扇

On a chance we tried an important-looking door, and walked into a high Gothic library, panelled with carved English oak, and probably transported complete from some ruin overseas.

我们怀着希望推开一扇很神气的门，走进了一间高高的哥特式图书室，四壁镶的是英国雕花橡木，大有可能是从海外某处古迹原封不动地拆过来的。

After traversing a hundred paces, skirting a wall of the fifteenth century, surmounted by a pointed gable, with bricks set in contrast, he found himself before a large door of arched stone, with a rectilinear impost, in the sombre style of Louis XIV., flanked by two flat medallions.

他走上百来步，到了一道十五世纪的墙脚边，墙上有用花砖砌的山字形尖顶，沿墙过去，便看见一扇拱形石库大门，一字门楣，配上两个圆形浮雕，具有路易十四时代的浑厚风格。

But there's one door they can't lock. They can't imprison your mind.

但是有一扇门是他们所不能封锁的--他们不能使你的思想下狱。

Their posture of pulling a cart,improvision for bargaining and choosing the shortcut or the longer way when walking,all of which remind them of the past glories and turn up their noses at the younger generation.

他们拉车时的姿势，讲价时的随机应变，走路时的超近绕远，都足以使他们想起过去的光荣，而且用鼻翅扇着那些后期之辈。

There are two doors in my classroom .

A、在我的教室里有两扇门。

The idea of this film is that a book is like a door. There are doors in our

该影片的主要讲述的是一本书就像一扇门一样。

The only inartificial light that permeated the base was not of earthen origin, and it burned high in malicious spite in an antechamber so deep it was as though hell itself had opened a window to its depths.

好像地狱本身已经对它的深度开放一扇窗户，轻的以弥漫基础的唯一 inartificial 不是土制起源，而且它高度地在一个前堂的怀恶意的恶意方面燃烧如此的深入，它是。

Directly opposite him, on the other side of the inclosed space, were two doors, exactly alike and side by side.

直接面对着被告，在这个封闭空间的另一侧是两扇门，一模一样，并排立着。

Science and spirit seemed so incongruent, and yet they both appeared to be two windows looking into the same house.

科学和精神看似不统一，它们就像两扇窗户，让人们从不同角度看同一个房子。

The heat of the Korea play has become an incontestable fact, it is almost an outward window for Korea.

韩剧的热播已成为一个不争的事实，它几乎成了韩国对外交流的一扇窗口。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。