指向地

I am convinced, however, that in a certain magic and fateful way Lolita began with Annabel.

但是，我确信，是安娜贝尔魔术般地将我的命运指向萝莉塔。

All you need to do is a little bargaining before you can aptly point your finger at one of the most exclusive folding bike models.

所有你需要做的是一个很少讨价还价，然后才能正确地指向您的手指在其中一个最独特的折叠自行车模型。

To Autostart a program in KDE you simply need to put a symbolic link to the executable file in the Autostart directory.

要在KDE里自动启动程序你只要简单地把一个指向可执行文件的符号链接放到 Autostart 目录。

Long int readData(Buffer * pBuffer,/* pointer to the abstract buffer */ byte * pOutput,/* pointer to the output byte array */ long int offset,/* offset of the output byte array */ long int arrayLength /* size of available output byte array */){ while (there is something more to read and there is room for output){ read from the first memory block; if (the first memory block is empty){ delete the first memory block from the linked list and free its memory

在 清单 5 中，该函数销毁性地从 pBuffer 所指向的抽象缓冲区最多读取 arrayLength 个前导字节，并在内存块变为空时从链表中删除它们，然后返回成功读取的字节数目。如果需要，您可以实现一个类似 readData 的函数来允许非销毁性的读取。实现一个函数来返回当前存储在抽象缓冲区中的字节数目，这样可能会带来好处。清单 6。返回抽象缓冲区中的字节数目

On the ground, the Germans made their major breakthrough in the center, in the direction of Bastogne, but the critical threat was to the north.

地面上，德军在中央地段，也就是指向巴斯托尼地段，建立了主要突破口，但是更严重的威胁来自北翼。

14What do they mean? 15You should be quiet. 16We shouldn't walk on the grass. 17We must read English every day. 18make noise 19only four years old 20his cousin 21some public signs 22Keep off the grass 23on the bird's cage 24on the birds' cage 25stay away from the building 26know a lot about stamps 27No smoking 28No littering 29No parking 30Do not touch 31No eating or drinking 32a ten-yuan note 33look around 34fine ten yuan 35a park keeper 36point to the sign 37quickly walk to the grass 38see something on the grass 39 There is no one nearby. 40You shouldn't litter. 41That sign means 'Danger'.42We should keep off the grass. 43We shouldn't smoke. 44You shouldn't park your bike here. 45You shouldn't eat or drink. 46the boy in the green sweater 47shake my head 48want bread for breakfast 49put your rubbish in the bin 50We must stay away from it.

15你应该保持安静。16我们不应该走在草地上。17我们必须每天读英语。18发出声音 19仅仅四岁 20他表妹 21一些公共标志 22禁止践踏草地 23在那只鸟笼上 24在那些鸟笼上 25远离那幢大楼 26懂得许多关于邮票27禁止抽烟 28禁止乱扔垃圾 29禁止停车 30禁止触摸 31禁止吃喝 32一张十元钞票 33看看四周 34罚款十元 35一位公园管理员 36指向那个标志 37快速地走向草地 38看到某物在草地上 39附近没有一个人。40你不应该乱扔垃圾。41那个标志意思是"危险"。42我们应该勿踏草地。43我们不应该抽烟。44你不应该把你的自行车停在这里。45你不应该吃喝。46穿着绿毛衣的男孩 47摇我的头 48想要面包做早餐 49把你的垃圾放在垃圾箱里。50我们必须远离它。

This tower,(14) patched unevenly with black (15) ivy, arose like a mutilated finger from among the fists of knuckled masonry and pointed blasphemously at haven.

这座高低不平地爬满黑色常青藤的塔楼简直就象指关节发达的石匠拳头上的一根伤残的指头那样立在那里，玩事不恭地指向苍穹。

But when the indicator of time points to the end of the 20th century, crush people dream of love for thousands of years merciless as Chi Li , writer of representative , of " new realism ", show actual life undisguisedly that has succeeded in finishing the reconstruction of the love to the common customs in front of people.

然而当时间的指针指向二十世纪末的时候，作为&新写实主义&的代表作家池莉却无情地粉碎了人们几千年来的爱情之梦，将现实生活赤裸裸地展示在人们面前，成功地完成了对世俗之爱的重建。

Early in 1995, in his "Desire" series where red and blue lines come in strong contrast with each other, Ma Yiping instinctively used his personal experience to drop a hint of the transcendence of life. From 1996 to 2001, his "Images" series established the development direction of his art, owing to its artistic expression_r_r of overloaded psychological priori images. In his works before or after 2003, dream-like symbolic images presented perplexed feeling of human beings about the universe and the physical world. In his "images" series in 2006, uncertain images stood on black cube-shaped objects and ambiguous edges pointed to various uncertain directions with the accompaniment of silver light and shadow. At this point, the intuitive perception of the essence of nature made his artistic style gradually take shape. In his later "fetish" series, in which he gradually became mature in spiritual and symbolic expression_r_rs, Ma Yiping fully grasped the eternal sense of the spiritual world.

在早期，1995年的《欲望》马一平用对比强烈的红色、蓝色层层涂盖、本能地运用自身感受以暗示的手法表达对生命的超越。1996-2001年以物象为主题的系列作品对超载心理先验物象的表达方式确定了他艺术作品的发展方向，2003年前后的作品中，梦一般的暗示性物体程现了生命本体对宇宙物理世界的茫然，在2006年的《物象》系列中，黑色的方体上不确定的物状、模糊的边缘在泛着银色光影的衬托下，泛生着各种不确定的指向感，此时对本质直观的感知性的把握使作品艺术风格基本形成，到后来的《神物》已经充分地把握了精神世界里的永恒感，画面中所能达到的精神性和神密暗示意义的表现手法已近成熟。

Was floated on still water in a bowl, the head of the fish pointed to the south and the tail to the north. Over years, this fish-shaped device gradually evolved into the more simple and convenient form of an iron needle.

在使用指南针的过程中，人们不断地改进，不断地摸索，使指向仪器在外形上终于成为最简便的针形。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。