手风琴

Preset sounds including Piano 1-4, Honky Tonk Piano, Zimbalon, Synth-sound, Harpsichord 1-2, Celesta 1-2, Marimba, Harp 1-3, Koto 1-2, Taisho Koto, Banjo, Mandolin, Guitar 1-3, Electric Guitar 1-5, Electric Bass, Pipe Organ 1-5, Accordion, Bagpipe, Oboe, Clarinet, Flute, Shakuhachi, Wa-wa, Horn, Flugel Horn, Trumpet, Brass Ensemble, String Ensemble, Violin, Cello, and Double Bass.

49个预设的声音，包括钢琴1-4 ， honky唱片钢琴， zimbalon ，合成声音，古1-2 ， celesta 1-2 ，是Marimba ，竖琴1-3 ，江东1-2 ，大正琴，一把班究琴，曼陀林，吉他1 -3 ，电吉他1-5 ，电贝司，管风琴1-5 ，手风琴，风笛，双簧管，单簧管，长笛，尺八，华娃，圆号， flugel圆号，小号，铜管合奏，弦乐合奏，小提琴，大提琴，和低音提琴。

Blending tremolo soaked guitars with analog synths, vintage organs, circuit bent electronics, accordion, saxophone, strings, theremin, Tenori-on, and glockenspiel, their songs play out like an AM radio jingle; mixing the best of the 60's, 70's, 80's, and today.

配煤颤音浸泡吉他与模拟合成器，葡萄酒机关，电路弯曲电子，手风琴，萨克斯，弦乐，特雷门，Tenori上，和钟琴，他们的歌曲，这样的游戏调幅收音机顺口溜；混合的最好的60年代，70年代，80年代，今天。

A multi-instrumentalist, Feeney plays eleven instruments on 13 songs, including keyboards, alto recorder, treble recorder, harmonium, accordion, violin, harmonica, melodica, and xylophone.

作为一个能够演奏多种乐器的艺人，Feeney在《13 Songs》中使用了11种乐器，包括键盘、中音雷高德笛、高音雷高德笛、小风琴、手风琴、小提琴、键琴、口风琴和木琴。

Besides all kinds of harmonicas , the current organization also includes melodion , xylophone , vibraphone , organ, accordion, piano , and timpani.

现有编制除以口琴乐为主的簧片乐器外，尚配备有口风琴、木琴、铁琴、风琴、手风琴、钢琴及定音鼓等打击乐器。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城"2000中国古典音乐系列音乐会"委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

For these years, working with Er-Hu are harp, violoncello, drum, jazz, chorus, accordion, bagpipe, wood-wind, electronic instrument, archaic piano, Spanish guitar, and black spirit and orchestra, and every thing.

这些年来先后有竖琴、大提琴、打击乐、爵士乐、合唱、手风琴、风笛、木管、电子乐器、古钢琴、黑人灵歌、西班牙吉他、交响乐队和她同台，可谓五花八门。

Instruments played are two multidrone Asturian bagpipes in B flat, electric and acoustic guitars, Bouzouki, Asturian traditional hand percussions, bodhram, accordion, thin whistle and low whistle, bass guitar, and drums.

使用的乐器包括：2个以降B调演奏的阿斯图里亚斯多低音风笛，电吉他，木吉他，希腊曼陀琳，阿斯图里亚斯传统手鼓，bodhram，手风琴，高音哨和低音哨，贝斯，架子鼓。

Likewise, the accordion in "Drink Up Me Hearties" sounds stiff.

同样，手风琴，在&喝了我hearties &听起来激烈。

Her father's father sang and played double-bass, accordion, violin and guitar in bands.

她说。然而，音乐潜藏在她的血液堙A她的祖父在乐团媞t唱、低音大提琴、手风琴、小提琴和吉他，无不拿手。

In their rumbas Congolese musicians slowed the Cuban tempo and added African instruments, drums and the thumb-piano, to the guitar and double-bass.

他们的伦巴刚果音乐家减慢了古巴旋律，加之以非洲乐器鼓、手风琴，和着吉他和低音提琴一起演奏。

As of Tuesday, Google's results were still censored in China.

截至周二，谷歌的搜索结果仍受中国审查。

In order to make the positive action increase and negative one decrease, the sub-forces of the social factors must be adjusted to form a centripetal force.

在这一过程中，人的主体性发挥是社会有机体健康发展的灵魂。