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抒情诗人

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Schopenhauer, who was fully aware of the difficulties the lyrical poet creates for the speculative aesthetician, thought that he had found a solution, which, however, I cannot endorse.

叔本华并不隐瞒抒情诗人的审美静观是哲学上一个难题,但是他自以为找到了答案,但我并不完全同意这个答案。

When Archilochus, the first lyric poet of the Greeks, hurls both his frantic love and his contempt at the daughters of Lycambes, it is not his own passion that we see dancing before us in an orgiastic frenzy: we see Dionysus and the maenads, we see the drunken reveler Archilochus, sunk down in sleep--as Euripides describes him for us in the Bacchae, asleep on a high mountain meadow, in the midday sun--and now Apollo approaches him and touches him with his laurel.

当第一个希腊抒情诗人阿奇洛科斯对吕甘伯斯的女儿表示热恋又表示蔑视之时①,我们不仅见到他的热情如醉如狂地悸动,我们还见到酒神和他的侍女们,见到酩酊大醉的阿奇洛科斯陶然的睡态,正如欧里庇德斯在"酒神侍者"中所描写的在高山草地上日中高卧那样。

Pindar, Greek lyric poet, 5th century bc.

希腊抒情诗人,希腊的抒情诗人,第 5 世纪 bc。

The writer of sonnets is sometimes referred to as "sonneteer"十四行诗人, but this word can be used to describe a terrible poet too.

另外一个指诗人的词是"troubadour",也就是游吟诗人或是抒情诗人,这个词多少有些中世纪的味道。

It is this Archilochus who most disturbs us, placed there beside Homer, with the stridor of his hate and mockery, the drunken outbursts of his desire.

所以,我们的美学必须首先答复这样的问题,就各时代的经验而言,所谓抒情诗人言必及"我",总是对我们有声有色地歌唱自己的眷恋爱慕,那么这种诗人又怎能算是艺术家呢?

Let us imagine, next, how he views himself too among these reflections--as non-genius, that is, as his own subject matter, the whole teeming crowd of his passions and intentions directed toward a definite goal; and when it now appears as though the poet and the nonpoet joined to him were one, and as though the former were using the pronoun "I," we are able to see through this appearance, which has deceived those who have attached the label "subjective" to the lyrical poet.

反之,抒情诗人所描写的画景不是别的,正是他本人,而且仿佛只是他自己的各种投影,因此他好象就是宇宙的运动的中心,可以高谈自我,不过,这个&我&,当然不是清醒的实践中人的&我&,而是潜藏在万象根基中唯一真正存在的永恒的&我&,而凭借这个我的反映,抒情的天才就能够洞察万象的根基。

If we enlarge on this, taking into account the most important phenomenon of ancient poetry, by which I mean that union-- nay identity--everywhere considered natural, between musician and poet (alongside which our modern poetry appears as the statue of a god without a head), then we may, on the basis of the aesthetics adumbrated earlier, explain the lyrical poet in the following manner.

此外,让我再指出一切古代抒情诗最主要的一种现象——往往抒情诗人与音乐家自然而然结合于一身甚且同是一人。就这点来说,现代抒情诗,在相形之下,就好象没有头颅的神象了。所以,根据上述的审美形而上学,我们可以说明抒情诗人如下。

One of a class of12th-century and13th-century lyric poets in Provence, northern Italy, and northern Spain, who composed songs in langue d'oc often about courtly love.

抒情诗人12至13世纪法国普罗旺斯,意大利北部和西班牙北部的抒情诗人,他们用中世纪法国南部方言创作宫廷爱情歌曲

Nor is it at all necessary for the poet to see only the phenomenon of the man Archilochus before him as a reflection of Eternal Being: the world of tragedy shows us to what extent the vision of the poet can remove itself from the urgent, immediate phenomenon.

然而,这位抒情诗人也不一定只能见到通过阿奇洛科斯其人反映永恒存在的这一现象;希腊悲剧就证明了:抒情诗人的幻想世界,同这种当然与它有密切关系的现象,相去甚远。

It is this Archilochus who most disturbs us, placed there beside Homer, with the stridor of his hate and mockery, the drunken outbursts of his desire.

所以,我们的美学必须首先答复这样的问题,就各时代的经验而言,所谓抒情诗人言必及&我&,总是对我们有声有色地歌唱自己的眷恋爱慕,那么这种诗人又怎能算是艺术家呢?

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