手头

You know I'm willing to give you the shirt off my back,but I just don't have any money to spare.

你知道，我什么都愿意给你。不过我手头一点多余的钱都没有。

To put it simply, we have nothing on hand.

说实在的，我们手头没货。

The film would guarantee him a huge audience for the first time, but it wouldn't be his own piece of work either – Cuarón inherited an established cast, the sets built by Columbus and his team, a screenplay by Steve Kloves, who wrote the relatively unadventurous scripts for the first two episodes, and JK Rowling's story itself .

这部电影一定会一放映便赢得大批观众，但那并不是他独创的作品——阿方索手头的演员都是已经挑好的，片场是哥伦布和其工作室布置好的，剧本作家Steve Kloves也为前两部电影写过剧本，再说这个故事本来就是JKR的。

In my copy of Villon's poems the editor has actually thought it necessary to explain the line 'Ne pain ne voyent qu'aux fenestres' by a footnote; so remote is even hunger from the educated man's experience.

我手头有一本维庸的诗集，编者竟然觉得需要给"只能看看窗台上的面包"一句加注解，饥饿跟受过教育的人所经历的相距更远。

The camp was in poor shape by the late 1970s,and Jan Volk now admits,"I was embarrassed that we had anything to do with the place."

直到70年代末，这个训练营的状况一直都非常糟糕。Jan Volk如今也承认说："我当时手头拮据，球队对训练营的那种状况实在也是无能为力。"

She inquired, thinking of the voluble promises he had made.

他曾经告诉她他有这份产业在手头，需要他操心和整顿一番，以及诸如比类的事。

A little Texas accent flavored his sentences,"cow" twisted into "kyow" and "wife" coming out as "waf."

他手头有了些钱，不过都花在外出游山玩水了。

I took my darling to Italy, and we lived there in splendid style as long as my two thousand pounds lasted; but when that began to dwindle down to a couple of hundred or so, we came back to England, and as my darling had a fancy for being near that tiresome old father of hers, we settled at the watering-place where he lived.

我带了我的心肝宝贝到意大利去，在手头有二千英镑的日子里在那儿过着豪华的生活；可是，当二千英镑花得开始降为二百英镑光景时，我们便回到英国来了，由于我的心肝喜欢同她那令人厌恶的老父亲住在一起，我们就在他所住的海滨定居下来。

I evaluated my personal assets and... wham! I becamea cab driver.

我算了下我手头的资产……嗯，然后，我开上了出租车。

I uate my personal assets and… wham! I became a cab driver.

算了一下手头的资产后，我就当起出租车司机了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。