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He walked about the meadow, dragging one leg after the other, making the grass rustle, and watching the dust, which covered his boots. Then he strode along, trying to step on the traces of the footsteps of the mowers on the meadow; or counting his steps, calculated how many times he would have to walk from one boundary rut to another to make a verst; or cut off the flowers of wormwood growing in the rut, and crushing them in his hands, sniffed at the bitter-sweet, pungent odour.

他在草地上来回走动,慢慢地拖着两只脚,蹭得地上的草沙沙作响,眼睛盯着靴子上的尘土;他有时迈着大步,尽可能踩上割草人留下的脚印,有时数自己的脚步,计算走一俄里要经过多少两条田垄之间的距离;有时采几朵长在田垄上的苦艾花,放在手掌上揉碎,然后闻那股强烈的甘苦香味。

Because commentary is expatiatory, the picture of this idiotic also procrastinated for a long time.

因为解说词冗长,这呆头呆脑的画面也就拖了很长时间。

The first person who appeared upon the steep stone steps was a boy in corduroy trousers and a dark linen smock-frock, who shambled down the stairs with a good deal of unnecessary clatter of his hobnailed shoes, and who was red in the face from the exertion of blowing the bellows of the old organ.

首先出现在很陡的石级上的,是一个男孩,他穿着灯芯绒裤子和黑色亚麻布长罩衫,拖拖沓沓地走下石级时,钉着平头钉的靴子弄出了很多不必要的喀啦喀啦的声音,他刚才使劲儿吹管风琴的风箱,脸还涨得通红哩。

Composers of the period alternated florid and discant organum (more note-against-note, as opposed to the succession of many-note melismas against long-held notes found in the florid type), and created several new musical forms: clausulate, which were melismatic sections of organa extracted and fitted with new words and further musical elaboration: which was a song for more voices to be sung rhythmically, most likely in a procession of some sort; and trops, which were rearrangements of older chants with new words and sometimes new music. All of these genres save one were based upon chant: that is ,one of the voice,(usually three, though sometime four) nearly always the lowest sung a chant melody, though with freely composed note-lengths, over which the other voice sang organum.

这个时期作曲家的作品中华丽的奥尔加农和迪斯康特交替出现note-against-note(应该是自由奥尔加农,与由许多连续的装饰音组成的旋律对抗,这些装饰音对应在华丽部分中出现的长音,他们还开创了几个新的音乐形式:clausulae,来自于奥尔加农的拖腔片段,并配以新的词和更富悦耳的细节;conductus,孔杜克图斯,一种基于圣咏之上的有节奏性的单声或者多声歌曲,很有可能是用于礼拜的行列。

Across Marsh, Tagish, and Bennett, they flew so fast that the man whose turn it was to run towed behind the sled at the end of a rope.

他们飞一般穿越麻什、塔杰什和笨乃(一连串长达七十英里的湖泊),速度之快,使得走路的人只好拉住雪橇后面的绳子,被拖着朝前跑。

Around the base of the treeship, engineering and cargo spheres clustered like oversized galls while blue and violet drive streamers trailed behind like ten-kilometer-long roots.

在巨树之舰的根基处,工程球体和货物球体堆积成群,就像特大型的树瘿,同时,蓝中带紫的喷射流拖在尾部,就像一万米长的根须。

In the tune "the old city" represents Beijing, the music take the Peking opera as the source material, will divide the slow movement and the musical beat two parts, the slow movement sub-system will be persuasive the exquisite Peking opera melody to further process, causes it music, has displayed the urheen timbre delightful gentle performance special skill, will listen both to express feelings, the Beijing style to be full exquisitely, and will not lose the sonorous powerful place, music mood fluctuation repeat swings, the change will be careful, musical beat partial melodies sprightly smooth, by the urheen continuously the fast figure and the clear bright timbre, will entrust with this section of musics fresh and the active characteristic, but long will draw out a syllable appearance, also will then cause it alone lyricism, this music from differentThe angle expresses thinks of the ancient exquisite feeling, takes to the people infinite province to think with recalls.

曲中&古城&意指北京城,乐曲以京剧为素材,分慢板与流水板两部分,慢板部分系将婉转优美的京剧唱腔进一步加工,使之更加音乐化,发挥了二胡音色甜美柔和的演奏特长,听来既抒情优美、京味十足,又不失铿锵有力之处,音乐情绪起伏迭荡,变化细致,流水板部分旋律明快流畅,以二胡的连续快速音型和清脆明亮的音色,赋予本段音乐清新而活跃的特色,而长拖腔的出现,则又使之独具抒情性,本乐曲从不同角度抒发思古幽情,带给人们无限的省思与回忆。

You can also just drag your Snowboard up the slope by holding or wrapping the leash around your wrist.

你也可以把绳索套在你的手上拖着雪板上坡,这种方法对于在你需要走很长一段路的时候比较适用。

She is the fairies' midwife, and she comes in shape no bigger than an agate-stone on the fore-finger of an alderman, drawn with a team of little atomies athwart men's noses as they lie asleep; Her wagon-spokes made of long spiders' legs, the cover of the wings of grasshoppers, the traces of the smallest spider's web, the collars of the moonshine's watery beams, her whip of cricket's bone, the lash of film, her wagoner a small grey-coated gnat, not so big as a round little worm Prick'd from the lazy finger of a maid; Her chariot is an empty hazel-nut made by the joiner squirrel or old grub, time out o' mind the fairies' coachmakers.

她是精灵们的稳婆;她的身体只有郡吏手指上一颗玛瑙那么大;几匹蚂蚁大小的细马替她拖着车子,越过酣睡的人们的鼻梁,她的车辐是用蜘蛛的长脚作成的;车篷是蚱蜢的翅膀;挽索是小蜘蛛丝,颈带如水的月光;马鞭是蟋蟀的骨头;缰绳是天际的游丝。替她驾车的是一只小小的灰色的蚊虫,它的大小还不及从一个贪懒丫头的指尖上挑出来的懒虫的一半。她的车子是野蚕用一个榛子的空壳替她造成,它们从古以来,就是精灵们的车匠。

This dress is too long─it drags on the ground when I walk.

这连衣裙太长了我走路时就拖在地上。

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推荐网络例句

Finally, according to market conditions and market products this article paper analyzes the trends in the development of camera technology, and designs a color night vision camera.

最后根据市场情况和市面上产品的情况分析了摄像机技术的发展趋势,并设计了一款彩色夜视摄像机。

Only person height weeds and the fierce looks stone idles were there.

只有半人深的荒草和龇牙咧嘴的神像。

This dramatic range, steeper than the Himalayas, is the upturned rim of the eastern edge of Tibet, a plateau that has risen to 5 km in response to the slow but un stoppable collision of India with Asia that began about 55 million years ago and which continues unabated today.

这一引人注目的地域范围,比喜马拉雅山更加陡峭,是处于西藏东部边缘的朝上翻的边框地带。响应启始于约5500万年前的、缓慢的但却不可阻挡的印度与亚洲地壳板块碰撞,高原已上升至五千米,这种碰撞持续至今,毫无衰退。