披上

Da Bukua look at the Turkic people who eat the cake is soft, put on combat clothing is a group of steel-Xia.

再看人家打不垮的突厥人，吃的是柔软的饼，披上战衣就是一群钢铁侠。

To put a civilized coating on violence through the double talk of ideals, is not to bring violence to an end.

通过空谈的理想给暴力披上文明的外衣并不会结束暴力。

And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us——then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master——her son in that he loves her, her master in that he knows her.

当夜晚的雾霭为河畔披上诗意般的面纱时，破旧的矮房消失在朦胧的天际，高高的烟囱好似了座座矗立的钟楼，货仓都好似夜晚的宫殿，整个城市都悬在天空，犹如仙境---无论是工人还是文人，智者还是浪荡子都匆匆赶回家，他们不明白，也没能欣赏这一切。然而自然就给他的孩子，她的主人---艺术家歌唱，婉转动听。因为是她的孩子，她的主人，所以艺术家深深的爱着她，深深地懂得她。

And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us——then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master——her son in that he loves her, her master in that he knows her.

当夜幕为如诗的河岸披上一层面纱，破旧的房屋消失在昏暗苍穹中，高耸的烟囱如同一座座钟楼，仓库成了瑰丽的宫殿，整个城市悬置在天堂，如幻仙境尽收眼底——仓促的人们总是行色匆匆。无论是庄稼汉还是知识分子，聪明人或者乐天派，都看不见也懂不到。这个时候，自然哼着优美的曲子，把最完美的旋律只给了艺术家一人。艺术家就是她的儿子和主人——他像儿子一样爱她，同时又如主人一般了解她。

And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us——then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master——her son in that he loves her, her master in that he knows her.

当暗夜迷雾给河滨披上诗般的轻纱薄衣，可怜的建筑在暗淡的天幕下迷失自我，高耸的烟囱变成了钟楼，货栈成了伫立在夜间的宫殿，整座城市游荡在天际，仙境就在眼前---流浪者正朝家的方向疾去；工人与雅士，智者与享乐主义者，不再了解，正如他们已不再对之投以目光。而大自然，曾只为艺术家---自然之子，自然之主---一开金嗓，仙乐悠扬。艺术家作为自然之子，深爱其母；艺术家亦是自然之主，对自然的理解不在话下。

During the Hindu festival of Diwali, celebrants will don his garlands and offer them to the goddess Laxmi.

在印度节日排灯节中，欢庆者会披上他的花环，并将其献给女神Laxmi。

During the Hindu festival of Diwali, celebrants will donhis garlands and offer them to the goddess Laxmi.

在印度节日排灯节中，欢庆者会披上他的花环，并将其献给女神Laxmi。

It was springtime. The trees, creepers, and plants were covered with new leaves and blossoms. The very air seemed laden with joy.

这是春天，树木、爬虫和庄稼都披上了花和叶的新装，处处扬溢着欢乐气氛。

Partly inspired by the spiraling forms and delicate colors of shells, the skirts and dresses came draped, twisted, and inserted with edgings of feather and flashes of metallic embellishment.

部分灵感的螺旋形式和微妙的颜色贝壳，裙子和女装来披上，扭曲，并插入与edgings羽毛和闪烁金属点缀。

Wait till dark with your fairy queen before donning a warm, easily removed winter coat and running out into the snow to make some love.

等到你童话女王之前披上漆黑温暖、易清除出冬衣及跑步雪使一些爱。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。