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拉莎

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Michael and Sara look over the mysterious code they took from their abductor.

迈可和莎拉再次研究从绑架他们的人身上找到的纸条上的神秘代码。

Kundra is built on his unbearable lightness of being with so many "es muss sein";especially on the reterative betrayal by Sapina and the passable body of Theresa that are constructed by means of fancy-the brilliant female heroines either on a necessity-canoe or the one on an accidentalness -canoe moving between fantasy and reality.

昆德拉之重在于生命不能承受之轻;在于生命中无以数计的"非如此不可";在于不解之词所诏示的萨比娜的叠加式的背叛;在于镜子所裸现的特蕾莎别样亦可的身体;在于凭藉对残酷现实的幻化所构建的必然之舟上的别样女性与偶然女性。

SARAH: I guess I'm adventuresome, but then I'm scared too.

莎拉:我是敢冒险,不过我也很害怕。

Somehow it didn't seem to me that I said it was Mary before, so I didn't look up -- seemed to me I said it was Sarah; so I felt sort of cornered, and was afeared maybe I was looking it, too.

我仿佛觉得,我最初说的时候并没有说是玛丽,所以我没有抬起头来。我觉得,我最初说的是莎拉。我因此觉得很窘,并且怕脸上露出了这样的神气。

On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上,本文以意象分析法为贯穿全文的主要方法,通过对意象的具体分析来透视凉山诗群的诗歌世界;在诗人的选择上以其作品的影响力及意义为标准,选择了这一诗群的七位诗人展开论述,他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加;在论述过程上,笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索,着重探讨了这一诗群创作的三个主要倾向和三个主要领域,前者详论,后者略述,具体表现在对前三位诗人的论述以诗人论的形式详细展开,探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向,即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构,对后四位诗人的论述则以主题的方式展开,探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索;在文章结构上,全文主要分为两大板块,一是对各位诗人创作的具体意象分析,二是在前文分析的基础上进行理论的整合,以此将前面散珠似的论述贯穿成一个有机整体;在结论上,我们通过整合得出:1、凉山诗人群新时期以来诗歌创作的大致发展脉络:在母族文化的基质之上的多元诗艺探索,其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态;2、新时期彝族凉山诗人群汉语诗歌创作的特点,即民族文化意识的深层自觉,对诗性的关注和探索;3、新时期彝族凉山诗人群汉语诗歌创作的缺陷,即情感意蕴的雷同和创作格局的狭小。

Among these poets are Jidi Majia, Luowu Laqie, Bamo Qubumo, Aku Wuwu, Asu Yue'er, Enimusha Sijia, etc.

这些彝族诗人包括吉狄马加、倮伍拉且、马德清、巴莫曲布嫫、阿库乌雾、霁虹、阿苏越尔、俄尼牧莎斯加、沙马等。

Alpheus recognized her new form and presently took his formershape to join with arethusa and enjoy her company.artemisthen broke the ground and arethusa sank down and flowed all the way through the under world from southern greece to sicily .she rose up again at syracuse,only to find that therivergod had endured the darkness of the lower world andturned up as a stream as well.mixing his waves with hers,hegained her love in the end.

河神认出了泉水就是仙女,他自已马上也变回了原来的模样,以便与仙女同流,享受她的陪伴。阿耳特弥斯只好劈开地面,仙女阿瑞塞莎便一直沉陷下去,穿过阴间,从希腊漂流到西西里岛。最后在锡拉库扎露面,结果发现河神忍受了阴间的黑暗,也变成了一条溪流出现在她面前。他们交汇在一起,他终于得到了她的爱。

B. Raper of the University of East Anglia -- systematically varied parameters in simplified climate models.

东安'。''格利亚大学的莎拉·雷裴一系统地改变了简易气候众数的参量。

Despite its extremely long name, St-Georges-de-Windsor is a tiny village nestled in the Appalachian Mountains.

尽管它非常长的名字,圣乔治德温莎是一个小村庄坐落在阿巴拉契亚山脉。

My dear, the Archbishop of Canterbury has slept with Sarah.

亲爱的,坎特伯雷的大主教也和莎拉睡过。

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推荐网络例句

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸,那乌黑、忧郁的眼睛,她便会相信,他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失

But because of its youthful corporate culture—most people are hustled out of the door in their mid-40s—it had no one to send.

但是因为该公司年轻的企业文化——大多数员工在40来岁的时候都被请出公司——一时间没有好的人选。