抑扬的

In this familiar land, I use the inherent frequency of the minor adaptation of our, or circumflex ton measures, or pathos clutch, been difficult to repeat the pace of walking on a familiar path.

在这熟悉的土地上，我用固有的频率调适着我们的中小调，或抑扬顿措，或悲怆离合，众口难调，重复的步调走在熟悉的小道。

As soon, however, as a spoken part came in, nature herself found the appropriate metre. The iambic, we know, is the most speakable of metres, as is shown by the fact that we very often fall into it in conversation, whereas we rarely talk hexameters, and only when we depart from the speaking tone of voice.

然而，一旦念白成分加入，悲剧马上就找到了符合自己的自然的格律，我们知道，抑扬格是最适合言说的格律，我们谈话中也会不自觉地使用，相反，六步格诗我们极少采用，除非我们特殊的语调言说。

Highly expresses feelings by the sublimate language, the poetry was song, read and chanted with its own intonation rhythm, which reveals the cadenced esthetic sense.

诗歌以高度升华的语言文字言志抒怀，歌之诵之咏之，凭藉其自身的声调韵律，显露出抑扬有致、顿挫有度的艺术美感。

He heard the rhythms of iambic pentameter and chanting, Hieros Gamos and sacred rites, resonating with the rumble of the jet.

他仿佛听到了五步抑扬格的节奏以及人们反复的吟唱，&神婚&与神圣仪式上的声音，在和着飞机的轰鸣声回响。

This dissertation mainly dicusses two issues: one is what is the criterion which can distinguish the good with the evil in education, the other is how to develop the good and discard or restrain the evil ineducation.

本文主要讨论了教育的善恶标准和教育扬善抑恶的机制问题。教育善恶问题是教育价值的根本所在。

In that shoreless ocean, at thy silently listening smile my songs would swell in melodies, free as waves, free from all bondage of words.

在无边的海洋上，在你静听的微笑中，我的歌唱抑扬成调，像海波一般的自由，不

In that shoreless ocean, at thy silently listening smile my songs would swell in melodies, free as waves, free from all bondage of words.

在无边的海洋上，在你静听的微笑中，我的歌唱抑扬成调，像海波一般的自由，不受字句的束缚。

In that shoreless ocean, at thy silently listening smile my songs would swell in melodies, free as waves, free from all bondage of words.

在无边的海洋上，在你静听的微笑中，我的歌唱抑扬成调，象海波一般的自由，不受字句的束缚。

Ballad meter is usually iambic. The number of unstressed syllables in each line may vary. The second and fourth lines rhyme.

民谣的韵脚往往采用抑扬格的形式，每一行中非重度音节的数目不等，二、四行押韵。

After learning about the DaoCang YuShuYan performing arts, because of inadequate high voice more generous, according to oneself condition to change, make full use of his voice low, chest resonance articles, good excercise lyrics, sui generis ShiChen, voice,"YangPa YuShuYan small", which is also YangPa old founder.

十六岁倒仓之后潜心学习余叔岩的表演艺术，因嗓音宽厚有余而高昂不足，故据己条件加以变化，充分利用自己嗓音篇低、胸腔共鸣较好的长处，行腔吐字抑扬婉转，自成一格，世称杨派，有&小余叔岩&之称，也是杨派老生的创始人。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。