我

Kelly (Verse 2) Drinking Belvedere, 7-Up, and gin I told myself never again Sleeping while the club is crunk Don't make no sense to be that drunk Arguing through the night Pushing on people and starting fights I was fucked up I confess People saying Kellz is a hot mess Even after that I was taking shots Shot after shot Shot after shot then I couldn't even open the door to my Benz Dropped off and I get in the door now Lying on the stairs snoring now Why you calling me calling me calling me?

凯利 （韵文2）饮酒丽城， 7行动，并杜松子酒我告诉自己，千万不要再睡觉，而俱乐部是crunk 不作毫无意义的，就是喝醉了通过争论夜推人，并开始打架我是性交了我得承认有人说kellz一大热点，搞得一团糟即使这之后，我正在拍摄开枪后开枪开枪后，然后开枪我连打开大门，让我的奔驰放下我就要在门现在倒卧在楼梯上，现在打鼾为什么你呼唤我呼唤我呼唤我吗？

I swear by Apollo the physician, and Aesculapius, and All-heal, and all the gods and goddesses, that, according to my ability and judgement, I will keep this stipulation to reckon him who taught me this Art equally dear to me as my parents, to share my substance with him, and relieve his necessities if required; to look upon his offspring in the same footing as my own brothers and to teach them this art, if they shall wish to learn it, without fee or stipulation; and that by precept, lecture, and every other mode of instruction, I will impart a knowledge of the Art to my own sons, and those of my teachers and to disciples bound by a stipulation and oath according to the law of medicine, but to none others.

医神阿波罗、埃斯克雷彼斯及天地诸神作证，我———希波克拉底发誓：我愿以自身判断力所及，遵守这一誓约。凡教给我医术的人，我应像尊敬自己的父母一样，尊敬他。作为终身尊重的对象及朋友，授给我医术的恩师一旦发生危急情况，我一定接济他。把恩师的儿女当成我希波克拉底的兄弟姐妹；如果恩师的儿女愿意从医，我一定无条件地传授，更不收取任何费用。对于我所拥有的医术，无论是能以口头表达的还是可书写的，都要传授给我的儿女，传授给恩师的儿女和发誓遵守本誓言的学生；除此三种情况外，不再传给别人。

We can still do that, of cause, something ought to be changed, you feel the time-changing, or agedness.

我那个时候30多岁，30岁现在看很年轻，我女儿现在有30多岁了，那个时候还有诗人跟我说，你到50岁的时候总不能写情诗了吧，他是好意，但是我觉得写诗不是我的专业，我觉得我是要写才写的，我也不知道50岁怎么了，我现在离50岁已经很远了，但是我还在写，谁说50岁不能写，照写，但是有些东西得改变，有一些沧桑。

No such rules; I was in my 30's of age, a women in her 30 could be very young from now; my daughter is more than 30 now; I remember, a poet said to me in his good willing that writing love poems are quite beyond age of 50, however, poetry is not my expertise, I write for I have to. Nothing wrong with the age of 50 either; now, its pretty far from my age of 50; but I go on writing, no body says one can not write when you re 50 years of age? People still can do that, of cause, something ought to be changed, you feel the time-changing, or some agedness.

我那个时候30多岁，30岁现在看很年轻，我女儿现在有30多岁了，那个时候还有诗人跟我说，你到50岁的时候总不能写情诗了吧，他是好意，但是我觉得写诗不是我的专业，我觉得我是要写才写的，我也不知道50岁怎么了，我现在离50岁已经很远了，但是我还在写，谁说50岁不能写，照写，但是有些东西得改变，有一些沧桑。

No, such rules; I was in my 30's of age, a women in her 30 could be very young from now; my daughter is 30 years age now; remember a poet said to me in his good willing that love poems are quite beyond age of 50, however, poems composing is not my expertise, I write for I have to, nothing wrong with age of 50 either; now, its pretty far from my age of 50; but I still write, no body says one could not write when you re 50 years of age? We can still do that, of cause, something ought to be changed, you feel the time-changing, or agedness.

我那个时候30多岁，30岁现在看很年轻，我女儿现在有30多岁了，那个时候还有诗人跟我说，你到50岁的时候总不能写情诗了吧，他是好意，但是我觉得写诗不是我的专业，我觉得我是要写才写的，我也不知道50岁怎么了，我现在离50岁已经很远了，但是我还在写，谁说50岁不能写，照写，但是有些东西得改变，有一些沧桑。

But being one Day at Hull, where I went casually, and without any Purpose of making an Elopement that time; but I say, being there, and one of my Companions being going by Sea to London, in his Father's Ship, and prompting me to go with them, with the common Allurement of Seafaring Men, viz That it should cost me nothing for my Passage, I consulted neither Father or Mother any more, nor so much as sent them Word of it; but leaving them to hear of it as they might, without asking God's Blessing, or my Father's, without any Consideration of Circumstances or Consequences, and in an ill Hour, God knows.

当时，我还没有私自出走的念头。但在那里，我碰到了一个朋友。他说他将乘他父亲的船去伦敦，并怂恿我与他们一起去。他用水手们常用的诱人航海的办法对我说，我不必付船费。这时，我既不同父母商量，也不给他们捎个话，我想我走了以后他们迟早会听到消息的。同时，我既不向上帝祈祷，也没有要父亲为我祝福，甚至都不考虑当时的情况和将来的后果，就登上了一艘开往伦敦的船。时间是一六五一年九月一日。

I mean people wonder why I always have children around because I find the thing that I never had through them, you know, Disneyland, amusement park, arcade games, I adore all that stuff,'cause I was little, I was always work work work, from one concert to the next, if it wasn't a concert there was a recording studio, if it wasn't that, it was a TV show, there's an interview, there's a picture session, there's always something to do.

人们一直疑惑，为什么我总是让一群孩子围绕在我身边。我想是因为我从他们身上发现一些我从没有过的东西，比如迪斯尼乐园，游乐园，电玩游戏。我很崇拜那些游乐场所的员工，因为我觉得自己很渺小，我总是不停的工作，从一场演唱会到另一场演唱会。如果没有演唱会的话，我就要到录音棚录音；如果不需要录音的话，我就要参加电视节目，或者是访谈，或者是图片展，或者是其它什么。

Some days ago AnAn told me that I have changed so much these days,I became cynical and blundering,I negatived him,and I belive that I was doing what I should do for my profit,but when I calmed down,I found somehow he is right,my will was shaken by the cruelly reality.

一些日子之前，安安告诉我这些天我已经改变了很多，我变成了愤世嫉俗的和浮躁的，我消极的对待他，并且我认为我所做的事情是为了我的利益应该做的，但是当我冷静下来的时候，我发现在一定程度上他是对的，我的意志被残酷的现实动摇。

And forasmuch as You have of Your bottomless mercy offered most graciously to me, a wretched sinner, to be again my God through Christ, if I would accept You; I call upon heaven and earth to record this day, that I do here solemnly avouch You for the Lord my God, and with all possible veneration, bowing the neck of my soul under the feet of Your most sacred Majesty, I do here take You the Lord Jehovah, Father, Son, and Holy Spirit, for my portion and chief good, and do give myself, body and soul, to be Your servant, promising and vowing to serve You in holiness and righteousness all the days of my life.

并且，既然你出于无比的怜悯，提供我这个可恶的罪人，借着基督重新作我的神，只要我接受你；我今天呼天唤地作见证，我在这里严肃地宣告：你是主，我的神，并且我心存一切崇敬，跪在你至圣的威严下。我在此接受你，主耶和华，圣父、圣子、圣灵，作我的福份和最大的好处。我也把自己的身体和灵魂献给你，作你的仆人。我保证并起誓，要终生在你面前用圣洁、公义事奉你。

Neither was this all; for my goods being all English manufacture,such as cloths, stuffs, baize, and things particularly valuable anddesirable in the country, I found means to sell them to a verygreat advantage; so that I might say I had more than four times thevalue of my first cargo, and was now infinitely beyond my poorneighbour - I mean in the advancement of my plantation; for thefirst thing I did, I bought me a negro slave, and an Europeanservant also - I mean another besides that which the captainbrought me from Lisbon.

但不看则已，这一看使我的情绪立即低落下来。我虽获救，却又陷入了另一种绝境。我浑身湿透，却没有衣服可更换；我又饥又渴，却没有任何东西可充饥解渴。我看不到有任何出路，除了饿死，就是给野兽吃掉。我身上除了一把小刀、一个烟斗和一小匣烟叶，别无他物。这使我忧心如焚，有好一阵子，我在岸上狂乱地跑来跑去，像疯子一样。夜色降临，我想到野兽多半在夜间出来觅食，更是愁思满腔。我想，若这儿真有猛兽出没，我的命运将会如何呢？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。