描写

Through these products which potray female , the feministic stand is obviously seeable .

从凌叔华这些描写女性的作品中，可以看出其中鲜明的女性主义立场。

The first part unbearable weightiness in lifeHe experiences unbearable suffering in his life because of his disability, so hemainly employs disable as topic in his early writings to excessively depicthandicapped's painfulness and gloominess which others can not understand and theirdesires to death when pursuing the light in plight, expressing the feelings of despair,haphazard and mysterious but ignore the body's ailment caused by disability.Meanwhile he also expresses that these disabled people are not self-abandoned but tryto seek the way of self-salvation.

第一部分生命之中难以承受的重躯体的残疾使他经历了生命之中难以承受的重，早期作品中多以"残疾"为主题，对由残疾引发的肉体上的病痛投入了微乎其微的关注，而浓墨重彩地描写了残疾人不为常人所理解的苦痛和难以言说的郁闷，以及他们陷入困境之中左右突围难觅光明之途时对死亡的冥想和渴望，并在思忖自身苦难的过程中对命运产生了无可奈何的荒诞感、偶然感和神秘莫测感。

You talk about it, you write about it, but you have never known it except perhaps at rare intervals of total self-abandonment.

虽然你谈论它，用文字描写它，你却从来没有了解过它。

The essential concern of that world is not the poetic language and superficial skills but the black people s tragic existence and their never ceasing efforts in the self-defining process.

在优美动人的语言和貌似繁复零乱的叙事的掩盖下，莫里森的小说世界借以打动读者的本质内容还是对人的悲剧处境和寻求自我的努力的描写。

In thisissue describes, plans for the end of the fossil-fuel economy are now beinglaid and they do not involve much self-flagellation.

正如本期杂志特别报道里面所描写的，化石燃料经济结束后的方案正在提出，人们也不必再承受太多的自我谴责。

In the line "petals fallen and leaves of their company sorrowfully deprived,""petals" and "leaves" are personified and the dual images of a dismal scene in nature and a self-pitying woman are blended.

在"应是绿肥红瘦"一句中，"红"和"绿"是运用了拟人和双关的描写，一方面是描绘了雨后颓败的现实景象，另一方面交织着作者的自怜自哀。

Nowadays, what human being long for in their hearts are those great arts, which can play greater supportive roles in people's lives, which can reflect the confidence and the great psychological behavior and the relatively bright value part of human being. The art in the 20th century simply expressed the schizophrenia, mania, uneasiness and vacuity as well as insignificant depiction of personalization. This kind of art has serious deficiencies and limitations. Should the 20th century be proud of schizophrenia and self-torture? Should the 20th century use a narrow language to cope with art achievements of the past thousand years?

在这个时代，人类内心渴望的，就是这些伟大的艺术，她能够在人们的生活之中起到更大的支撑作用，艺术依然能够反映人类所应有的那种自信、伟大的心灵生活以及人的所有比较光明的价值部分。20世纪的艺术单一地表达人的精神分裂、迷狂、不安和无聊，以及琐碎的个人化的描写，是有很大不足和局限性的。20世纪是不是应该为自己的梦呓、精神分裂、自虐等价值骄傲，以及用狭隘的个人语汇来面对几千年的艺术成果呢？

In English "yellow journalism" refers to sensationalism not pornography.

但是在英语中，"黄色书刊"是指那些轰动煽情的描写，而不是色情！

St. Exupery describes a ragged, sensitive-faced Arab child, haunting the streets of a North African town, as a lost Mozart: he would never be trained or developed.

法国作家圣埃克休帕里曾把一个衣衫褴褛但长相聪颖，常在北非某市街头游荡的阿拉伯少年，描写成一个被埋没的莫扎特：他决不会受到训练和培养。

He kindled the fire of sentimentalism in the Western Europe with his detailed description of human psychology in his works.

他擅长描写善良的弱女子的心酸处境和悲苦心情以引起读者的感情共鸣。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。