成碎片的

This kind of images has made the city become a forest of cement and mechanical moving objects.Those who have created and are living in this atmosphere are,at the same time,enjoying the curiosities,strangeness,dissepiment and insecuritie .All these feelings are hard to be described in one scenario.This is no doubt the feeling of Feng jie,therefore he has adopted a kind of mural painting,used some images that are not interrelated and organized these pieces of memories into a container.Feng jie has a good skill to paint realitically,so he is able to express this kind of absurdness as truly as photographs.He can organize the reality like pieces of cards into an ordered space of images.

环路、高速路、红灯、绿灯、黄灯，——从过街桥上看街道，街道是车的河床，流动着过来的白灯，过去的红灯——这种印象把城市变成了水泥的森林，机械物的运动场，——造成，并生活在其间的人，也同时"享受"这期间的"新奇感"、"陌生感"、"隔膜感"和"不安全感"——这种感受，很难在一个情节剧中叙述，——这就是作者的感觉，他采用一种壁画的篇幅，用一些互不相关的图像，把这些"记忆的碎片"组织在一个"集装箱"中——作者有很强的写实能力，因此能把这种潜在的荒诞感，做得如照片映像般的真实，能把这些碎片似的真实，潜在结构成一个有序的图示的空间中，——一种可沟通的"惶惑"，可感知的冷处理的客观性以及他的批判立场。

Instead, I stand here looking at a mountain that has been torn asunder by some extraordinary force.

但是，当我到达这座山时，这座山似乎被一种未知的巨大力量撕成了碎片。

All the crockery had been smashed to bits.

所有的陶器都摔成了碎片。

That was a direct hit and Volodia was completely shattered.

可怜的瓦洛佳被直接打中成了碎片。

Launay himself was dragged out by the mob, his body ripped to shreds and his head hacked off by a cook with a kitchen knife, before being stuck on a pike for public view.

Launay自己也未能幸免，让人拽出来，身体被撕成了碎片，一个厨子手起菜刀落砍掉了他的脑袋，然后挑在长矛上示众。

Firstly, This paper processes geometry filtration based on character of orbit's apogee and perigee after orbit model is analyzed and based. Secondly Space Debris is separated into two kinds, coplanar and not coplanar according as location interrelation of target and debris. In Dynamic filtration's processing, considering prediction time limit and orbit perturbation, secular effects which have increaser effect is considered so that some need catching danger time point is appeased, some law about time when target and debris pass intersectant line each other is inferred, when debris and object are in different plane and some similar law also is inferred otherwise. The time list is arithmetical progression. These laws can improve calculation efficiency remarkably; Lastly orbit predict is a course approaching least distance. Danger time point in the last step become beginning time point from which debris and object's position and velocity are calculated by SXP4 Model which is an analytic model.By result, determine that relative movement trend is closer or apart, farther calculate the interval apart from time when predictive least relative distance occurs. Least relative distance and time when least distance occurs is calculated finally. It is a fast approach course adopting varied interval.

本文在分析、建立轨道摄动计算模型的基础上，首先采用基于轨道远、近地点特征对大量编目在册的空间碎片进行初步几何静态筛选，然后根据碎片与目标轨道面的相对位置特点把碎片分为异面与准共面两种情况以进行动态筛选，在筛选过程中考虑到预报时限长度和轨道摄动影响，引入了轨道摄动中具有积累效应的长期项以满足危险时间点的捕捉要求，利用了长期项摄动变化线性的特点导出了碎片与目标异面情况下各自过交线的时间序列成准等差数列的规律性和准共面情况下类似的规律性，从而显著地提高了前期轨道筛选的计算效率；最后对剩余危险碎片和目标飞行器利用SXP4轨道预报模型在前期轨道筛选的基础上以各个危险探测时间点为预报的时间起点，并根据预报计算结果，分析目标和碎片在该时间点的运动趋势是相互远离还是相互接近，推出预计最小相对距离发生时刻相对此刻的时间长度，得到其随时间变化的局部最小相对距离以及危险距离发生的时刻和相对速度，这是一个采用变时间步长、快速逼近最小相对距离的过程。

These factors make this broken and severed scroll of history miraculously reassume its shape, a hundred contradictions folding into one, impossible to distinguish, utterly intertwined.

一片灰暗色调的画面，历史被断然的切成了碎片，切成了突兀的、不经意的、武断的许多部分，只存在局部的、片断的真实。

Upon my going into the church, I entertained myself with the digging of a grave; and saw in every shovelful of it that was thrown up, the fragment of a bone or skull intermixt with a kind of fresh mouldering earth, that some time or other had a place in the composition of a human body.

我走进教堂，正好赶上有人挖墓。扔出的每一锨腐土中，都混杂着骨头或头颅的碎片。曾几何时，这些碎片还是人身体的一部份呢！看到这个情景，我暗自思忖，在这座古老教堂甬道下面混埋着何等众多的人呀；无论男人还是女人，朋友还是敌人，牧师还是士兵，修士还是受俸者，全都化碎片，混成一堆。美丽、强壮、年轻的人和年老、体衰、畸形的人都毫无区别地融入同一片泥土。

Spiritually these postmodernist characters have degenerated from heroes into antiheroes. visually their coherent identity and "self"are getting increasingly vague, dissipating into shadows and fragments.

从精神上看，后现代人物已经由传统小说中的英雄蜕变成了反英雄；从形象上看，人物固定的身份和本体也越来越模糊，幻化成了影子和碎片。

Spiritually these postmodemist characters have degenerated from heroes into antiheroes. Visually their coherent identity and "self" are getting increasingly vague, dissipating into shadows and fragments.

从精神上看，后现代人物已经由传统小说中的英雄蜕变成了反英雄；从形象上看，人物固定的身份和本体也越来越模糊，幻化成了影子和碎片。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。