战栗的

Sometimes the neighbour's pigeons land on my windowledge Cooing softly Where the great poplar at the window has somehow grown beyond the fourth-floor roof They skim round its crown and back The sunlight on their fluffy feathers Alive day by day I keep coming indoors empty-handed And throwing book and jacket on the bed As the days hurry by I can bring scarcely anything home Even after days away Only you remain and the little room Living day by day We have grown used By an unspoken pact to the room's breadth A pair of pigeons cooing softly on the windowledge Which at many instants belong to us Day by day Dust that falls on book spines gradually yellows Perhaps it is otherwise That life, if it does, provides I know that the unwitting request is not excessive And that summer turns to autumn Perhaps fallen leaves will swirl after a night of rain It does not mean a return to green shade deep in sunlight A house-cleaning when leisure affords Feelings may come on latent even as Irrelevancies are spoken softly The instant when a first trembling on the lips teaches you happiness Lasts till the end of life A request always voiced unwittingly

有时候，邻家的鸽子落在我的窗台上咕咕地轻啼窗口的大杨树不知不觉间已高过了四层楼的屋顶它们轻绕那些树冠又飞回来阳光在蓬松的羽毛上那么温柔生命日复一日我往往空着手从街上回来把书和上衣掷在床上日子过得匆匆忙忙我时常不能带回来什么即使离家数日只留下你和这小小的屋子生活日复一日面对无声无息的默契我们已习惯了彼此间的宽容一对鸽子在窗台上咕咕地轻啼他们在许多瞬间属于我们日复一日灰尘落在书脊上渐渐变黄如果生活时时在给予那也许是另一回事我知道，那无意间提出的请求并不过份我知道，夏日正转向秋天也许一场夜雨过后就会落叶纷飞不是说再回到阳光下幽深的绿荫日子需要闲遐的时候把家收拾干净，即使轻声述说些无关紧要的事情感也会在其间潜潜走过当唇际间最初的战栗使你感知了幸福这一瞬已延伸到了生命的尽头而那些请求都是无意间说出的

Belden writes of bruised and beaten girls, forced marriages, kidnapped wives, bedroom politics, democracy and the Lysistrata technique, the revolt of women and the unique connection between sex and revolution.

仅仅随便列举几个本书中的情节，就能使人战栗不已：被打得鼻青脸肿的少女、强迫婚姻、被绑架的妻子、卧室里的政治、民主与妇女姐妹联合会，女性的反抗，以及性和政治的独特联系。

She is not in the washroom and then stopping, because it is finally his own point of view that he cares about and not hers, and with this firmly in mind, and a light, confident step, such as you might find in the works of Bulwer-Lytton, he enters the space she occupies so prettily and, taking her by the hand, proceeds to tear off the stiff white hospital gown (but no, we cannot have that kind of pornographic merde in this majestic and high-minded sentence, which will probably end up in the Library of Congress)(that was just something that took place inside his consciousness, as he looked at her, and since we know that consciousness is always consciousness of something, she is not entirely without responsibility in the matter) so, then, taking her by the hand, he falls into the stupendous white puree of her abyss, no, I mean rather that he asks her how long it has been since her last visit, and she says a fortnight, and he shudders, and tells her that with a condition like hers (she is an immensely popular soldier, and her troops win all their battles by pretending to be forests, the enemy discovering, at the last moment, that those trees they have eaten their lunch under have eyes and swords)(which reminds me of the performance, in 1845, of Robert-Houdin, called The Fantastic Orange Tree, wherein Robert-Houdin borrowed a lady's handkerchief, rubbed it between his hands and passed it into the center of an egg, after which he passed the egg into the center of a lemon, after which he passed the lemon into the center of an orange, then pressed the orange between his hands, making it smaller and smaller, until only a powder remained, whereupon he asked for a small potted orange tree and sprinkled the powder thereupon, upon which the tree burst into blossom, the blossoms turning into oranges, the oranges turning into butterflies, and the butterflies turning into beautiful young ladies, who then married members of the audience), a condition so damaging to real-time social intercourse of any kind, the best thing she can do is give up, and lay down her arms, and he will lie down in them, and together they will permit themselves a bit of the old slap and tickle, she wearing only her Mr.

然后阻止，因为到最后那是他自己的关心的观点而不是她的，在他的脑子里根深蒂固，他自信地走了一步，这就像你也许会在布尔沃？里顿的作品中看到的一样，他进入兴高采烈地进入她占有的空间，抓住她的手，开始撕开他白色僵直的病号衣（但是我们没有在他冠冕堂皇的充满智慧的语句中发现那种带有色情的废话，那也许会在国会图书馆中绝迹）（在他的意识中有一些东西正在被替代，当他看她的时候，就如我们知道的意识始终是意识，她在这个事情中不是完全没有责任的），所以，然后抓起她的手，他掉进了她深渊的巨大白色水中，不，我想他问她自从她上回来已经多久了，她说有两个星期了，他战栗着告诉她她现在的情况（她是一个非常受欢迎的女兵，她的部队通过埋伏在森林里赢得了所有的战斗，在最后的时刻敌人发现了，那些他们吃掉他们午餐的树有了眼睛和剑）（这使我想起了一八四五年罗伯特？乌丹的演出，叫做《奇幻橘子树》，在其中罗伯特？

She is not in the washroom and then stopping, because it is finally his own point of view that he cares about and not hers, and with this firmly in mind, and a light, confident step, such as you might find in the works of Bulwer-Lytton, he enters the space she occupies so prettily and, taking her by the hand, proceeds to tear off the stiff white hospital gown (but no, we cannot h39e that kind of pornographic merde in this majestic and high-minded sentence, which will probably end up in the Library of Congress)(that was just something that took place inside his consciousness, as he looked at her, and since we know that consciousness is always consciousness of something, she is not entirely without responsibility in the matter) so, then, taking her by the hand, he falls into the stupendous white puree of her abyss, no, I mean rather that he asks her how long it has been since her last visit, and she says a fortnight, and he shudders, and tells her that with a condition like hers (she is an immensely popular soldier, and her troops win all their battles by pretending to be forests, the enemy discovering, at the last moment, that those trees they h39e eaten their lunch under h39e eyes and swords)(which reminds me of the performance, in 1845, of Robert-Houdin, called The Fantastic Orange Tree, wherein Robert-Houdin borrowed a lady's handkerchief, rubbed it between his hands and passed it into the center of an egg, after which he passed the egg into the center of a lemon, after which he passed the lemon into the center of an orange, then pressed the orange between his hands, making it 56aller and 56aller, until only a powder remained, whereupon he asked for a 56all potted orange tree and sprinkled the powder thereupon, upon which the tree burst into blossom, the blossoms turning into oranges, the oranges turning into butterflies, and the butterflies turning into beautiful young ladies, who then married members of the audience), a condition so damaging to real-time social intercourse of any kind, the best thing she can do is give up, and lay down her arms, and he will lie down in them, and together they will permit themselves a bit of the old slap and tickle, she wearing only her Mr.

然后阻止，因为到最后那是他自己的关心的观点而不是她的，在他的脑子里根深蒂固，他自信地走了一步，这就像你也许会在布尔沃？里顿的作品中看到的一样，他进入兴高采烈地进入她占有的空间，抓住她的手，开始撕开他白色僵直的病号衣（但是我们没有在他冠冕堂皇的充满智慧的语句中发现那种带有色情的废话，那也许会在国会图书馆中绝迹）（在他的意识中有一些东西正在被替代，当他看她的时候，就如我们知道的意识始终是意识，她在这个事情中不是完全没有责任的），所以，然后抓起她的手，他掉进了她深渊的巨大白色水中，不，我想他问她自从她上回来已经多久了，她说有两个星期了，他战栗着告诉她她现在的情况（她是一个非常受欢迎的女兵，她的部队通过埋伏在森林里赢得了所有的战斗，在最后的时刻敌人发现了，那些他们吃掉他们午餐的树有了眼睛和剑）（这使我想起了一八四五年罗伯特？乌丹的演出，叫做《奇幻橘子树》，在其中罗伯特？

As an important part of the life process, death is the problem that everyone must face as soon as they come down. But because of its end and a certain degree ascend of mystery, from the thou up to now people get around in the dint diagram, people do not wish it. At the first half year of 2003, SARS virus, this come suddenly to without remorse indulge in atrocities on the Chinese earth, someone is at the shudder, someone at the orison, someone at the elusion. What they scare for?

生命终结作为生命过程的重要组成部分，是每个人一生下来就必须面对的问题，但是由于它的终结性，及一定程度上的不可琢磨性，又是自古至今人们在力图回避，不愿提及的问题。2003年上半年，SARS病毒，这场突如其来的灾难在中国大地上无情地肆虐，有人在战栗，有人在祈祷，有人在逃避，大家在怕什么？

My guiding light is the charm and stupefaction I feel in front of a great work of Art, the trembling of my body when filled by the germs of someone's inspiration, and the emotion, the challenge of creating, of pulling out of myself the Unknown.

引导我前进的光芒是当我站在一件伟大的艺术作品面前所感受到的魅力和彻底的震撼；那他人灵感的细菌和情感侵入我躯体所带来的战栗；那种将未知和可能性从自我中发掘出的创作的挑战。

Chains were rattling, fierce and stern voices uttered threats, and the scourge resounded at their command. All these noises deepened and became substantial to the listener's ear, till she could distinguish every soft and dreamy accent of the love songs that died causelessly into funeral hymns. She shuddered at the unprovoked wrath which blazed up like the spontaneous kindling of flame and she grew faint at the fearful merriment raging miserably around her.

镣链咔咔作响，有人发出恶毒的威胁，鞭子在他们的命令下不停抽打，所有的噪音听起来越来越大，越来越响，直到她听到柔美梦幻的情韵都无缘变成葬礼上的挽歌，莫名的愤怒如自燃的火苗般爆发，让她战栗不已；而她身边狂暴的可怕笑声又让她魂不附体。

While it outwardly brought fainting, shuddering and a conflagration, in private people were titillated by the work and it began to eat at the back of their minds just how some of those positions worked and whether that male enhancement recipe that called for the stings of a wasp really did work permanently.

虽然表面上所带来的昏厥，战栗和大火，在私人人被titillated所完成的工作，并开始吃在回到他们的头脑，只是如何的一些人的立场，以及是否工作，男性增强食谱，要求刺一个黄蜂确实永久的工作。

When was the last time we got to see black-clad ninjas climbing walls, tearing human limb from human limb, sword-fighting in the rain, fighting behind giant embers of fire, disappearing and appearing again in the blink of an eye?

因为这部电影中的暴力镜头过多，且让你感到战栗——在一家旅馆洗手间的争斗（我们的主角和一健壮的俄国人之间的争斗）是我看过的电影中最暴力的。

In this research analysis four movies,"Secret Window" lead Mort is situated between the deconstruction and the establishment, thus becomes one to penetrate 「fantasized」 that survives the human who gets down;"Misery" of because Annie the life projection to the writer of fiction Paul work''s in character, has painstakingly with the real life is separated from, finally steps onto the death;"The Shawshank Redemption" of Andy when grown-up studies adapts the new culture, along with the time and desire''s vicissitude, establishes conforms to the new social culture system''s new main body;"Hearts in Atlantics" of Bobby is in Ted Brautigan and in library article character number accompanying, found itself, real feeling 「existence」 and life significance.

本研究分析的四部电影中，《秘窗》的主角莫特就是介於毁灭与建立之间，因而成为一个透过「幻想」而存活下来的人；《战栗游戏》的安妮因将人生投影至小说家保罗作品中的人物苦儿，与现实生活产生脱离，最后走上死亡；《刺激1995》中的安迪在成年时重新学习适应新文化，随著时间/欲望的变迁，建立起符合新社会文化制度的新主体；《勿忘我》中巴比是在泰德与图书馆文字符号的陪伴中，找到自己，真实的感受到「存在」与生命的意义。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了