抗争

What are the ways by which gay-identified men define their sex/gender against the backdrop of the globalization of the virtual, the incipient internationalization of Western-modeled gay culture, and the particularistic histories of local sex/gender order?

被定义为男同性恋的男人，为了与空间的全球化背景进行抗争，为了反对处于发端阶段的西方模式的男同性恋文化，以及反对当地的性/性别秩序的特殊历史，采用了什么方法来定义自己的性/性别？

The passivism is world-weary People under this kind of psychological condition lose the hope of life to the future, pessimistic and desperate, lacking the courage rising in the adverse circumstance, the corresponding music should display the passion not daring to resist for the predicament to publish up right and foursquarly and struggle, strength in life find export of life set foot on the way forward again.

消极厌世这种心理状态下的人们对未来丧失生活的希望，悲观绝望，缺乏在逆境中奋起的勇气，相应的音乐出方正应表现不为困境勇于抗争的激情与斗争，在人生的劲头找到生命的出口重新踏上前进的道路。

The American entertainment is based on highly developped economic technology, entertainment is purely entertaining. The general public is willingly and passionately immersed in the sensual pleasure, the danger of"amusing ourselves to death"predicted by Portsman is real. The situation in China looks like that in the United States, but in fact, the technical development in China is not as overwelming as that in the States, the political element is still deeply involved in the individual life environment. Simplity of technology and complicity of psychological feelings stand out as main features of Chinese entertainment culture. People are using the forms of entertainment but refuse to be purely entertaining or entertained this is so called"amusing ourselves not to death".

就对大众的普遍影响力而言，美国娱乐文化的基于经济技术高度发达、享乐单一的现实，大众兴高采烈、心甘情愿地沉溺于感官刺激，面临波兹曼担心的&娱乐至死&的危险，而中国的娱乐文化表面上看起来趋同于美国，但一方面，中国的经济技术没有发达到统领一切的地步，另一方面，中国政治因素依然深入的渗透在的个人生存环境中，因此，中国的娱乐文化则更多地集中在技术简单、感受复杂的心理空间中，大众自觉不自觉以娱乐方式，却为不甘成为娱乐工具而抗争，可谓&娱乐不死&。

May be that they are sacrificing in order to protest.

可那都是为了抗争的牺牲。

The longer we remain in that place, fighting against the natural elements, the quicksand will turn from a soupy yet clingy mess to become concrete.

这样来想，我们卡住的地方好像我们在流沙里，我们呆那里越久，与自然元素抗争，流沙就会从沙状，到粘稠然后凝结。

13Do not straggly so much ,best things happen when not expected

不要做太多的抗争，最好的东西总是发生在出乎意料的时候。

When the puppets are unable to defeat them, the toys rain supreme, until that is the new Puppet Master repairs four of the puppets into new Cyber Mechanic defenders willing to rage war against their stringless counterparts.

当木偶不能打败他们的时候，这些邪恶的玩具将会更加恐怖。直到新的木偶主人修好木偶，使它成为机械战士，才能和那些无法阻止的对手抗争。

We have been so h opel es sl y dehumanized that for today's modest ration of food we are willing to abandon all our principles, our soul s, and all the efforts of our predecessors and all opportunities for our descendants--but just don't d is turb our fragile ex is tence.

为了得到自己那份吃不饱的口粮，我们无可救药地就把人性抛弃了，把我们所有的原则、我们的灵魂、前人的所有抗争、后人的所有机会都抛弃了，只为了让自己能够可怜地生存下去。

"You know what I'm going to ask," he said."Don't wrestle with these unarticulated thoughts, these new experiences, all this overwhelming understanding. Make a book out of it for me."

&你知道我将要要求什么，&他说，&不要再和这些散乱的意念、新的体验以及不可对抗的协议作抗争，为我把他们写成一本书吧？&

However, the labor-developing history backgrounds in United Kingdom and Germany are completely different. Because of the more widespread tradition of voluntarism, the workplace-based confrontation and uncompulsory arbitrations brought the British industrial relations to be criticized. Since the end of World War Ⅱ, social-economic Germany established the institutions of Co-determination and Collective Bargaining. There are agreements of voluntary negotiations between the social partners and are not determined by legal enactments or any other form of state interference. On the other hand, the organized work councils in workplaces represent the interests of employees and prove able to promote a high degree of social integration.

然而，英国与德国劳资互动的发展历史背景是截然不同的，英国长久以来以自愿主义为首的行事风格、以工作场所做为首要的抗争重地和独特的政府非威权式的处理劳资争议为其劳资关系中的三个特点，另一方面战后德国建立起「共同决定」与「团体自主权」的制度，工会与雇主团体於工资等条件展开自发性的谈判，而另一方面劳工也可以参与公司的营运与工作，这个制度对於劳资之间的对话、沟通及维护社会稳定起了很大的作用，德国得以在二次战后迅速发展成为欧洲重工业大国，并发展社会市场经济。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。