掬

I didn't cook but went to the schafar house enjoying a free dinner instead tonight~Becky cooked bacon pasta like a r eal chef and Gan's bouilli can not be took out of mind the whole afternoon~am i good-for-nothing?or not~The "amazing" thing was that the table topic dropped into the experience of medical jurisprudence and horror films from tasty food, then focused on cruelty of dead bodies~Dan smiled gracely, and Becky enjoyed them without batting an eyelid. Also Ganji astonished me a lot with gentleness and mildness in his eyes~Only me a normal person~only me

醉意今天没有自己开伙，跑去schafar house蹭饭去了~Becky亲自下厨做了培根意大利面，G的红烧肉从中午就开始惦记着~我这点出息啊~离奇的是在我还没有吃完的时候，话题逐渐由美味新鲜的食物转为法医学，继而聚焦最惨不忍睹的死法和恶心恐怖电影~蛋一脸可掬的笑容，Becky不露声色，G竟然目光朦胧充满诗情画意~看来只有我是正常人~我是正常人

Dainty abandon, sometimes as if Nature laughing on a hillside in the sunshine; serious and firm monotonies, as of winds; a horn sounding through the tangle of the forest, and the dying echoes; soothing floating of waves, but presently rising in surges, angrily lashing, muttering, heavy; piercing peals of laughter, for interstices; now and then weird, as Nature herself is in certain moods - but mainly spontaneous, easy, careless- often the sentiment of the postures of naked children playing or sleeping.

奔放而不失优雅，有时恍如造化在阳光照耀下的山腰傲笑；萧然执著的单调重复，恍如风声飒然；号声响彻纵横交错的森林，继而是渐渐消失的回声；波浪平缓流淌，可是一会儿又汹涌澎湃，怒涛冲击，隆隆作响，沉重有力；间隙传来尖利洪亮的笑声；偶尔怪诞，如同造化有时喜怒无常——不过大体上还是自然而然，从容自在，无忧无虑——往往宛如赤身露体的孩童在玩耍或沉睡时神态可掬。

Dainty abandon, sometimes as if Nature laughing on a hillside in the sunshine; serious and firm monotonies, as of winds; a horn sounding through the tangle of the forest, and the dying echoes; soothing floating of wxdyes, but presently rising in surges, angrily lashing, muttering, hexdyy; piercing peals of laughter, for interstices; now and then weird, as Nature herself is in certain moods - but mainly spontaneous, easy, careless- often the sentiment of the postures of naked children playing or sleeping.

奔放而不失优雅，有时恍如造化在阳光照耀下的山腰傲笑；萧然执著的单调重复，恍如风声飒然；号声响彻纵横交错的森林，继而是渐渐消失的回声；波浪平缓流淌，可是一会儿又汹涌澎湃，怒涛冲击，隆隆作响，沉重有力；间隙传来尖利洪亮的笑声；偶尔怪诞，如同造化有时喜怒无常——不过大体上还是自然而然，从容自在，无忧无虑——往往宛如赤身露体的孩童在玩耍或沉睡时神态可掬。

Dainty abandon, sometimes as if nature laughing on a hillside in the SUN shine; serious and firm monotonies, as of winds; a horn sounding through the tangle of the forest, and the dying echoes; soothing floating of waves, but presently rising in surges, angrily lashing, muttering, heavy; piercing peals of laughter, for interstices; now and then weird, as nature herself is in certain moods --but mainly spontaneous, easy, careless --often the sentiment of the postures of naked children playing or sleeping.

奔放而不失优雅，有时恍如造化在阳光照耀下的山腰傲笑；萧然执着的单调重复，恍如风声飒然；号声响彻纵横交错的森林，继而是渐渐消失的回声；波浪平缓飘荡，可是一会儿又汹涌澎湃，怒涛冲击，隆隆作响，沉重有力；间隙传来尖利洪亮的笑声；偶尔怪诞，如同造化有时喜怒无常--不过大体还是自然而然，从容自在，无忧无虑--往往宛如赤身露体的孩童在玩耍或沉睡时神态可掬。

Dainty abandon, sometimes as if Nature laughing on a hillside in the sunshine; serious and firm monotonies, as of winds; a horn sounding through the tangle of the forest, and the dying echoes; soothing floating of waves, but presently rising in surges, angrily lashing, muttering, heavy; piercing peals of laughter, for interstices; now and then weird, as Nature herself is in certain moods --but mainly spontaneous, easy, careless－often the sentiment of the postures of naked children playing or sleeping.

奔放而不失优雅，有时恍如造化在阳光照耀下的山腰傲笑；萧然执着的单调重复，恍如风声飒然；号声响彻纵横交错的森林，继而是渐渐消失的回声；波浪平缓飘荡，可是一会儿又汹涌澎湃，怒涛冲击，隆隆作响，沉重有力；间隙传来尖利洪亮的笑声；偶尔怪诞，如同造化有时喜怒无常--不过大体还是自然而然，从容自在，无忧无虑--往往宛如赤身露体的孩童在玩耍或沉睡时神态可掬。

Dainty abandon, sometimes as if Nature laughing on a hillside in the sunshine; serious and firm monotonies, as of winds; a horn sounding through the tangle of the forest, and the dying echoes; soothing floating of waves, but presently rising in surges, angrily lashing, muttering, heavy; piercing peals of laughter, for interstices; now and then weird, as Nature herself is in certain moods --but mainly spontaneous, easy, careless --often the sentiment of the postures of naked children playing or sleeping.

奔放而不失优雅，有时恍如造化在阳光照耀下的山腰傲笑；萧然执着的单调重复，恍如风声飒然；号声响彻纵横交错的森林，继而是渐渐消失的回声；波浪平缓飘荡，可是一会儿又汹涌澎湃，怒涛冲击，隆隆作响，沉重有力；间隙传来尖利洪亮的笑声；偶然怪诞，如同造化有时喜怒无常--不过大体还是自然而然，从容安闲，无忧无虑--往往宛如赤身露体的孩童在玩耍或沉睡时神态可掬。

I was carried away, seeing, absorbing many wonders. Dainty abandon, sometimes as if Nature laughing on a hillside in the sunshine; serious and firm monotonies, as of winds; a horn sounding through the tangle of the forest, and the dying echoes; soothing floating of waves, but presently rising in surges,angrily lashing, muttering, heavy; piercing peals of laughter, for interstices; now and then weird, as Nature herself is in certain moods - but mainly spontaneous, easy, careless- often the sentiment of the postures of naked children playing or sleeping.

奔放而不失优雅，有时恍如造化在阳光照耀下的山腰傲笑；萧然执著的单调重复，恍如风声飒然；号声响彻纵横交错的森林，继而是渐渐消失的回声；波浪平缓流淌，可是一会儿又汹涌澎湃，怒涛冲击，隆隆作响，沉重有力；间隙传来尖利洪亮的笑声；偶尔怪诞，如同造化有时喜怒无常——不过大体上还是自然而然，从容自在，无忧无虑——往往宛如赤身露体的孩童在玩耍或沉睡时神态可掬。

As for no picky eating,I,for one,often find people,who are barely over forty,being extremely choosy about their food: they keep off egg yolks,shrink from tripes,and , whenever they are at table,they examine gingerly,as if treading on thin ice, every dish before they eat any.

至于不挑食，常见有人年才逾不惑，就开始挑食，蛋黄不吃，动物内脏不吃，每到吃饭，战战兢兢，如履薄冰，窘态可掬，看了令人失笑。

B smiley-face person exudes phoniness, whichwill quickly be picked up by the interviewer.

笑颜可掬的一个人看上去是虚假的，而这些很快会被面试官发现。

A smiley-face person exudes phoniness, whichwill quickly be picked up by the interviewer.

笑脸可掬的一个人看上去是虚假的，而这些很快会被口试官发现。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。