或是什么的

Her griddlecakes done to a goldenbrown hue and queen Ann's pudding of delightful creaminess had won golden opinions from all because she had a lucky hand also for lighting a fire, dredge in the fine selfraising flour and always stir in the same direction, then cream the milk and sugar and whisk well the white of eggs though she didn't like the eating part when there were any people that made her shy and often she wondered why you couldn't eat something poetical like violets or roses and they would have a beautifully appointed drawingroom with pictures and engravings and the photograph of grandpapa Giltrap's lovely dog Garryowen that almost talked it was so human and chintz covers for the chairs and that silver toastrack in Clery's summer jumble sales like they have in rich houses.

她那烤成金褐色的薄饼和放有大量美味奶油的安妮女王布丁曾赢得过众人的好评。因为她有一双灵巧的手，不论点火，还是撒上一层加了发酵粉的精白面，不断地朝一个方向搅和，然后搀上牛奶白糖，调成奶油，或是将蛋清搅匀，她样样擅长。不过，她可不喜欢当着人面吃什么，怪害臊的。她常常纳闷为什么不能吃一些像紫罗兰或玫瑰花那样富于诗情的东西！他们还会有一间布置优雅的客厅，装饰着绘画、雕刻以及外祖父吉尔特拉普那只可爱的狗加里欧文的照片。它是那样通人性，几乎能说话了。椅子套着光滑的印花棉布罩子，还有来自克莱利的夏季旧杂货义卖展上的银质烤面包架，就像阔人家拥有的那样。

On the other hand, Werther had become dear to her.

可另一方面，维特之于她又如此可贵，从相识的第一瞬间起，他俩就意气相投；后来，长时间的交往以及种种共同的经历，都在她的心中留下不可磨灭的印象，她不管感到或是想到什么有趣的事，都已经习惯于把自己的快乐和他一起分享；他这一走，必然给她的整个一生造成无法弥补的空虚。

And therefore, whatever form the common-wealth is under, the ruling power ought to govern by declared and received laws, and not by extemporary dictates and undetermined resolutions: for then mankind will be in a far worse condition than in the state of nature, if they shall have armed one, or a few men with the joint power of a multitude, to force them to obey at pleasure the exorbitant and unlimited decrees of their sudden thoughts, or unrestrained, and till that moment unknown wills, without having any measures set down which may guide and justify their actions: for all the power the government has, being only for the good of the society, as it ought not to be arbitrary and at pleasure, so it ought to be exercised by established and promulgated laws; that both the people may know their duty, and be safe and secure within the limits of the law; and the rulers too kept within their bounds, and not be tempted, by the power they have in their hands, to employ it to such purposes, and by such measures, as they would not have known, and own not willingly.

因此，国家无论采取什么形式，其统治权力都应依据业已公布且被接受的法律而不是临时的指令或犹豫不定的决义来进行治理；因为，假若人类用群众的联合的力量来武装一个或几个人，任其随心所欲地迫使人们服从其一时心血来潮所做出的种种过分的、无限制的命令或是毫无节制的、此时尚不得而知的意志，而同时却没有任何固定的措施来引导他们的行为或为之辩护，那么，人类将处于比自然状态远为糟糕的境地；既然政府所拥有的一切权力均旨在为社会谋福利，因而不应专断独行、随心所欲，因此，它必须依据明确规定且公诸于众的法律来行使；这样，不仅人民可以了解他们的义务，在法律范围内得到安全和保障；而且，统治者也可以受到法律的约束，而不致被手中掌握的权力所诱惑，进而利用它达到特定的目的，且采用特定的手段，而这样的目的和手段是他们本来可能不会知道、也不愿承认的。

Nothing is more destructive, either in regard to the health, or the vigilance and industry of the poor than the infamous liquor, the name of which, derived from Juniper in Dutch, is now by frequent use and the laconick spirit of the nation, from a word of middling length shrunk into a monosyllable, intoxicating gin, that charms the unactive, the desperate and crazy of either sex, and makes the starving sot behold his rags and nakedness with stupid indolence, or banter with in senseless laughter, and more insipid jests; it is a fiery lake that sets the brain in flame, burns up the entrails, and scorches every part within; and at the same time a Lethe of oblivion, in which the wretch immersed drowns his most pinching cares, and, with his reason all anxious reflections on brats that cry for food, hard winter's frosts, and horrid empty home.

没有什么比之&松子酒&这样一种臭名昭著的酒对于穷人们的健康、神经警觉和工作更为有害的东西了。这酒的名称原本来自荷兰语中对于桧类树木的称谓，现在，在一个崇尚简洁精神的国度里、通过经常性的使用，从一个中等长度的词汇压缩成了单音的、醉人的&松子酒&，迷惑着那些麻木绝望痴迷的男女，让饥饿的人带着愚昧的懒惰用袋子裹着裸体的身子干坐，或是无聊地说笑，讲着乏味的笑话活着；彷佛是个满是酒精的湖，把这些人的脑子点着了火，燃烧到肠子，烧到身体的各个部位；同时，忘神来了，把酒鬼们最后一点在意都淹没掉，一点良心都没有，不再焦虑地看着自己那些哭着要食物的儿郎，不再顾及冬天的霜冻和可怕空旷的家。

Rochester: Well, then Jane, call to aid your fancy—suppose you were no longer a girl well reared and disciplined, but a wild boy indulged from childhood upwards; imagine yourself in a remote foreign land; conceive that you there commit a capital error, no matter of what nature or from what motives, but one whose consequences must follow you through life and taint all your Mind I don't say a CRIME; I am not speaking of shedding of blood or any other guilty act, which might make the perpetrator amenable to the law: my word is The results of what you have done become in time to you utterly insupportable; you take measures to obtain relief: unusual measures, but neither unlawful nor Still you are miserable; for the hope has quitted you on the very confines of life: your sun at noon darkens in an eclipse, which you feel will not leave it till the time of Bitter and base associations have become the sole food of your memory: you wander here and there, seeking rest in exile: happiness in pleasure—I mean in heartless, sensual pleasure—such as dulls intellect and blights Heart-weary and soul-withered, you come home after years of voluntary banishment: you make a new acquaintance—how or where no matter: you find in this stranger much of the good and bright qualities which you have sought for twenty years, and never before encountered; and they are all fresh, healthy, without soil and without Such society revives, regenerates; you feel better days come back—higher wishes, purer feelings; you desire to recommence your life, and to spend what remains to you of days in a way more worthy of an immortal To attain this end, are you justified in overleaping an obstacle of custom—a mere conventional impediment which neither your conscience sanctifies nor your judgement approves?

罗切斯特：&那么好吧，简，发挥你的想象力吧——设想你不再是受过精心培养和教导的姑娘，而是从幼年时代起就是一个放纵任性的男孩。-------浏览器上打上-WwW.69ΖW.CoM看最新更新想象你身处遥远的异国，假设你在那里铸成了大错，不管其性质如何，出于什么动机，它的后果殃及你一生，玷污你的生活。注意，我没有说'犯罪'，不是说流血或是其他犯罪行为，那样的话肇事者会被绳之以法，我用的字是'错误'。你行为的恶果，到头来使你绝对无法忍受。你采取措施以求获得解脱，非正常的措施，但既不是非法，也并非有罪。而你仍然感到不幸，因为希望在生活的边缘离你而去，你的太阳遇上日食，在正午就开始暗淡，你觉得不到日落不会有所改变，痛苦和卑贱的联想，成了你记忆的唯一食品。你到处游荡，在放逐中寻求安逸，在享乐中寻觅幸福——我的意思是沉湎于无情的肉欲——它销蚀才智，摧残情感。在几年的自愿放逐以后，你心力交瘁地回到了家里，结识了一位新知——何时结识，如何结识，都无关紧要。在这位陌生人身上，你看到了很多出类拔萃的品质，为它们你已经寻寻觅觅二十来年，却终不可得。这些品质新鲜健康，没有污渍，没有斑点，这种交往使人复活，催人新生。你觉得好日子又回来了——志更高，情更真。你渴望重新开始生活，以一种更配得上不朽的灵魂的方式度过余生。为了达到这个目的，你是不是有理由越过习俗的藩篱——那种既没有得到你良心的认可，也不为你的识见所赞同的、纯粹因袭的障碍？&

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识，但关键就是分寸感的把握，不然，或者伦为真的大众趣味，或者切入过多的经英语词汇，而使语言虚弱，就我而言，我不敢重操油画，或是改造扩充，就是由于它本身太文化了，一出手就高雅了，怕弄个不伦不类而失掉语言直接性的强度，文化结构的改变，艺术的俗语是一种趋势，从艺术语言上，我是用传统刺绣方式和手法的，早在圆明园画家村时，我几乎没有画出什么东西，油画肯定觉得使用起来有问题，在当时偶然在颐和园门前，看到很多刺绣的艺术品，一下子感到找到了方法，因为刺绣这种手段属于工业文明之前的东西，它有种土色和平民的感觉，这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求，那种不伦不类的现代性，正好我的家乡唐山有一个很有名的刺绣厂，找师傅做作品可能更方便，有了这个想法之后，也得到朋友的鼓励，刺绣这一传统民间资源的再利用，在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然，它不单单是语言风格样式上的意义，它体现的是深层的社会文化结构改变的宣示。

Nor could anything, within him or without, prevent his loudly beating time to his own music, for which the nearest table or book served his nimble fingers to rap a vigorous tattoo on, to help to enliven the audience.

在他的内心和外部世界，都没有什么能够阻止他大声地为他的音乐打拍子，离他最近的桌子或是书籍，都可以被他灵巧的手指敲出有力的鼓点，去激发听众的活力。

The chamberlains, who were to carry the train, stretched their hands to the ground as if they lifted up a train, and pretended to hold something in their hands; they did not like people to know that they could not see anything.

这么着，皇帝就在那个富丽的华盖下游行起来了。站在街上和窗子里的人都说：&乖乖，皇上的新装真是漂亮！他上衣下面的后裾是多么美丽！衣服多么合身！&谁也不愿意让人知道自己看不见什么东西，因为这样就会暴露自己不称职，或是太愚蠢。皇帝所有的衣服从来没有得到这样普遍的称赞。

Fancy gold-plated dangling earrings with facetted White Opal crystals.

花式镀金悬垂耳环与facetted白欧泊水晶。

This essay chooses the study aim from biology teachers in middle school in Shi Jiazhuang which tells us that most of the middle school biology teachers in Shi Jiazhuang have the"burnout", lower successfulness, individualize.

本文选取石家庄市初中生物教师作为研究对象，运用问卷调查的方法对石家庄市初中生物教师职业倦怠的现状进行调查，调查结果发现，石家庄市初中生物教师这一群体普遍存在职业倦怠，情感枯竭程度偏高，成就感偏低，去个性化程度最为严重。