我明白了

Oh, I see, your wife must think that you came to the balcony only to watch her.

哦，我明白了，你妻子一定以为你是去阳台看她的。

Bateman:I see.Well.you'd find it rather different here.Ours is much smaller,we have only ten tables.

贝特曼：我明白了，你或许已发现这儿完全不同，我们的酒店非常小，仅有10张餐桌。

I understand that life is doomed to be successful, not doomed to failure.

我明白了人生来是注定要成功的，而不是注定要失败的。

I've learned… That everyone you meet deserves to be greeted with a smile.

我明白了…你遇到的所有的人都应该给他们一个微笑。

I've learned that everyone you meet deserves to be greeted with a smile.

我明白了你遇到的所有的人都值得你笑脸相迎。

I've learned that every one you meet deserves to be greeted with a smile.

我明白了遇到的每一个人都值得用微笑去面对。

I see! You are a beautician!

我明白了！你是美容师！

I beg your pardon? Oh, I see.

你说什么？噢，我明白了。

Still got the winter blahs, I see.

我明白了，你还在犯冬日困。

Like a bolt of lightning, it came to me.

就像一束闪光，我明白了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。