拿捏

I be thought like this, even if to forget, need some massive, affectedly bashful aptly.

我是这样想的，即便是遗忘，也需要一些波澜壮阔，才拿捏得恰如其分。

Mr Lee's timing was apposite.

李光耀的时机拿捏得恰到好处。

When I signed up to do the first one,it was to be on-set with somebody like him,to see how he handles himself ,to see how he goes about it.

当我签约拍摄第一集时，就是希望能跟像他那样的人合作，看他怎样拿捏尺度，看他怎样拍戏。

Perceptual full Maria Ewing like the fire is not only warm the gypsy girl, annotates incisively, regarding acts bashful the appearance which Carmen that stock abandons oneself to Bohemianism, with to spousal Holland west cruel treatment, until death regretless making an all-out effort, the skill is superb, actually!

感性十足的Maria Ewing不仅将吉普赛女郎的如火热情，诠释得淋漓尽致，对于拿捏卡门那股放浪形骸的模样，和对爱人荷西残忍相待，至死无悔的狠劲，功力更是出神入化，硬是了得！

The person that this is composed with respect to the requirement must be taken hold good sense of property, writing flexible language both neither is simple paste dogskin plaster, also not be to show off your literary grace to have how to had been gotten.

这就要求写作者必须拿捏好分寸，写软文既不是简单的张贴狗皮膏药，也不是炫耀你的文采有多么得好。

I like to shoot against the sun, just to see it explode into a burst of light on my photographs when i get them back from the lab.

有一点刺眼，有一点太过鲜艳，或许就像我们的青春一样，总是拿捏不当，但却又如此精彩。

While some people respond to a hard-driving, militaristic style.

很好的拿捏什么时候应该苛刻，什么时候应该适可而止。

The U.S. is walking a delicate line between two nuclear-armed rivals.

美国正在这两个相互敌视的核国家之间小心拿捏。

Completely unconscious of the camera, with a fine sense of proportion and remarkable pantomimic accuracy ...

她未有在镜头前"演"的作态，尺寸拿捏得当，收放自如。

I can hit any percentile I want.

我能很好的拿捏考试成绩。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。