拟人化

And when human kindling ran low, one could always fall back on anthropomorphism and throw some bulls and bears into a pit.

当人类火种钱不多时，人们可以永远依傍拟人化，并投入到一个坑一些牛派和熊。

The worst sin in their moral vocabulary was anthropomorphism,projectiong human trais onto animals.

可以翻 译为：在他们的道德词汇中，最大的过失就是拟人化，将人类的特征映射到动物身上。

Oedekerk takes the concept of anthropomorphism into a new chapter -- but very, VERY similar to one that we've seen many times before -- dating all the way back to early Disney fare.

欧德科把拟人化的概念带入了一个新的篇章，但是还是同以前我们看过的早期的迪斯尼动画片相类似。

The paper discusses the process of his architectural approaches harmonized between rural and urban enviroment, the strong character of anthropomorphism and metaphor in fis programs, the design sources from various aspects, as well as his significant contribution to the Organic Architecture Movement in Hungary.

本文介绍了他探求乡村与城市相协调的建筑创作历程，阐述了其建筑作品中的拟人化、隐喻性较强的个性特征和取自多方面的创作源泉以及他对匈牙利有机建筑运动的重要贡献。封面的毛科镇小剧院为I。马科韦茨1988年的作品

A significant issue with "intelligent" animated agent s is that by employing animated anthropomorphism, the software is upping the ante on user expectations of the agent 's intelligence.

智能动画代理一个显著的问题在于拟人化，软件将赌注押在用户对代理智能的期望上。

A significant issue with "intelligent" animated agents is that by employing animated anthropomorphism, the software is upping the ante on user expectations of the agent's intelligence.

智能动画代理一个显著的问题在于拟人化，软件将赌注押在用户对代理智能的期望上。

There's something about those cute little gadgets that makes us want to anthropomorphize them and develop a relationship.

这些可爱的小电子设备有一些特质，令我们总想将它们拟人化，把它们当朋友。

Islam presents God not as an anthropomorphic being but as an entity beyond human comprehension, transcendent of man, independant and undivided.

伊斯兰教介绍上帝不作为拟人化的，但作为一个实体超出人类的理解，超越人为的，独立的和不可分割的。

There included chuckleheaded（注:stupid,simple-minded 傻乎乎的）live-action comedies, nature documentaries that personified their subjects, and, of course, Disneyland, which attracted his compulsive attention in the 50s and 60s.

这些作品包括傻乎乎的、实景真人喜剧电影，还有把大自然拟人化的纪录片，当然还包括迪斯尼乐园。在50年代和60年代，他的注意力不由自主地被迪斯尼乐园吸引住了。

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的"到来"，意味着他不得不采用感情误置的方式，将石头进行拟人化的处理，用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目，它被提升到一个象征的位置上，与神话和英雄的精神题旨迅速结合在一起，成为人性之中欲望、焦虑、压力等情感的客观对应物，从本质上来说，物自身的特性被淹没了，在表现物的自然特性和表现理念这两者之间，他选择了后者，这意味着，在感动他的最初事实与他要表现的事实之间就有了一种脱节，但他敏感地意识到了这种脱节，这种"图解的危险"，我们可以看到，当这组画最终呈现在我们面前的时候，物的自然特性得到了很大程度的挽留和表现，其中有一些画作直接描绘了岩石本身，它本身的褶皱和棱角、苍凉和沉重，同时，并没有人出现在这样的画面上。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。