扇

We have an extractor f an in the kitchen to get rid of the smell of cooking.

我们的厨房里有台排气扇，用来消除油烟。

To enter the Imperial City you must use the Arrow of Extrication to to unlock the final door.

要进入帝都，你必须用解脱之箭打开最后的那扇门。

High in the skyways wild geese called exultantly on their first early passages back from the south, the wise old crow cawed over the river, his wings flapping loosely and slowly, and the sleek black raven, who stayed all year, nested in the tall alders.

南来的大雁在空中引吭高歌，机灵的老鸦在河流上空鸣叫，自在缓慢地扇着翅膀；常年定居的黑老鸦在高大的赤杨树上筑巢。

There were no windows at all and, though I could turn the light off, the light from the hall and the face of the guard were ever-present in the window of the heavy cell door.

没有窗户。虽然我自己可以把灯关掉，可是透过那扇沉重牢门的小窗，总是能看见走廊里的灯光和看守的脸。

Here the child's voice lost its self-possessed note and became falteringly human.

三个人以及和他们一起丢失的那只棕色的小巴儿狗会从这扇窗户里走进来正如同往常一样。

Fan delta reservoirs are widely distributed in most continental basins in China,and heterogeneity of parfacies is serious.

扇三角洲储集层在中国陆相盆地中广泛分布，各种亚相砂体的非均质性严重。

According to the analysis of core and logging data, we considered that it is the delta fan facies and established the electrofacies model.

根据岩芯分析和测井资料识别，定义了研究区扇三角洲沉积相类型，并建立了测井相模板。

Formed proceeding and evolution disciplinarian of fan delta are studied in detail using experimental sedimentary.

应用实验沉积学的方法对扇三角洲的形成过程及演化规律进行了较为详细的研究。

The formation process and numerical simulation study about the fan delta in Baimiao gas field constitutes the second key point of this paper.

白庙气田扇三角洲形成过程的数值模拟研究是本论文的第二个重点。

The sandstones of fan delta facies deposited in the north of the basin are available reservoirs.

盆地北部层序Ⅱ，Ⅲ发育的扇三角洲是盆地有利储集岩。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。