我明白了

B: I see. All right, then.

我明白了。那么好吧。

I see. What about all risks?

：我明白了，那么一切险呢？

Oh, I get it. Amorous neighbors.

我明白了，隔壁有人在亲热

I see. You and she, you like the...

我明白了你和她你喜欢。。。

When you animate, you are saying to the audience, I

当观众鼓掌，大笑或者哭泣的时候，那是在说：我明白了你的意思。

Death will decide which god will return to Arcanum...

死亡会决定哪个神将重返奥秘大陆……}{我明白了。

Now I know the more you are at ease with yourself personally, the more you have to offer artistically

现在我明白了，就自己来说，你愈是无拘无束，你的表演就愈成功。

Now I know the more you are at ease with yourself personally, the more you have to offer artistically .

现在我明白了，就自己来说，你愈是大方自然，你的表演就愈成功。

Euripides: Okay, I understand that, but didn't you say that when a client program contacts the server, it sends the ticket and matching authenticator together?

好，我明白了，你是说当客户程序联系服务时，它同时送上票和验证器？

I see. But what are bad manners ?

我明白了。那什么是坏习惯呢？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。