我主

Lord, my God, who am I that You should forsake me?

主啊，我的上帝。我是谁呢，你为什么要抛弃我？

But my crew that night was one of those inefficients against whom the capitalist is wont to fulminate, because, forsooth, such inefficients increase expenses and reduce dividends.

这个是整个段落。我一直你能理解红色部分。我破产了，没法只好花了65美元买了个新的主帆。沿着Sacramento River上行时，我抛锚袭击了一艘旧金山海湾的海盗船。

In vs. 17, Gideon said "give me a sign that it is really you talking to me."

在第17 节基甸说「求你给我一个证据、使我知道与我说话的就是主」。

And another man said, I will come with you, Lord, but first let me say a last good-day to those who are at my house.

9：61 又有一人说、主、我要跟从你，但容我先去辞别我家里的人。

I am twenty-two blocks from where Rudolph Valentino lay in state,eight blocks from where Nathan Hale was executed,five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose,four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle,thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska,ne block from where Marceline used to clown on the boards of the Hippodrome,thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public,thirteen blocks from where Harry Thaw shot Stanford White,five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany(I could continue this list indefinitely);and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in,some of them on hot,breathless afternoons,lonely and private and full of their own sense of emanations from without.

我是二十二个区段从哪里 Rudolph Valentino 以隆重的仪礼放置，八个区段从哪里内森猛拉被运行，来自欧内斯特海明威打击在鼻子上的最大依斯曼，四里的出版者的办公室的五个区段从哪里沃尔特惠特曼为布鲁克林鹰坐着出汗出社论，当她来了纽约有关内布拉斯加写书的时候，来自街道 Willa Cather 的三十四个区段住在，旧姓的区段从哪里用到在竞技场的董事会上的小丑的 Marceline，来自地点的三十六个区段哪里历史学家乔 Gould 踢了对民众的充足视野的块一个收音机，十三个区段从哪里哈利融解射击史丹福白色的，来自我过去一直在来自克拉伦马车日子年长者在主显节的教堂中被他的罪洗的地点的大都市的歌剧和只有 112个区段引导的地方的五个区段；(我可以不确定继续这一本目录)而且就那件事而论我正在或许占领最房间一些尊贵的和 somewise 值得纪念的个性坐在，他们其中的一些在热又喘不过气来的午后，孤单而私人而充满的他们自己散发感从没有。

I am twenty-two blocks from where Rudolph Valentino lay in state,eight blocks from where Nathan Hale was executed,five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose, four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle , thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska, one block from where Marceline used to clown on the boards of the Hippodrome, thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public, thirteen blocks from where Harry Thaw shot Stanford White, five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany (I could continue this list indefinitely); and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in, some of them on hot, breathless afternoons, lonely and private and full of their own sense of emanations from without..

二十二个街区远的地方，鲁道夫·瓦伦蒂诺在安眠；八个街区远的地方，内森·黑尔被绞死；五个街区远的地方，是出版人办公室，欧内斯特·海明威在那里挥拳击中了马克斯·伊斯门的鼻子；四英里远的地方，沃尔特。惠特曼曾挥汗如雨为《布鲁克林之鹰》写社论；三十四个街区以外，是威拉。卡瑟初到纽约的旧居，她当时正准备写作有关内布拉斯加州的著作；一个街区远的街道，马士莱在竞技场舞台上扮演过小丑；三十六个街区以外，历史学家乔。古尔德在众目睽睽之下踢碎了一台收音机；十三个街区以外，哈里。肖拔枪射击斯坦福。怀特；五个街区以外，是我过去做带位员的大都市剧场；而距离老克拉伦斯。戴举行葬礼的主显节教堂，仅有一百一十二个街区（我不确定还能再想起点儿什么）。就此而言，我正置身其中的房间，或许曾经呆过一些高贵而令人难忘的大人物，他们中一些人，在闷热的下午，坐在这里，孤独而隐秘，发散出异于外界的特有气息。

Our ignorance carves out hollows in God's way.

主，我的良人，愿你的智慧为我填平山洼，愿你的卑微为我削平山冈。

But he said, Lord, let me first go and give the last honours to my father.

9：59 又对一个人说、跟从我来，那人说、主、容我先回去埋葬我的父亲。

And Abram said, LORD God, what wilt thou give me, seeing I go childle, and the steward of my house is this Eliezer of Damascus?

15：2 亚伯兰说，主耶和华阿，我既无子，你还赐我什么呢，并且要承受我家业的是大马士革人以利以谢。

And Abram said, LORD God, what wilt thou give me ,seeing I go childless, and the steward of my house is this Eliezer of Damascus?

亚伯蓝说："主啊，我都无子了，你还赐我什么呢？而且要继承我家业的是达玛瑟人以理亦歇。"

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。