抒情的

I didn't know what day it was when you walked into the room I said hello unnoticed You said goodbye too soon Breezing through the clientele spinning yarns that were so lyrical I really must confess right here the attraction was purely physical I took all those habits of yours that in the beginning were hard to accept Your fashion sense, Beardsly prints I put down to experience The big bosomed lady with the Dutch accent who tried to change my point of view Her ad lib lines were well rehearsed but my heart cried out for you Chorus: You're in my heart, you're in my soul You'll be my breath should I grow old You are my lover, you're my best friend You're in my soul My love for you is immeasurable My respect for you immense You're ageless, timeless, lace and fineness You're beauty and elegance You're a rhapsody, a comedy You're a symphony and a play You're every love song ever written But honey what do you see in me You're an essay in glamour Please pardon the grammar but you're every schoolboy's dream You're Celtic, United, but baby I've decided You're the best team I've ever seen And there have been many affairs Many times I've thought to leave But I bite my lip and turn around 'cause you're the warmest thing I've ever found the end

我不知道那一天是当您走进房间我说您好忽视你说再见太早 breezing通过对象纺纱是这样的抒情我真的必须承认的权利在这里的吸引力，纯粹是身体采取了所有这些习惯你即在开始时均难以接受您的时尚感， beardsly打印我提出到的经验大bosomed夫人与荷兰口音试图改变我的角度来看她的广告库线，以及排练但是我的心呼喊着为您合唱团：您在我心中，您在我的灵魂您将我的呼吸急速，应我长大岁你是我的情人，您是我最好的朋友您在我的灵魂我的爱为你是无法估量的我尊重你的巨大您ageless ，永恒的，蕾丝和细您美丽和优雅您的Rhapsody ，喜剧你是一个交响乐团和发挥您的每情歌以往任何时候都以书面但是，蜂蜜，你有什么见在我您在一篇文章的魅力请原谅语法但您每一个学生的梦想您凯尔特，美国，但婴儿我已经决定您最好的球队我已经见过并有许多事务很多次，我已经想过离开但我咬我的嘴唇和掉头'事业的您致以最热烈的事，我从未发现最后

Therefore, in this thesis the first part combes the female prose's development in the 20th century, analyses its breakthrough and inherit to the former female prose ;The second part mostly investigates the female prose's abundant experiences personally,the imperfection experiences personally, mystery experiences personally and the experiences personally to the spirit, which comes from tne angle of the " experiences personally", by the help of the western philosophic standpoint and combinative concrete text The third part regards five female writers-Zhang liqin, Zhao Mei , Hu Xiaomeng, Xiao Min and Ma Li-as the represents, saying with the viewpoints of expression and language, emphasizing to analyze the female prose's sentiment language and their respective language styles .

本论文第一部分首先梳理了二十世纪女性散文的发展脉络，分析了新时期女性散文对以往女性散文的突破与继承；第二部分从&体验&的角度，借助西方生命哲学的观点，结合具体的文本，重点考察新时期女性散文的丰富性体验、缺失性体验、神秘性体验和精神性体验；第三部分以张立勤、赵玫、胡晓梦、筱敏、马莉五位作家的作品为代表，从语言和言说的角度，着重分析了新时期女性散文的抒情话语，以及她们各异其趣的语言风格。

And Pharaoh spoke to Joseph, saying, Your father and your brothers have come to you.

47：5 法老对约瑟说，你父亲和你弟兄们到你这里来了。

Additionally, the approximate flattening of surface strip using lines linking midpoints on perpendicular lines between geodesic curves and the unconditional extreme value method are discussed.

提出了用测地线方程、曲面上两点间短程线来计算膜结构曲面测地线的方法，同时，采用测地线间垂线的中点连线和用无约束极值法进行空间条状曲面近似展开的分析。