界或神仙境界的追求；中国传统美学在圆明园中体现出了与皇权的统一和程式化的发展；圆明园造景大多是名诗名作描写的意境和著名画家的山水画的再现；圆明园中对南方园林的模仿和变体设计则使南北文化达到融合等等无不体现出圆明园景观的深刻文化内涵，展现圆明园景观是清代文化载体的特色。

Tagore is such a master, a blade of grass, a wild flower, a ray of light wind, rain a while, to his pen, have been given a unique meaning, reveals the true meaning of life and life's beauty, and the STRAY BIRD descripted the thought of humanitarian ,which is full of "truth, goodness and beauty" of the small world.

泰戈尔正是这样的大师，一棵小草，一朵野花，一缕微风，一阵细雨，到了他的笔下，都被赋予了独特的意义，揭示出人生的真谛和生活的美，而《飞鸟集》里所描写的就是作者理想的，充满人道主义思想的"真，善，美"的小世界。

And they produce a host of books written by Musaeus and Orpheus , who were children of the Moon and the Muses--that is what they say-- according to which they perform their ritual, and persuade not only individuals, but whole cities, that expiations and atonements for sin may be made by sacrifices and amusements which fill a vacant hour, and are equally at the service of the living and the dead; the latter sort they call mysteries, and they redeem us from the pains of hell, but if we neglect them no one knows what awaits us.

人们还可以从月亮女神和缪斯女神的孩子们——默塞俄斯和俄尔甫斯的一系列著作中得到相同的印证——也就是说——依据他们在书中描写的古老风俗礼仪，当时的礼制不仅规劝个人而且号召全城老少，都应该以贡献牺牲和歌娱欢宴的方式替原罪去抵罪和赎罪以消磨时光，并且对活着的人和死去的人要一视同仁；歌娱欢宴方面的活动后来就形成了祓除祭祀之类的神秘宗教，而正是这些神秘宗教救我们逃离苦海，谁胆敢轻侮它们必会为自己招来无妄之灾。

Let us imagine, next, how he views himself too among these reflections--as non-genius, that is, as his own subject matter, the whole teeming crowd of his passions and intentions directed toward a definite goal; and when it now appears as though the poet and the nonpoet joined to him were one, and as though the former were using the pronoun "I," we are able to see through this appearance, which has deceived those who have attached the label "subjective" to the lyrical poet.

反之，抒情诗人所描写的画景不是别的，正是他本人，而且仿佛只是他自己的各种投影，因此他好象就是宇宙的运动的中心，可以高谈自我，不过，这个&我&，当然不是清醒的实践中人的&我&，而是潜藏在万象根基中唯一真正存在的永恒的&我&，而凭借这个我的反映，抒情的天才就能够洞察万象的根基。

The slightly braggadocios "Gimme That" finds Chris running down his credentials to a hottie."It's just explaining how I'm coming out, the typical bragging about yourself a little bit but not too much and telling the girl who might be older than you 'You may be three years older , but you hot, Gimme that.'"

在有些自夸意味的&GIMME THAT&里，克里斯夸耀自己的丰功伟业好让对方爱上他：「这首歌描写的是我对一个女孩的示爱方式，就是那种典型的有点自夸但是不会太过分的样子，我告诉那个可能比我大的女孩说：『你可能比我大三岁，但你好辣，给我你的爱』。

After a break, writing a life of Edward Fitzgerald, she has returned to what she knows—and does—best, teasing out the bonds of love, hate and pretend indifference that bind siblings, no matter what their historical pedigree, into a cat's cradle of consequence.

在沉寂了一个阶段之后，她又写了一本有关爱德华菲兹杰拉德的生平的书，从这本书中，读者可以看出蒂利亚德又回到了自己的老本行----在这方面她的确很有天赋：不管所描写的人物在历史上是何方神圣，不管人物之间的关系是何等的错综复杂，剪不断，理还乱，蒂利亚德都能从中准确地把握到他们之间爱的纽带，仇恨，和言不由衷的冷漠。

But I will preserve the purity of my life and my art. I will not cut for stone, even for patients in whom the disease is manifest. I will leave this operation to be performed by practitioners.In every house where I come I will enter only for the good of my patients, keeping myself far from all intentional ill-doing and all seduction.

不是喜欢搬弄是非，背后不说人家好坏，更不屑做传声筒的，但是好朋友的恋爱过程次次都要被人家搬出来问，也只好发挥所有的语言天赋把故事的男女主角都描写的得体，故事还要美丽和摆得上台面，是善意的，实在没有兴趣搬弄是非，因为有时候人需要一些虚荣的快乐；人适当的自嘲是应该的。

There are many variations and different levels of the temporal planets as seen by different Puranas and often describe the nature of the phenomenal universe in various ways which may look conflicting.

不同的往世书里描写的各种暂时性的行星会有变异和不同，经常以不同的方式去描述显著的宇宙本性，看起上来是不一致的。

The title imitates ThePilgrim'sProgress, the name of the classic 17th-century English tale of a fevered Protestant fleeing from the City of Destruction to seek salvation in the Celestial City -- the tale of a single-minded③true believer.

标题模仿的是17世纪英国经典故事《朝圣者的历程》（中文书名译为《天路历程》），该书描写的是一位亢奋的新教教徒逃离毁灭之城，去天国寻求拯救———这是一个&一根筋&的虔诚信徒的故事。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。