批判

In addition to the responses to the nominalist critique that will be considered at that point, one might add, 'the concept of law' has an advantage over 'the concept of the good', in that there is an identifiable set of practices and institutions to ground our discussions.29 The concept of law cannot easily be accused of being an entirely mysterious entity, made up by metaphysicians in their spare time.30

除了对于唯名论者批判的回应以外，人们可能补充道，"法律的概念"比"善的概念"具有更多的有点，因为它存在可以作为我们讨论基础的可辨识的实践和制度。［29］法律的概念不能被轻易地指责是一个由形而上学主义者在余暇时间所构建的难以理解的实体。

Their concern with conventional names and their condemnation of them as nomos was related to their critical view of conventional thought.

他们对这些传统名称的关注及谴责就是他们对常规思想持批判看法的规则。

I affirmed and praised her effort and achievement highly. At the same time, I criticized her evasive attitude to future and her nonresistance.

在这个基础上，我对安忆立足古典主义立场，宣扬适应而非反抗的方式，对未来的不确定性采取回避的态度进行了批判。

Finally they are elevated to philosophy level,with the dual dissociated structure of science and nonscience animadverted by deconstructionism.

最后将之提升到哲学层次对传统的科学与非科学的二元分裂式结构进行了解构主义的批判。

In the past hundred years, western feminist movement has already severely criticized this sex inequality in language and feminists have been advocating nonsexist words, or gender-neutral words.

近百年来，西方女权主义运动对这种语言上的不平等现象进行了批判，主张创造没有性别歧视的词汇，而中国政府倡导"男女平等"政策，使妇女在政治上和经济上获得了独立，语言中性化的趋势不可避免。

It is clear that the departure of the two nous emerges, which demands a comprehensive critical thinking.

两种理性的背离已经清晰地呈现在世人面前，需要给予全面的思想批判。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的"表现"观念的历史考察着手，归纳出西方现代"表现"观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在"表现"观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的"否定性物象"来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

Polanyi criticizes the objectivity of scientific knowledge asserted by objectivist conception of science.

对於客观主义科学观所主张的科学知识客观性，博兰尼予以深刻的反省和批判。

Ever since Descartes that "I think" This subject has been the specter of all the academic forces joined to dispel this specter of the Holy Alliance: from the modern obscurantism of structuralism and post-modernism, to the Habermas-style interaction theorists and black Degel-style defense of the existence of the thinking person, to the depth of cognitive scientists and ecologists, to the critical Marxist and feminist.

自从笛卡儿提出"我思"这个主体的幽灵以来，所有的学术力量都加入了旨在驱除这个幽灵的神圣同盟：从现代蒙昧主义和后现代的结构主义，到哈贝马斯式的交往理论家和黑德格尔式的存在之思的辩护者，到认知科学家和深度生态学家，再到批判的马克思主义者和女性主义者。

Sufficiently criticizing the cancer of the system, asceticism and obscurantism of the Catholic Church, Rabelais advocated also individual liberation and liberty in his work. Meanwhile he created ideal monk and abbey, hoping to purify Catholic Church.

拉伯雷在作品中充分批判了天主教会制度的弊端，反对教会的禁欲主义和蒙昧主义，提倡个性解放、自由，同时塑造了理想修士和修道院的形象，希望纯洁天主教会。

Singer Leona Lewis and former Led Zeppelin guitarist Jimmy Page emerged as the bus transformed into a grass-covered carnival float, and the pair combined for a rendition of "Whole Lotta Love".

歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车，和一双合并为一移交&整个lotta爱&。

This is Kate, and that's Erin.

这是凯特，那个是爱朗。