所罗门之歌

In her third novel "Song of Solomon" she used the history of family to reflect the history of Afro-American.

在她的第三部小说《所罗门之歌》中莫里森运用家庭史来体现非裔美国人的民族史。

The Song of Songs - known as Song of Solomon or Canticle of Canticles - speaks of Solomon's marriage to Holy Sophia.

雅歌——也称为所罗门之歌或者圣咏——说到了所罗门与神圣的索菲娅结了婚。

In Song of Solomon alienation of humanity is another destructive force which causes the abyss of misery for the mankind.

在《所罗门之歌》中，人性的异化是导致人类痛苦深渊的又一种毁灭性力量。

The most important among them are: opera The Devils of Loudun (1968-69), Utrenya (1970), cantata Cosmogonia (written in 1970 for the United Nations), De Natura Sonoris No.2 (1971), Canticum Canticorum Salomonis (1973), Magnificat (1973), his second stage work Paradise Lost, Te Deum (1979/80), Requiem (1984), opera The Black Mask(1986), opera King Ubu (1991), Benedicamus Domino (1992), Seven Gates of Jerusalem (1996), Credo (1998) besides six symphonies, two violin concertos, two cello concertos and a viola concerto and many chamber music works.

从60年代以来，潘德列茨基创作了大量作品，其中最重要的有合唱与管弦乐作品《最后审判日》、《乌特伦亚》、《宇宙演化》、《所罗门之歌》、《圣母颂》、《感恩赞》、《波兰安魂曲》、《耶路撒冷的七座门》，歌剧《劳敦的魔鬼》、《失乐园》、《黑面具》、《乌布王》，管弦乐《声音的性质》以及六部交响曲、两部小提琴协奏曲、两部大提琴协奏曲、中提琴协奏曲和大量室内乐作品。

This thesis takes the strenuous search for cultural identity of the Dead family in Song of Solomon as the main line, embarks on the cultural identity of blacks in different periods, connects the pursuit of identity with their history in American society, outlines a vivid historical picture of blacks from the evolution of their identity (from the enslaved black to the emancipated freedman, to the northern migrator and then the youth born in the north), further explores the efforts made by the blacks on their way to seek their national outlets and build their cultural identity in different periods, points out the advantage and disadvantage of their choice, and finally draws to the conclusion that African American should not abandon their national tradition but at the same time they must stand on American society and find a sound integrity of the two cultures.

本论文以托妮·莫里森的第三部小说《所罗门之歌》中戴德家族寻求文化身份认同的艰难历程为主线，以黑人在不同的历史时期的文化身份的选择为切入点，把黑人对身份的探寻与他们在美国社会中的历史文化联系在一起。从黑人身份的演变(从奴隶到被解放的自由人到北方移民者到出生在北方的新一代黑人青年)勾勒出一幅美国黑人百年历史的生动画面，分析在不同时期黑人为寻求民族出路和构建文化身份时所做出的艰苦卓绝地努力和探索。同时也指出了他们所选择道路的利与弊。最后的结论是：在寻求种族出路时既要立足美国现实又不能抛弃种族传统，而应该努力找到二者的最佳结合点。

Based on the discussion in Chapter Two and Chapter Three, this part concludes that Toni Morrison's Song of Solomon is not only a reflection of archetypal hero's journey but also a subversion of traditional quest story as Morrison attempts to promote womanist ideology.

基于前面的分析讨论，本论文认为小说《所罗门之歌》不仅仅反映了原型人物的成长之旅，同时也是对这种成长之旅传统的一种超越和颠覆，旨在向读者展示莫瑞森的妇女主义思想。

Among them, Song of Solomon and Sula are two representative ones.

所罗门之歌》和《秀拉》就是其中的代表作。

The Bluest Eye, Sula and Song of Solomon are Morrison's first three novels.

最蓝的眼睛》，《秀拉》和《所罗门之歌》是莫里森的前三部小说。

She criticizes African Americans for setting up absolute ego and insists that they should have contact with traditional culture In Sula.

在《所罗门之歌》里莫里森构建起了黑人文化内部生态体系，使美国黑人文化具有了内在活力。

A book in the Old Testament of the Bible, the Song of Solomon, also known as the Song of Songs or the Canticles, is a collection of lyric poetry celebrating human love.

一本书，在旧约的圣经，所罗门之歌，也称为歌的歌曲，或canticles ，是一家集抒情诗庆祝人类的爱。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。