抗争

From Act III, he is beginning to overcome feelings of depression, lofty ideals and a sense of responsibility. made him aware of the need to take action to fight unreasonable fate, so he took a series of vigorous measures revenge, Jian Wang from the show taken from real crime to rewrite Mitsunobu undermining Jianwang his deportation to Britain then trying to plot the assassination of the final Jian Wang, a state minister to his like-minded cronies. This is all demonstrated his ingenuity, courageous, calm careful and superhuman knowledge.

从第三幕起，他忧郁的心情开始得到克服，崇高的理想与责任感，使他意识到必须以行动来抗争不合理的命运，于是他雷厉风行地采取了一系列复仇措施，从采取演戏的方法从实奸王的罪行到改写密信，破坏了奸王把他放逐到英国，然后借刀杀人的阴谋，最终刺杀奸王，把国事托给他志同道合的密友，这无不表现了他的机智勇敢、镇定缜密以及超人的智慧。

Having taken on grizzled bare-knuckle fighters like Messrs Welch and Ellison, the trustbusters in Brussels are hardly going to be scared of the callow youths who founded Google.

收服老练的赤手空拳的抗争者，如韦尔奇和埃里森之后，布鲁塞尔的反垄断官员几乎不害怕羽翼未丰的Google成立者。

This article discusses the social status, characteristics and tragic fate of the two protagonists, Arab and Bartleby, and their tragic end brought by their different ways of struggle.

本文从两部作品的主人公亚哈和巴特比的社会地位、性格特征和悲剧命运的三个方面探讨了他们不同的抗争方式带来的同样的悲剧性结局。

This means it can compete with coal and nuclear for BASE LOAD utility supplies.

这也就意味着它在基本载重公共事业的供给上与煤和核能抗争。

It's symbolism to analyze Jane · Eyre and Basha. The are just indignant fire-fiend to fight against the inequality in society .

本文以"火"为切入点，从火的象征义看简·爱与伯莎，她们就是抗争不平社会的愤怒的火神。

That now, [ 5 ] While time was, our first-Parents had bin warnd The coming of thir secret foe, and scap'd Haply so scap'd his mortal snare; for now Satan, now first inflam'd with rage, came down, The Tempter ere th' Accuser of man-kind, [ 10 ] To wreck on innocent frail man his loss Of that first Battel, and his flight to Hell: Yet not rejoycing in his speed, though bold, Far off and fearless, nor with cause to boast, Begins his dire attempt, which nigh the birth [ 15 ] Now rowling, boiles in his tumultuous brest, And like a devillish Engine back recoiles Upon himself; horror and doubt distract His troubl'd thoughts, and from the bottom stirr The Hell within him, for within him Hell [ 20 ] He brings, and round about him, nor from Hell One step no more then from himself can fly By change of place: Now conscience wakes despair That slumberd, wakes the bitter memorie Of what he was, what is, and what must be [ 25 ] Worse; of worse deeds worse sufferings must ensue.

但愿现在再来这一声，使我们的始祖父母受到警戒，知道他们的隐敌即将来临，可以尽早躲避，免入致命的陷阱！因为这时撒旦首次怒火燃烧，下到人间，做为人类控拆者之前的诱惑者，前来要把自己第一次失败和溃逃地狱中去的怨气一齐倾泻在脆弱、无辜的人类身上：他的大胆远征，勇敢沉着的成功既不能说可喜，也没有炫耀的理由，他正要着手一个险恶的阴谋，混乱的心胸，澎湃，沸腾，像产前的阵痛，像一架魔鬼的机械反跳过来，打在自己的身上。恐惧和疑虑在混杂的思想中抗争着，从底层扰乱了心中的地狱，因为从他心中带来了地狱，并且紧紧地缠绕着他自己，他不能踏出地狱一步，正像他不能离开他自己，也不能用转换地方的手段以求逃离。

Under the uninterrupted impingement of western civilization, such as new-school, new-medicine, the bearcat of Chinese medicine rose up to struggle and successfully protected their fruit, making it avoid the fate of Japanese Hanfang medicine.

在"新学"、"新医"等西方新事物充盈整个社会的历史背景下，中医界有志之士奋起抗争，力保民国时期的中医学未像日本汉方医学那样终遭政府取缔而被革除于国家的医疗体系之外的命运。

The analysis of death subject can be regarded as an in-depth study of the author's death conscience and more importantly, the plight and struggle of the female in The Bell Jar.

由此，对于《钟形罩》中死亡主题的分析，无疑是对作者死亡意识在文本中升华的深入研究，更重要的是对文本中(来源：ABC78论8e文网www.abclunwen.com)所揭示的女性成长中的困境与抗争的进一步探讨。

Successful writer and scholar Jonathan Merrick falls under the spell of the irresistible, bewitchingly beautiful Ligeia. Shes fighting a fatal illness and she will stop at nothing to defeat death, her one true enemy.

成功的作家兼学者乔纳森梅里克陷入了不可抗拒的美丽的Ligeia，她正在与疾病和死亡抗争，她窃取别人的灵魂以求长生不老，她诱骗乔纳森成为助手，怂恿他离婚，乔纳森最终堕入黑暗与疯狂。。。。。

The first was the Imperium's bloody-minded refusal to die beneath the weight of heresy, secession, alien aggres?

其一，是帝国浴血抗争，誓不屈服于异端、分裂、异型入侵与恶魔肆虐的重压之下。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。