戏谑性的

Based on the black circus, the study aims to understand the self-reflection within the creative process, by analyzing the related literatures and various works. After determining the prankish intention, four series of works are sub-divided in the study: unreasonable fairy tales, the clownery of a famous brand, funny cartoons on TV or in film and the overwhelming of ingrained responses to classical painting.

藉由此创作过程、相关文献探讨、与作品呈现的分析研究下，在恶搞文化下的自我省思本创作以「黑色马戏团」为中心，探讨相关的恶搞文化，进而发展「不合常理的童话故事」、「知名品牌的小丑化」、「影视卡通的戏谑滑稽」、「经典名画的颠覆性」为主题的四个系列创作作品。

This thesis will expound this central subject under discussion by the following aspects: The first part of this thesis fully taps the characters of image that shows different schematic style from film and painting by using methods of comparative study and theoretical study and by using methods of contemporary visual culture, such as: iconology, theories of style, semiotics, morphology and so on.

围绕着这个中心议题，论文将以下几个方面进行论述和探讨：第一个部分是通过对动画影像进行比较性甄别，利用比较研究、理论研究以及图像学、风格学、符号学、形态学等当下视觉文化使用的诸多研究方法，充分挖掘影像所显示出来的与电影、绘画等图式风格完全不同的品格特性，并进行归纳与总结，揭示动画品格显现出来的影像风格之图式本性、叙事符码的符号学资质、幻动性的观影错觉以及戏谑性的叙事效果，深入、立体、全面地考察动画的品格形态。

This thesis will expound this central subject under discussion by the following aspects:The first part of this thesis fully taps the characters of image that showsdifferent schematic style from film and painting by using methods of comparative study and theoretical study and by using methods of contemporary visual culture, such as: iconology, theories of style, semiotics, morphology and so on.

围绕着这个中心议题，论文将以下几个方面进行论述和探讨：第一个部分是通过对动画影像进行比较性甄别，利用比较研究、理论研究以及图像学、风格学、符号学、形态学等当下视觉文化使用的诸多研究方法，充分挖掘影像所显示出来的与电影、绘画等图式风格完全不同的品格特性，并进行归纳与总结，揭示动画品格显现出来的影像风格之图式本性、叙事符码的符号学资质、幻动性的观影错觉以及戏谑性的叙事效果，深入、立体、全面地考察动画的品格形态。

The article made a comparison between Wang Xiaobo and Milan Kundera in three aspects of Historical joke and the rebel era colors, poetic creation and uncontrolled logos rays, sapiential jocosity and fearless sex.

本文从 历史的玩笑与反叛的时代色彩，诗意的创造与自由的理性光芒，智慧的戏谑与无畏的性爱狂欢三个方面对王小波与米兰·昆德拉的作品进行了比较。

Serious interpretation stick by historical fact, construct the scenario with inner historical contradiction, shape the event and historical character. Playful interpretation has a jocosity style and seldom stick by historical fact,(以后现代式无深度戏仿消解历史,并以此形成事件核心和模式化的人物形象;)Dissociated between these two styles is sub-serious interpretation, reconstructure history with fabled drama conflict, and shape the event and dramatized character.

历史正说剧忠于史实、风格严肃，以历史的内在矛盾性构建戏剧，并以此形成事件核心和历史化的人物形象；而历史戏说剧风格戏谑、几无史实，以后现代式无深度戏仿消解历史，并以此形成事件核心和模式化的人物形象；游离于二者之间的过渡类型即是历史亚正说剧，以虚构的戏剧冲突性重构历史，并以此形成事件核心和戏剧化的人物形象。

Its ridiculous to come from, consisting mainly of Xixue Song Drama, but only for the operas interludes of comedy.

它来自以滑稽、戏谑为主的宋杂剧，但在戏曲中只作喜剧性的穿插。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。