押韵的

Yall already know what it is and if you don't Then the great Mannie Fresh will enlighten you Ladies and gentlemen, pimps and playas Half ass rappers and true rhyme sayers This is the Carter, so hold onto your teenage daughter Because this is the Carter, a lot more rich and a whole lot smarter Wayne in ya brain young Carter Wayne in ya brain young Carter Who am I, young wizzle fa shizzle Flow sicker than a third floor in hospitals My charm starburst, my watch skittles I'm hot sizzle, what up hot bizzle Holla at a playa, I'm sorta like BD Yall can't stop my dribble, or block the lay-ups Soft top the Coupe, mami pop her too Don't chase the feelin baby girl let it come to you Remove the ceiling on the girl now she comfortable I'ma world class G mami fuck wit dude I got Lazy-Boy bank that's comfort low I'ma offense coordinator run the shoe You watch your grill what you ought to do Fore' your ribs get barbecued And my ribs is showin I say I'm starving dude This, this, this, this, this is the Carter dude What up Reel, c'mon I'm the Birdman Birdman Jr. bitch I be high in the sky shit on you and yo bitch I be flyer than your guy nigga lose the prick Now if ya follow everything just grab a wing And we could sssssshhhhhhhh All the way down to the mall and bet I buy it all Young Mar' picture the broad lick All the way down to the balls then she wipe it off If getting money is wrong I ain't right at all I young money a car I just write it off I'm the boss of my own shit, I'm my own click I would say fuck ya but go and get ya own dick Get ya game up boy hustle harder This, this, this, this, this, this, this, this, this Get ya game up boy hustle harder This, this, this, this, this, this is the Carter, yea And yall better blame Baby Cuz he the muthufucka that made me, and I'm crazy And yall ask why I never left the navy Cuz he the muthufucka that pay me, is you crazy Young, young, young wizzle baby Give you yo issue, me don't wanna kiss you No, no, no me no want no bullshit So, so stop baller blockin cuz a nigga hood rich And I floss everyday because I could bitch So holla at ya boy cuz I'm still on some hood shit Like, like, like whats really good wit ya mom or your lil boy And your sister lookin good shit, shit I'm still Apple Eagle weasel 1-7 Hollygrove never ever ever leave you I got yall waitin on my sequel This, this, this, this, this, this is the Carter people

yall已经知道它是什么，以及如果你不然后伟大mannie新鲜会启发你女士们，先生们，皮条客和普拉亚斯半驴说唱和真正的押韵sayers 这是卡特，所以举行到您的十几岁的女儿因为这是卡特，有很多更丰富的和整体堑，长一智韦恩在亚脑青少年卡特韦恩在亚脑青少年卡特我是谁，年轻wizzle发shizzle 流病加重了超过三分之一的楼在医院我的魅力starburst ，我的观赏skittles 我的热点sizzle ，有什么了热bizzle holla在playa ，我sorta一样，屋宇署 yall不能阻止我的运球，或阻止裁员的UPS 软顶的跑车， mami弹出她太不追赶feelin女婴，让它到你们这里来删除的上限，该名女童，现在她舒适我是世界一流的克mami他妈的束手无策dude 我懒惰-男童银行的舒适度低我的进攻协调员运行擦鞋您看您的烧烤什么，你应该做的前列'你的肋骨，获得烧烤和我的肋骨是showin我说我挨饿， dude 这，这，这，这，这是卡特dude 什么了轴， c'mon 我是birdman birdman小荡妇我高，在天空中shit外围对你和摇摇荡妇我比你的传单家伙nigga失去刺现在，如果亚后续的一切只是抢到的一翼我们可以sssssshhhhhhhh 所有的方式到商场和打赌，我买它的所有年轻三月'图片广大舔所有的方式到球，然后她擦拭它关闭如果得到的钱是错误的I是不正确的，在所有 i年轻的钱买车，我只是将它写小康我的老板，我自己的shit外围，我自己的点击我会说他妈的亚，但去获得亚自己的迪克获得亚的游戏了男童hustle更难这，这，这，这，这，这，这，这，这获得亚的游戏了男童hustle更难这，这，这，这，这，这是卡特，雅和yall更好地归咎于婴儿 cuz他该muthufucka使我，我疯了和yall问，为什么我从来没有离开海军 cuz他该muthufucka薪酬，我是你疯了青少年，青少年，青年wizzle婴儿给你呦问题，我不想亲吻你不，不，不，我没有想没有布尔什特所以，所以停止球员blockin cuz一nigga遮光罩丰富我每天用牙线，因为我可以荡妇因此， holla在亚男童cuz我仍然对一些遮光罩shit外围像，像，像什么真正好的束手无策亚妈妈或您的莉儿男童和您的妹妹来查找良好shit外围， shit外围我还是苹果鹰weasel 1月7日hollygrove以往任何时候都从未离开你我得到yall waitin对我的续集这，这，这，这，这，这是卡特人

Apart from school work, I wrote vers d' occasion, semicomic poems which I could turn out at what now seems to me astonishing speed -- at fourteen I wrote a whole rhyming play, in imitation of Aristophanes, in about a week -- and helped to edit school magazines, both printed and in manuscript.

除了学校的写作任务，我还写些半诙谐的&应景诗&。我写这些诗的速度现在看来真使我吃惊。14岁时我模仿亚里斯多芬的笔调写了整整一出押韵诗剧，才用了一个星期。我还参加编辑校刊，这些有印刷的，也有以手稿的形式传阅的。

Following Li Ch'ing-chao's lead, Lin examines the crucial relationship between poetry and music in general, focusing specifically on the development of what he calls the "intrinsic music" of tz'u —uneven line-lengths, strophic divisions, complex rhyme schemes, alternation of level and oblique tones, and intricate tonal patterns differing from those of regulated verse—that evolved in conjunction with the "extrinsic music" of banquet songs and continued to govern the aesthetics of song lyrics long after the tunes had been lost.

沿着李清照的思路，林顺夫诗是音乐的一般关系，将重点放在其所谓的词的&内在音乐&上——长短不一的句子、分开的段落、复杂的押韵安排、平仄相间的格律、错综的音调——已经发展了的其与宴会歌曲之&外在音乐&的联系，尽管其失传已久并继续受宋词美学支配。

Gaze on haze and days of fades: You'll see phases of L's and K's in gold rays Praise my shades by maze of phrase: We'll see pays by laze in old ways (life of lies,typed life I'm a rhyme,in this time life of lies,typed life I'm a rhyme,in this time) That has all of my fortune But was called on for his fore tune What does wall do well for dune?

凝视的阴霾，天相：你会看到L的黄金和K线的阶段一句赞美的迷宫我的色彩：我们将看到在旧的方式支付懒散（谎言的生活，生活型我是一个韵，在这个时候谎言的生活，生活型我是押韵，在这个时间）这有我的所有财产但要求他脱颖而出的调子什么墙做好了沙丘？

Joy, humor, and playfulness are indeed assets; it was not mainly for the alliteration that I wrote of "happy hordes" above, and it is no mere joke that the Linux mascot is a cuddly, neotenous penguin.

欢乐、幽默，和趣味是真正的财富；我在上面写的关于&快乐的一群&主要不是为了押韵，Linux的吉祥物是一个可亲的、稚气犹存的企鹅也不仅仅是玩笑。

Folk song has special charm of using "lay-folk poem" language. This paper discusses the characteristics of folk song's language from stylistic perspective in three parts. The first part discusses the concept of folk songs, the context type and its style belonging, confining the researching, analyzing the producing context of folk songs and introducing its style belonging simply. The second part analyzes the characteristics of 'lay-folk poem' language by using a number of examples, which includes the aspects of orallisition of its vocabulary application, the concision and deviation of its grammar, its regular rhetoric technique, the foil word and rhyme. The third part emphasizes the folk songs' function that different from other styles in emotion expressing, aesthetic views and practical aspects.

本文从语体角度分三个部分来探讨民歌语言的特色：第一部分阐述了民歌的定义、民歌语体的语境类型及语体归属，对本文的研究范围做出了界定，对民歌语体语言的生成语境做了分析，对民歌的语体归属做了简单的说明；第二部分从词汇运用的口语化、生活化，语法的简洁性与偏离性，常用的修辞手法，衬词及押韵五个方面来分析民歌语体的&平民诗歌&的特征，通过大量例证突出了民歌语言的特点；第三部分从表情、审美、实用三个方面对民歌的功能作了阐述，突出民歌语体有别于其它语体的特征。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。