押韵

Following Li Ch'ing-chao's lead, Lin examines the crucial relationship between poetry and music in general, focusing specifically on the development of what he calls the "intrinsic music" of tz'u —uneven line-lengths, strophic divisions, complex rhyme schemes, alternation of level and oblique tones, and intricate tonal patterns differing from those of regulated verse—that evolved in conjunction with the "extrinsic music" of banquet songs and continued to govern the aesthetics of song lyrics long after the tunes had been lost.

沿着李清照的思路，林顺夫诗是音乐的一般关系，将重点放在其所谓的词的&内在音乐&上——长短不一的句子、分开的段落、复杂的押韵安排、平仄相间的格律、错综的音调——已经发展了的其与宴会歌曲之&外在音乐&的联系，尽管其失传已久并继续受宋词美学支配。

By the age of twelve she had written an "epic" poem consisting of four books of rhyming couplets.

在她12岁的时候，她已经写出了由有押韵对句的4本书所组成的&叙事诗&。

He said she would slap down a line, and if she couldn't find anything to rhyme with it would just scratch it out and slap down another one, and go ahead.

他说，她随便一抹就是一行。这时，如果她找不到能为下一句押韵的，她便把那一句抹掉，重新开头。

He said she would slap down a line, and if she couldn't find anything to rhyme with it would just scratch it out and slap down another one, and go ahead.

她不需停下来想啊想的。他说，她随便一抹就是一行。这时，如果她找不到能为下一句押韵的，她便把那一句抹掉，重新开头。

If you want "Adieu" to chime with "you", don't pronounce it in French -- simply opt for the Anglicized version,"Adyoo".

如果你想使&Adieu&和&you&押韵，那就别用法语发音，就简单地用英化的译音&Adyoo&。

ChapterⅠintroduces the intention, significance and methods of the research from the angle of Chinese historical phonetics. Following the course of re-examining materials, ChapterⅡsurveys the pattern of rhyme, excerpting the metrical feet, ChapterⅢconnects the rhyme categories, the rhyme of different systems contacting with each other, and literary reading and colloquial reading. ChapterⅣcompares the rhyme cateories of traditional Hua-gu opera in Changsha with traditional rhyme tablesd, as well as those of traditional Hua-gu opera in Shaoyang. The total study is conducted to become united with dialect. ChapterⅤcontains the surplus discussion with three theories: the rhyming quality, the connection between rhyme categories and oral speech, between those of literary readings in traditional Hua-gu opera.

本文正文分为五章：第一章从音韵学角度，讨论了花鼓戏用韵研究的背景、意义以及研究方法；接着谨遵韵脚字系联法的步骤，第二章侧重材料分析，包括甄别材料、审度韵例、摘录韵字，第三章侧重韵部系统，包括归纳韵部、异部相押以及文白异读的情况；第四章对传统剧目的韵部系统进行了纵横(与邵阳传统花鼓戏韵部系统的比较)两条线的考察，结合方言是纵横考察过程中的重要环节；第五章是余论部分，主要讨论了三个理论性问题：长沙传统花鼓戏押韵的性质、韵部与实际语音的关系以及与长沙读书音的关系。

Across the watery bale , and shout again, Responsive to his call,-- with quivering peals, And long halloos, and screams, and echoes loud. Redoubled and redoubled:concourse wild Of jocund din!

自由诗：现代诗中常见的体式，长短不同的诗行存在于同一首诗中，不讲究押韵与格律，只注重诗歌所表达的意象和传递的情感。

Mack's lush and lovable illustrations suit the lulling, rhyming text to make a perfect bedtime book sure to leave readers and listeners with warm and fuzzy feelings read after read.

麦克的郁郁葱葱和可爱的插图适合lulling，押韵的文字作一个完美的睡前书一定要离开温暖的读者和听众和模糊的感觉后读阅读。

Because at that time, I thought that everything that rhymed was true.

因为当时我很相信押韵这回事

Their name I recall clearly, for it rhymed with that of the river.

他们的名字，我却记得很清楚，因为他们的名称那与这条河的名字相押韵。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。