拉赫

Socialist members like Jawaharlal Nehru, Bhimrao Ramji Ambedkar, Sir Benegal Narsingh Rau and Govind Ballabh Pant worried that such a strict limit on governmental power would prevent "beneficial social legislation." These leaders of the Indian National Congress Party had promised to reconstruct an egalitarian agrarian economy and abolish the zamindari system and transfer land to the tiller.

社会主义信徒，如贾瓦哈拉尔·尼赫鲁，安培德卡尔（安贝卡博士曾担任印度独立后第一任司法部长）Bhimrao Ramji Ambedkar， Sir Benegal Narsingh Rau 和 Govind Ballabh Pant（1955度内政部长），担心这样严格限制政府权力，将会妨碍到政府为社会谋福利的立法基础，印度国大党的主席们，承诺重建一个平等的农业经济体，废除封建制度，把土地转交到耕农手中。

Their Eyes Were Watching God is a masterpiece of Zora Neale Hurston,a famous black female writer.

他们的眼睛看上帝》是著名黑人女作家左拉·尼尔·赫斯顿的一部代表作品。

Their Eyes Were Watching God is a representative novel of American black woman writer Zora Neale Hurston.

《他们的眼睛望着上帝》是美国著名黑人女作家佐拉·尼尔·赫斯顿的代表作。

The thesis focuses on the analysis of these symbols and images in order to illustrate how Zora Neale Hurston makes the protagonist explore the spiritual journey to quest for voice and self.

本文以婚姻为主线，旨在分析这些意象和象征，以昭示佐拉·尼尔·赫斯顿是如何运用他们来阐明主人公珍妮摆脱男性和白人的压迫，追求并实现自我价值的一生。

In the 1960 s, the counterculture revolution continued to show disdain for any literature that was not overtly political, and Zora Neale Hurston's writing was further ignored.

在1960年s时，反革命继续傲视任何文学这不是公然政治和佐拉尼尔赫斯顿的书面进一步忽视。

Zora Neale Hurston (1891-1960) and Alice Walker (1944-) are claimed to be two of the most famous black women writers in the American literary history.

佐拉·尼尔·赫斯顿和艾丽丝·沃克是美国文学史上著名的黑人女作家。

More specifically, and due in large part to Alice Walker's essay, Zora Neale Hurston is often viewed as the first in a succession of great American black women writers that includes Alice Walker, Toni Morrison, and Gloria Naylor.

更具体地说，主要是因为艾丽斯沃克的论述，佐拉尼尔赫斯顿是通常被看作是第一次在继承伟大的美国作家黑人妇女，其中包括艾丽斯沃克，托妮莫里森，和Gloria勒。

In the journey from the passive stereotype to a more positive, more complex view of the black woman as she appears in American literature, Zora Neale Hurston's work is transitional. It marks the beginning that the black woman image goes from stereotype to character.

在对黑人妇女形象的描写由被动的固有模式走向更为正面、更为复杂，以其真实的面貌展示于美国文学的历程中，佐拉·尼尔·赫斯顿的作品具有过渡性的作用，它标志着黑人妇女形象由固有模式转向个性化的开始。

Zora Neale Hurston; the black woman in US; identity; racism; genderism

佐拉·尼尔·赫斯顿；美国黑人女性；身份；种族主义；性别主义

On the basis of the speakerly texts in "Their Eyes Were Watching God", the representative work by American Black woman writer Zora Neale Hurston, this paper discusses its unique charm and the Negro character reflected in them, approaching the free-style indirect speech, Negro preaching, special spelling and grammatical formation of Negro English and its application in the novel.

本文以美国黑人女作家佐拉·尼尔·赫斯顿的代表作《他们眼望上苍》的叙事语言为切入点，从自由间接话语、黑人布道词、黑人英语独特的拼写和语法表达形式以及黑人英语在作品中的运用四个方面来研讨这部小说的独特魅力，以及由此而体现出的黑人性。

Singer Leona Lewis and former Led Zeppelin guitarist Jimmy Page emerged as the bus transformed into a grass-covered carnival float, and the pair combined for a rendition of "Whole Lotta Love".

歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车，和一双合并为一移交&整个lotta爱&。

This is Kate, and that's Erin.

这是凯特，那个是爱朗。