抑扬的

"Dactyl:a metrical foot consisting of one accented syllable followed by two unaccented or of one long syllable followed by two short, as in flattery ."

"扬抑抑格：诗韵的韵脚，由一个重音节紧接两个非重音节或一个长音节接两个短音节组成，如在flattery中。"

"Dactyl:a metrical foot consisting of one accented syllable followed by two un accented or of one long syllable followed by two short, as in flattery."

"扬抑抑格：诗韵的韵脚，由一个重音节紧接两个非重音节或一个长音节接两个短音节组成，如在flattery中。"

Lexicographical has this great pattern -- it's called a double dactal.

这个词有一种很棒的押韵，"扬抑抑格"。

And if a poet writes of the sufferings of Niobe --the subject of the tragedy in which these iambic verses occur--or of the house of Pelops , or of the Trojan war or on any similar theme, either we must not permit him to say that these are the works of God, or if they are of God, he must devise some explanation of them such as we are seeking; he must say that God did what was just and right, and they were the better for being punished; but that those who are punished are miserable, and that God is the author of their misery-- the poet is not to be permitted to say; though he may say that the wicked are miserable because they require to be punished, and are benefited by receiving punishment from God; but that God being good is the author of evil to any one is to be strenuously denied, and not to be said or sung or heard in verse or prose by any one whether old or young in any well-ordered commonwealth.

如果诗人去描写尼俄柏丧尽儿女令石头也流泪的悲痛——这些悲剧主题在诸如此类的抑扬格诗歌中随处可见——或者去描写佩罗普斯王族的父子相残，或者去描写特洛伊战争之类的主题，那么我们不能允许诗人说这些残暴故事都是神造的孽，就算跟神有关，那也应该解释清楚来龙去脉；他应该说明神帮扶正义和真理，而那些罪人的下场都是罪有应得；而不是去描写受到惩罚的人是如何如何的悲惨，神则是炮制这些悲惨的罪魁祸首——我们是不会让诗人这么去胡编乱造的；然而诗人可以去描写邪恶之人其所以都会其悲惨的结局是因为他们必须遭受惩罚，并因他们接受神的惩罚而使大家受益匪浅；说神代表着善却又是恶的帮凶会遭到所有人的极力反对，诗文中就再也不要去传播、歌唱或者道听途说地去宣扬这些恶事了，秩序井然的联邦中人民不论老少都不应该听到这些恶事。

A metrical foot consisting of one accented syllable followed by two unaccented or of one long syllable followed by two short, as in flattery.

扬抑抑格诗韵的韵脚，由一个重音节紧接两个非重音节或一个长音节接两个短音节组成，如在flattery中

"Dactyl:a metrical foot consisting of one accented syllable followed by two unaccented or of one long syllable followed by two short, as in flattery ."

&扬抑抑格：诗韵的韵脚，由一个重音节紧接两个非重音节或一个长音节接两个短音节组成，如在flattery中。&

In Greek mythology, Cods are characterized by the strong romantic and ideal inclination, while the China' s mythology features the incarnated Saints who are mostly prone to be ethical, historical and moralizing.

在希腊神话体系中，诸神和英雄身上有着强烈的对美的理想的追求和向往，感性的浪漫主义构成神话的基调；而在中国的古代神话中，诸神普遍具有一种历史化、伦理化的倾向和道德教化功能，神话传说成为扬善抑恶的道德教科书。

" Among the windings of the violins And the ariettes Of cracked cornets Inside my brain a dull tom-tom begins Absurdly hammering a prelude of its own, Capricious monotone That is at least one definite "false note.--Let us take the air, in a tobacco trance, Admire the monuments, Discuss the late events, Correct our watches by the public clocks.

随着小提琴的抑扬及铜号嘶哑的小咏叹调我的脑中响起了沉闷的咚咚声荒谬的敲打它自己的前奏曲，任意无常的单调那根本是一个明显的&错音&--让我们换一换空气，在烟熏的恍惚间，敬仰那些纪念碑，讨论时下新闻，跟街钟对表，然后坐上半个小时，喝点烈性的黑啤酒。

I'd say that "Cicadas" was written in loose iambics and irregularly dwindling lines, and that the feel of the stanzas is a repeated imitation of something described in the first stanza—a/running-down record, ground round/to full quiet.

我得说《蝉》是用宽松的抑扬格和不规则的减字句写成的，各节给人的感觉是在重复摹仿第一节中描述的某种东西——&一个/往低处流去的记录，环绕/饱满的宁静&。

All praised Tao Yuan-ming as a wise and hermit man with wisdom, nobleness, broad-minded and free from seeking fame and wealth, a drinker and poet with natural, pizazz, wide-minded and quiet. Although Qu Yuan was also admitted in the basis of his talent in literature, the more for his thoughts and behaviors were questioned and negated, even in irony attitude. Thus it formed a special tendency to the phenomenon of commending Tao Yuan-ming but restraining Qu Yuan.

对陶渊明无一例外地褒奖有嘉，呈现在我们面前的是一位明智、高洁、旷达、淡泊的智者和隐士，一位率性、潇洒、豁达、闲适的饮者和诗人；而对屈原，在承认他文才的基础上，更多的是对于他的思想和行为所投以的质疑、否定，甚至是讥讽的态度，从而形成&扬陶抑屈&的特殊倾向。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。