抗争

He revealed:''We have many players struggling with niggling injuries, so I''ve not studied the line-up yet.

他透露：我们有多名球员正在与伤病抗争，因此我还没有想好出场阵容。

Don't struggle so much,best things happen when noe expected.

不要做太多的抗争，最好的东西总是发生在出乎意料的时候。

Your moral and political support are essential ingredients of our non-violent struggle.

你们的道义和政治支持是我们非暴力抗争至关重要的组成部分。

However, it is important that our struggle must be based on nonviolence.

然而，我们的抗争必须基于非暴力原则至关重要。

Their struggles changed Meishi Street, a normal urban space, and gave it new meanings.

他们的抗争行动改变了煤市街寻常的市井空间，让它焕发出一种新的意味。

Don't srtuggle so much,best things happen when not expected.金库理财博客p-z nx:t

不要做太多的抗争，最好的东西总是发生在出乎意料的时候。

The characters of Song Zelai's social novels was diverse, and it's plot has a fixed pattern: the actor fought with the foul environment, but ended in failure, because of the defect of their own or the existence of the obstructor.

宋泽莱社会小说的人物多样化，情节则一个固定模式：行动者在面临一个恶劣的环境下抗争、奋斗，最后以失败收场，原因可能是自身的不足或者存在阻碍行动者的因素。

His works has made a great breakthrough in the neutralization of the tradition of writing in endeavor. It represents the time spirit of opposability. It enriches and deepenes the theoretical connotation of "writing in endeavor" since Si Ma-qian.

作品佯狂骂世的文字冲破了"发愤著书"的文论传统中儒家的中和思想，表现出一种与世抗争的时代精神，从而丰富和深化了司马迁以来"发愤著书"说的理论内涵。

Facing the unlucky life and rigorous reality, Emily shows strongly a tragic consciousness and adopts all sorts of counter measures to deal with the tragedies, presenting a tragic spirit of daring opposability.

面对不幸的生活和严酷的现实，埃米莉表现出强烈的悲剧意识，采取各种应对措施，表现出敢于抗争的悲剧精神。

And in me, to live, is also the only way to express their opposing.

在我看来，活着，也即是他们抗争的唯一表达方式。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。