拉瓦格

If Ho?ava gravity is true, argues cosmologist Robert Brandenberger of McGill University in a paper published in the August Physical Review D , then the universe didn't bang—it bounced.

麦吉尔大学的宇宙学家罗伯特·布兰德伯格在8月的《物理评论D》上发表文章称：如果赫拉瓦引力论正确，那么宇宙并没有爆炸，而是伸缩。

Ulm, Wagram, Jena, Friedland, died with them.

乌尔姆、瓦格拉姆、耶拿、弗里德兰①的声名也正随着他们死去。

Terry Gilliam's Fear and Loathing in Las Vegas is a Wagnerian movie," he says."

特里·吉列姆的《恐惧拉斯维加斯》是部瓦格纳式的电影。

There are many artists that inspire Kodda -- Carvaggio, Ingres, Poussin and Van Loo, just to name a few.

有许多的艺术家赐予Kodda创作灵感，比如卡拉瓦乔、安格尔，普桑（17世纪法国巴洛克时期重要画家）和凡卢。

His argument, known as the Hockney-Falco thesis, is that great artists of the past, such as Ingres, Van Eyck, and Caravaggio did not work freehand, but were guided by optical devices, specifically an arrangement using a concave mirror to project real images.

在那部著述中，他暗示过去最伟大的艺术家们，譬如安格尔、范·爱克，和卡拉瓦乔不是空手工作的，而是采用了光学设备的导引，特别是采用一面凹镜的一种安排，用以投影实像。

Unfazed, Karajan managed to stage such major works as Strauss's Salome and Wagner's Die Meistersinger .

但卡拉扬以他无畏的精神仍上演了如施特劳斯的萨洛米和瓦格纳的歌者这样一些大型作品。

The keywords with context were enough to remind him that Wagner's opera Parsifal was a tribute to Mary Magdalene and the bloodline of Jesus Christ, told through the story of a young knight on a quest for truth.

带有上千文的关键词给了他足够的信息，提醒他瓦格纳的歌剧《帕西法尔》是一部通过讲述年轻骑士寻找真理的故事，专门献给抹大拉的玛利亚，以及耶稣基督后裔的艺术作品。

In his way﹐Wang Du was fashioning his concept of the artist as self-media at the same time as a number of other artists who were active in this regard﹐including Pierre Huyghe and his Mobil TV﹐created with melik Ohanian in 1995 and 1998﹔Lincoln Tobier and Rirkrit Tiravanja and Radio Printemps＆...

以他的独特的方式，王度塑造了他对于自助媒体的观念，与此同时，还有1995年和1998年皮埃尔。雨戈和梅里克。欧阿年制作的《移动电视》，林肯。托比耶和里尔克利特。提拉瓦尼亚在1996年制作的《春天广播电台及其它》和2000年的《多功能电台舱》，格里高利。

The uprising must be put down swiftly, for if Grumlok is to maintain control of the Waaagh!, he cannot afford to show any sign of weakness.

若古拉姆洛克想控制住瓦格，就决不能表现出丝毫软弱的迹象，这次叛乱必须立刻被镇压。

Philosophers of the tradition, to the degree that they had thought about art at all, thought chiefly about the art of their own time: Plato, about the illusionistic sculptures of his contemporaries; Kant, about the tasteful objects of the Enlightenment; Nietzsche, about Wagnerian opera; the Wittgensteinians, about the extraordinary proliferation of styles in the twentieth century, when a whole period of art history appeared to last about six months.

传统的哲学家们，就他们对艺术所做的思考的范围而言，想的主要是他们自己时代的艺术：柏拉图，想的是他的同代人搞的那些幻象性质的雕像；康德，想的是启蒙时代的那些颇有品味的东西；尼采，想的是瓦格纳的歌剧；魏特根斯坦，想的是二十世纪各种风格的大量繁殖（其时整个一个艺术史阶段似乎只延续六个月）。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。