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the chinesesword, first known as weapon used on the battlefield, has been available for other uses other than military use alonesince the cavalryman didn't need to cut andstrike in wars as times went by.it functions as the limited transferring from the reward and power in emperors' hand, converts to enthusiasm of decoration representing the class, age and reflecting thesocialstatus in the ornamental band worn by nobles, deepens to the concepts of "three cutting-edges and four blades" in the hands of martial artists in terms of developing technologicalsystems of various ways and forming the performingstyle of"gong xing zui mian "aspecial way of performingsword posing as the regular , running, andsoft-typescript in chinese calligraphy, or as a drunk man trying to demonstrate the proficiency instriving for the balance in performance.

剑,首先从战场格杀进入人们视野,后来随着骑兵作战对砍劈的需要逐渐从军事前台退出,被人们移作他用。第一,进入社会生活的剑,在王者对剑"天下"和"军权"的新解读中,作为权力的象征和控制的对象,剑成为王者的赏赐之物和权力的有限让渡。第二,进入社会生活的剑,原先兵剑制作对硬度和韧性的考究,在达观贵族的佩带中转化装点的热情、形成"带剑"阶层和年龄的界定,并从不同装点和规定中折射社会地位。第三,进入社会生活的剑,兵剑实践形成的锋之刺、刃之斩技术,在武术人手中深化为"三锋四刃"的认识,建构了不同方法的技术系统,形成了"工行醉棉"演练体式;在大众手中成为砍病魔、挥心理阴影的健康道具。

With the rich sediments supplied by the Pearl River, under the paleogeography sedimentary background of Baiyun Sag continuously subsiding, with sedimentary sequences related to relative transgressive sea level change ,contrary to regressive eustasy, the Pearl River Deepwater Fan System has specific evolution characteristics, which left the sedimentary record controlled by peripherical significant geological events. The sharp change of deposition rate and lithologic geochemical characteristics about 23.8Ma sequence boundary demonstratesd that sediment source had changed, perhaps related to the uplift of Tibet plateau and spreading of the South China Sea, which led the paleoPearl River drainage to expand to western China plateau , maybe much broader than present.

珠江深水扇系统以珠江为沉积物源、以持续深沉降的白云凹陷为沉积古地理背景、以与全球海退型海平面相反的相对海侵型海平面变化的沉积层序构成了其发育演化的特殊性,并留下了控制沉积的周边重要事件的记录。23.8 Ma等界面沉积速率和岩石地球化学特征均有突变,反映出物源区的变化,可能折射出与青藏高原隆升、南海扩张有关的重要事件,使得古珠江骤然向西部高原拓展,甚至较今天的珠江流域范围还广阔;承载珠江深水扇系统的白云凹陷持续沉降形成了陆坡内盆地,导致21~10.5 Ma BP多个层序深水扇垂向叠置充填的特殊沉积建造;根据60多口井资料建立的相对海平面变化曲线,具有与全球海平面变化相一致的三级旋回和不一致的二级旋回。

With the rich sediments supplied by the Pearl River, under the paleogeography sedimentary background of Baiyun Sag continuously subsiding, with sedimentary sequences related to relative transgressive sea level change ,contrary to regressive eustasy, the Pearl River Deepwater Fan System has specific evolution characteristics, which left the sedimentary record controlled by peripherical significant geological events.

珠江深水扇系统以珠江为沉积物源、以持续深沉降的白云凹陷为沉积古地理背景、以与全球海退型海平面相反的相对海侵型海平面变化的沉积层序构成了其发育演化的特殊性,并留下了控制沉积的周边重要事件的记录。23.8 Ma等界面沉积速率和岩石地球化学特征均有突变,反映出物源区的变化,可能折射出与青藏高原隆升、南海扩张有关的重要事件,使得古珠江骤然向西部高原拓展,甚至较今天的珠江流域范围还广阔;承载珠江深水扇系统的白云凹陷持续沉降形成了陆坡内盆地,导致21~10.5 Ma BP多个层序深水扇垂向叠置充填的特殊沉积建造;根据60多口井资料建立的相对海平面变化曲线,具有与全球海平面变化相一致的三级旋回和不一致的二级旋回。

Second, there are four Chapters of this paper: Chapter I Russian History and the fate of intellectual in the 20thcentury, which unscrambles the very historical context reflected by Doctor Zhivago. It refers to the changes of Russian history and politics, the fate of Russian intellectual, the living condition of Pasternak in the torrent times. Chapter II The choice of fate by Russian intellectuals, specificly analyses different choices by different intellectuals, in order to prominent truly noble character of Russianintellectuals; ChapterⅢThe spiritual confusion of Russian intellectuals, analyses the basic formation of their spiritual confusion in the 20th century context of Russian History. It refers to the disjunction between reality and ideal, the tragedy of Hamlet-like character, and Zhivago-like spiritual orphan of Jew. Chapter IV The spiritual remolding of the Russian intellectuals, which profoundly analyzes the relationship among Tolstoyism, Christian faith and belief of the humanitarianism on the blue print of Doctor Zhivago's spiritual experiences, therefore, reflects the tropism of humanitarian value of Russia in the 20th century.

其次,正文部分共分四章:第一章&20世纪俄罗斯历史与知识分子的命运&,主要是从20世纪俄罗斯历史与政治变革、20世纪俄罗斯知识分子的命运、处在时代漩涡中的帕斯捷尔纳克的生存境遇等方面,来(来源:6a6aAB5eC论文网www.abclunwen.com)解读《日瓦戈医生》所反映的特定历史语境;第二章&俄罗斯知识分子的命运选择&,通过具体分析在特定的历史语境中,俄罗斯不同类型的知识分子对于命运的不同选择,以突出真正的俄罗斯知识分子高贵的人格品质;第三章&俄罗斯知识分子的精神困惑&,从理想与现实的脱节、&哈姆雷特式&的性格悲剧、日瓦戈式的&犹太精神孤儿&等方面,具体分析了20世纪俄罗斯历史语境中知识分子精神迷茫的基本形态;第四章&俄罗斯知识分子的精神重塑&,以日瓦戈医生的精神历练为蓝本,对20世纪俄罗斯知识分子的精神重塑与托尔斯泰主义、基督教信仰以及对人道主义的崇信的内在关系做了深刻解剖,从而折射出20世纪俄罗斯社会的人文价值取向。

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述,分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观,并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点:一,勋柏格对于音乐历史的认识:通过德奥音乐界前辈给予他的创作启示,以及勋伯格对自己几个创作阶段的发展历程的总结,阐述了他对于艺术中的传统与革新之间的关系的辩证认识,并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系;二,勋柏格的民族主义音乐观:通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识,总结了他的&重艺术音乐,轻民间音乐&、&重西欧音乐,轻非西欧音乐&的观点,从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&,这是一个浸润着浓厚的西欧文化中心论色彩的观点,也是贯串他毕生的音乐思想的重要观点之一;三,勋柏格对音乐教育问题的见解:勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养;四,勋柏格对当代音乐批评家与音乐批评方法提出的要求:音乐批评家必须具备作为一名音乐家的专业修养,要以真实、客观的态度对待音乐批评这门神圣的职业,充分运用内心的艺术联想向公众再现作曲家的意图,而不是将个人见解强加于受众;同时,批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测,在音乐批评的具体范畴中,应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

In the first part of this thesis, Stress relaxation method set up in the software of DMA was used to perform the aromatic and aliphalic (D2192-BAPP) PI film stretching process. To study the optical anisotropies property to the light leakage from the crossed polarizers, we put the stretched samples into one set of crossed polarizers and as expected, the stretched PI films could reduce the light leakage at view angle of ±45 deg, and exhibited a visually observed compensating property of an A-plate. No color shift wasobserved, and the birefringence was very uniform. These results prove a uniform birefringence can be obtained by a stretched process for PI films.

首先,我们以动态机械分析仪的应力缓和模式对芳香族FDA-BAPP PI及脂肪族D2192-BAPP PI薄膜进行拉伸实验,并将拉伸后的PI薄膜置於一组相互交差的偏光片中观察其光学异向性,发现拉伸后的PI薄膜试片可以降低在±45o视角的漏光的效果,展现出如同A-Plate的光学补偿特性,所显现的光学补偿效果相当的均匀而且没有色偏的情形发生,证实以拉伸方法可以造成PI薄膜很均匀的双折射效应。

The structure functions D of flux variations caused by refractive scintillations are calculated.

对折射闪烁引起的流量变化的结构函数D的计算表明,结构函数的幂律部份的指数P(D依赖于上述两个成份的相对散射强度,即在连续介质散射为主的情况下;而在薄屏散射为主的情况下;若两个成份的散射可相比较时,1<P<2。

Plates of globular cluster M3, taken with the 40cm refractor at Sheshan station of Shanghai Astronomical Observatory, are used by this work. The difference of epoch of these plates is up to 81years. The positions and absolute proper motions of 24 stars in ACT catalogue, which links with the Hipparcos Catalogue based on the International Celestial Reference System, are used as the reference frame. Using the central overlapping principle, the absolute proper motions of 534 stars in the region of about 100'×100' around the cluster are determined. After the membership determination of the stars which based on the data of proper motions, average absolute proper motion components for the cluster of -0.3±0.3 mas/yr in R.A.

本文使用上海天文台佘山40厘米折射望远镜拍摄的14张最长时间跨度为81年的球状星团M3底片的PDS扫描结果,使用与 Hipparcos星表相联系的基于国际大球惯性参考系的ACT星表中的 24颗恒星的位置和绝对自行为参考架,用中心重叠法进行天体测量归算,得到了这个星团中心附近100'×100'天区内534颗恒星的位置和绝对自行,并利用这些自行对成员概率进行了估算,得到这个星团的赤经方向绝对自行为- 0.3±0.3mas/yr,赤纬方向绝对自行为-3.1±0.3mas/yr。

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