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The second phase is from 1935 to 1936. During this period, Li Jianwu contributed to his first master of piece,"Ju Hua Volume". At the same time, he usually actively took part in the literary group named as "Jing Group". Therefore, he was regarded as the chief of delegates. Basically Li Jianwu holds the literary view of "Jing Group". For instance, he emphasizes the literary consciousness and aesthetic nature; he highlights the harmoniousness of writing and continency of author's sensibility. These are also reflected in the comparison between "Flaubert Comment Biography" and "Ju Hua Volume".

第二阶段从1935年到1936年,李健吾贡献出其批评的第一束奇葩--《咀华集》,这一时期李健吾基本上活跃在"京派"文人圈子中,因而一般被视为"京派"批评的首席代表,从《福楼拜评传》和《咀华集》的对照阅读中亦可以看出李健吾基本上持有"京派"文学观,比如说强调文学的自觉与审美性,强调作品的"和谐"与作家情感的"节制"。

Fish starts with the study of stylistics, while Culler establishes the reader on the basis of structuralist poetics.

尧斯和伊瑟尔的理论把历来在文学理论中评价最少的读者问题提到了中心意识上来,拓宽了理论研究的基础,极大地丰富和发展了读者反应批评的理论和实践,并为后者的批评研究提供了参照物。

Rising abruptly that the black feminism criticizes, is that doubleness that the woman suffers with black to the race and nature oppresses cannot to part,"coming into being that the black feminism criticizes since the black daughter critic and the writer realize the white race male sex and the female , black male sex is that heresy , this have helped to bring about all in the experience looking on self experience as a standard but looking at the black woman".

黑人女权主义批评的崛起,是与黑人妇女遭受到种族和性的双重压迫分不开的,"由于黑人女批评家和作家意识到白人男性和女性、黑人男性都在将自己的经验作为标准而视黑人妇女的经验为异端,这就促成了黑人女权主义批评的诞生"。

Moreover, upon comparison and demonstration, answers to the controvertial object of RC and procedure steps of RC have been suggested; and new light has been thrown on comprehending conceptions of"invention","stasis","enthymeme", etc.

此外,本研究对颇具争议的修辞批评对象、修辞批评的过程步骤,以及对"修辞发明"、"争议点"、"修辞推论"等概念的辨析,在比较和论证的基础上都提出了自己具有一定创新意义的观点。

Starting with a discussion on the aesthetic characteristics of the postmodern consumer society, the present article examines the rise of iconographical writing and criticism, their aesthetic characteristics as well as their future development from the perspectives of picture theory and cultural criticism.

内容提要:本篇论文首先讨论了后现代消费社会的审美特征,从图像理论和当代文化批评的角度审视了图像写作及其批评的崛起、其审美特征以及其在未来的发展前景。

Thus the rise of iconographical writing and criticism does not necessarily mean the degradation of man's verbal ability, but rather, it anticipates the heightening of his ability of appreciating and interpreting various works of art.

但是从事语像批评者必须具备更高的读图能力,因而语像写作及其批评的崛起并不意味着人类文字表现能力的衰落,而更是意味着其观赏阐释能力的大大提高。

Mr McCain fulminates pointlessly about oil speculators, and once dismissed a Republican rival, Mitt Romney, a successful businessman, by sneering: I led…not for profit but for patriotism.

这个句子中的dismiss 这儿译者翻译为批评,我查词典好像没有批评的意思,那就是作者引申出来的,不知道还有没有其他的翻译更恰当?

Carl Jung had great interests in China's "Ta" theory and tried to conclude into the prototype-criticism theory. LiuXie's "origin of Tao" theory was based upon the exploration on literary origin of Chinese traditional cudture, while Jung's prototype-criticism emphasized the general resemblance of human's cultural mentality, which was parallelled with LiuXie's idea.

荣格对中国的&道&极有兴趣,试图将之纳入到原型批评的理论框架,刘勰&原道&说就是立足于中国传统文化关于文学本原的探究,与荣格着眼于求索人类文化心理大体相似性的原型批评有相通之处。

It has landed itself in a predicament of being deconstructed by itself.

中国当下的文化批评实际上是对文学艺术所作的一种非文学形态的研究和评论,是社会历史批评的翻版。

From the perspectives of existential philosophy, humanistic psychology, psycho-analysis and feminist criticism, this dissertation seeks a systematic exploration and explanation for the"feminine self"in the autobiographic works produced by Chinese-European/American authoresses, putting forward such concepts as"feminine autobiography "and"existential value of famine individuals".

以&大中华文化&与&世界文学&格局为视野,以&个体生存&的女性&自我&为切入点,以存在主义哲学、人本主义心理学、精神分析学、女性主义批评等理论为研究方法,本论文对欧美华人女作家纪实性作品中的女性自我书写现象进行系统考察与梳理,提出&女性自我书写&与&女性个体生存观&等概念,试图建立起世纪之交欧美华人女作家纪实性自我书写创作批评的整体框架,并对相关现象进行适当的命名与阐释。

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However, as the name(read-only memory)implies, CD disks cannot be written onorchanged in any way.

然而,正如其名字所指出的那样,CD盘不能写,也不能用任何方式改变其内容。

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