投射

It can be inferred from the analysis of the two languages that people employ things they are familiar with to refer to abstract concepts, for example, the spatial concepts of UP and DOWN can be used for abstract concepts like NUMBER, STATUS, QUALITY etc.

两种语言中UP，DOWN空间概念的使用是人们遵循"近取诸身，远取诸物"的原则，将空间域的概念投射到数量，社会地位，情绪状态以及好坏等抽象概念域，以减小认知难度的结果。隐喻的使用和理解符合人类认知的普遍规律。

Actually any observation or utilization of "the ancient element" is rooted in feelings of "now". Practices of projecting skills of academism to the "fabric" of cultural relics are adopted by many and very Chinese. I know an example about XAFA.

毫无疑问的，观"古"，用"古"都是现代情绪，但是像程乾宁这样把学院派技法的惯性投射在文化遗产的"质地"上的做法，不在少数，同时也是十分中国特色的。

In his opinion: freedom in modern society is a kind of inter-control relationship between human and objects, that is an illusion of freedom; personality is the outcome of the batch production of consumer system; it is a kind of self-shoot, a shadowy self-comfort and satisfaction; the aesthetic distance formed the lonely state of modern human, this makes favor and identity be important motivity of consumption; nature here has been changed to naturety, it is a consumable symbol opposes to real nature; art and artworks gradually turns into sign; as the container and carrier of spirit, body has been changed to a separate object, a kind of capital that needs to be managed and operated; the inimitably expansion of image in mass media make human immerse in the aspiration of itself, which makes human fowardly go into the matrix of consumption.Abundant objects and information are accumulated in supermarkets and mass media, which give people an image of rich. At the same time, commodity appears in series to rise people's desire. The difference between kinds of commodity has gradually been erased, replacing the utility as object.

他认为：当代的自由实际上是人与物的相互操控关系，是人的自由幻觉；个性是消费系统中批量生产的产物，是一种自恋性的投射，一种虚幻的自我安慰和满足；审美距离则造成了当代人的孤独，这使得关切和身份认同成为消费的重要动力；自然已经变成自然性，成为对立于真正自然的可消费的文化符号；文艺复兴以来的艺术和艺术品逐渐由模仿转为表现再转为符号。

Objective To observe the developmental changes of projection and termination of proprioceptive afferent fibers in the mouse spinal cord.

目的观察本体觉传入纤维在小鼠脊髓内投射和终止的发育变化。

He brought up a hologram into the air over his computer terminal.

他用电脑终端把把一副全息图投射到空气中。

Amon Goeth: They cast a spell on you, you know, the Jews.

阿蒙·高斯：他们在你身上投射了一道咒符，你知道吗，犹太人。

Amon Goeth: They cast a spell on you, you know, the Jews. When you

阿蒙·高斯：他们在你身上投射了一道咒符，你知道吗，犹太人。

I cast my own shadow upon my path, because I have a l amp that has not

我投射我自己的影子在我的路上，因为我有一盏还没有燃点起来的明灯。

To estimate the effect of the NO on the amygdaloid complex, we studied the origin of the NOS positive fiber terminals in the medial amygdaloid nucleus .

研究NOS在杏仁复合体传入投射神经元中的分布情况，为进一步研究NO在杏仁复合体调控伤害性信息中的作用提供形态学依据。

With the method of HRP retrograde tracing, some labeled cells were observed in the LA and the basal amygdaloid nucleus after horseradish peroxidate injection into A-Ⅰ. Most of these labeled cells were separately distributed in these nucleuses.

六HRP逆行追踪实验表明，在AⅠ区电泳HRP可在同侧LA和杏仁基底核内观察到逆行标记神经元，从而证实在大鼠上杏仁体向听区皮层的直接神经投射的存在。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。