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As one kind of literature sylloge, anthology having preserved large amount of poet does, have important document value,.At the same time the excellent poetry anthology's choice, not only having embodied the anthologist's individual sight, but also implied the social aesthetic trend that time,has the nature and functions of literary criticism.

选本作为文学总集的一种,保存了大量诗人诗作,具有重要的文献价值,同时优秀的诗歌选本对诗人诗作的选择,不仅体现了选家个人的眼光,也反映了当时的社会审美风尚,具有文学批评的性质和功能。

Historical summary of the texts of course, can be seen as criticism of the deepening and colleges. 19th-century French romantic writer Chateaubriand "Christian essence" of the introduction, can be said to be known as the 19th century,"summed up the century" sign is also a summary of the promotion.

做文学的历史总结当然可以看成是批评的深化和学院化。19世纪法国浪漫派作家夏多布里昂的《基督教真谛》的问世,可以说是被称之为19世纪的"总结世纪"的标志也是对总结的推动。

It is based on female's experiences and their responses to life, affirming self value, rebuilding self consciousness of females, getting back their social status and praising their contributions to society and culture. This thesis is going to analyze 3 major novels of Margaret Drabble which are created at different times during the second feminist movement: A Summer Bird-Cage, The Radiant Way and The Middle Ground.

本文主要围绕英国当代小说家玛格丽特·德拉布尔的三部核心作品——《夏日鸟笼》、《人生中旅》、《光辉灿烂的道路》,以伍尔夫、波伏瓦的女权主义思想和女性主义批评的理论与方法为工具,以女权主义运动第二次高潮为社会背景,分析其中的女性主人公的生命历程,从婚姻、事业等方面入手,著重探讨知识女性在20世纪六、七十年代的生存环境、生活境遇,总结概括玛格丽特·德拉布尔的写作风格和特点。

The mechanism of this protective effect appears to be related to inhibition of neutrophil extravasation, a critical step in neutrophil-induced myocardial reperfusion injury.

这防护的作用的机制在看来被联系到好中性的外渗的禁止,在好中性劝诱的批评的步心肌的reperfusion伤害。

In this sanguinary lexicon MPs are accounted "brave" and "heroic" for drafting a motion that calls for a parliamentary official to resign, or for writing newspaper articles that are codedly critical of their leaders.

在这种血腥的词语中,议员们认为提议要求议会的官员辞职或者写对他们的领导人的委婉批评的文章是"大胆的"与"英勇的"。

Hitler's Germany and Mussolini's Italy were every bit as sensitive to any sign of foreign criticism as the Chinese today, both because victimhood is always part of the definition of such states, and because it's an essential technique of mass control.

当年的希特勒的德国和墨索里尼的意大利都像中国现在一样对每一点外国批评的迹象都那么敏感,都是因为把自己塑造成受害者是这样的政权国家的定义成分,因为这是重要的控制民众的手法。

He also attempts to explore the way-out for African development by elaborating the changes in Igbo with the invasion of colonists and analyzing the tragedy of Igbo\'s disintegrationBy adopting post-colonial culture criticism, the author of the thesis attempts to analyze Achebe\'s shift of narrative point of view between an "insider" and an "outsider" and to explore his writing position in counterattacking the representation of Africa in western discourse and reconstructing the African image.

同时他也阐述了随着白人殖民者的到来伊博族所发生的变化和其瓦解的悲剧命运,并以此来探索非洲发展的出路。本文从后殖民文化批评的角度出发,旨在通过分析阿切比在小说中&局内人&和&局外人&写作视角的转换来探讨阿切比在反击西方话语下的非洲形象及重塑非洲形象中的写作立场。

However, the piercing flavour of LuHsun"s essays made his essays subject to censure by many critics. And LuHsun himself was often mistaken and refuted by the compromising ones because of his sharping critical attitude toward one vital part but ignoring the other aspects of the objects. Especially those readers who never read the articles by LuHsun"s counterparts would think him too harsh, but the value of LuHsuns essays could be uncovered sufficienty by contrast to those by the counterparts.

鲁迅杂文深刻犀利的文风也多受指责;其对生活、社会问题看法超出一般人的理解范围而受误解;其只抓要害、不及其余以及连类而及,对具象的类型化批评的论辩方式为中庸、和为贵的受众所指责,尤其是难以见到鲁迅论辩对手文章的读者,更会留下刻薄的印象,因为鲁迅的现实性极强的杂文与对立之文共存才显现它的价值。

From now on, in the struggle for democracy and freedom, we must not only exert ourselves in propaganda, agitation and criticism directed towards the Kuomintang die-hards and the backward sections of the people, but must also fully expose and firmly combat the intrigues of the Japanese imperialists and of the pro-Japanese elements and Trotskyites who serve as their running dogs in the invasion of China.

今后在争取民主自由的斗争中,不但要向国民党顽固派和人民中的落后成分努力做宣传鼓动和批评的工作,而且要针对着日本帝国主义以及充任日本侵华走狗的亲日派和托洛茨基派的阴谋,作尽量的揭破和坚决的斗争。

Her unique female consciousness runs through the whole literary works. She expresses her malcontent feelings with sharp style of writing in A Room of One's Own (1929), Three Guineas (1938), and Orlando: A Biography (1928) and so on. These works embody her unique female consciousness and advanced feminist ideas. Hence, she is regarded as the important precursor of modern feminist literary criticism, and the founding mother of the contemporary debate.

她独特的女性意识贯穿于整个文学作品中,《一间自己的房间》、《三个基尼》、《奥兰多》等作品以犀利的笔锋表达了她对当时社会男女不平等地位的强烈不满,充分体现了伍尔夫独特的女性意识和先进的女权思想,因此,她被后来的女性主义者们尊称为女性主义运动的先驱,成为西方现代女性主义文学批评的重要奠基人。

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