戏曲

The following text is a study of the entrance and exit poetry of Yuan Drama, which researches into the quantity, poetic theory and types of the entrance and exit poetry in Yuan Drama, analyzes characteristics, investigates the origin, considers its role of Yuan Drama.

本文拟调查元杂剧宾白中的上场诗和下场诗的数量、格律、类型，分析其特征，探求其源流，考察它在戏曲中的作用。

"Xi Xiang Ji "is the composition based on the legendary novel"Huei Chen Ji" by Chen Yuan in Tang Dynasty.After being modified by number of compositors, Shi-Fu Wang in Yuan Dynasty re-contractured, fertilized and finally turned the story out to be "Xi Xiang Ji ", a love story musical.

中文摘要《西厢记》是在唐人元稹传奇小说《会真记》的基础上，经过历代戏曲家不断的改编、创作而成，直到元代，王实甫重新加工、丰富并提炼了崔张故事原有的内容，完成了《西厢记》这出以爱情为主轴的戏曲。

Until now the research of Chinese Southern Opera has laid emphasis on its thought, version and position in opera history, however, we neglected the analyses of its tonal pattern and rhyme scheme.

目前为止，对南戏作品的研究，主要侧重于作品思想·版本·戏曲史上的地位等方面，对南戏曲调的内在曲律则缺乏系统的研究。

However, there is still some limitation of thoughts in the feminine characters the playwrights portrayed.

但是，戏曲作家在女性形象塑造上也表现了一定的思想局限性。

These writers created five monographs, twenty one prefaces and postscripts, six forewords, and scores of annotates and other comments on traditional opera which can be found in guides to the use of reference books, letters, diaries, essays, etc.

越中戏曲的发展大致可分前后三个阶段：第一阶段以徐渭为中心，他联络了越中众多曲家；第二阶段以王骥德为中心，他与越中诸曲家有广泛的交往；第三阶段以祁彪佳为中心，在他周围聚集了一批曲家。

China has more than 360 types of Chinese opera music types,over a thousand repertoires.

我国有戏曲曲种360余种，演出剧目上千个。

On the Summa especially on the De Fide, in Opera, ed.

关於总结，特别是对德的真诚，在戏曲，教育署。

In his book Chinese Characteristics, which was written more than 100 years ago, A.H.

亚瑟·史密斯在他一百多年前写的《中国人的德行》一书中说：中国人喜好戏曲，就像英国人喜好体育，西班牙人喜好斗牛一样。

With regard to his poetic procedure, which was both critical and creative, he must often have felt that he was applying to drama the opening words of Anaxagoras' treatise:"In the beginning all things were mixed together; then reason came and introduced order."

就他的批判创作活动而论，他定必常常觉得应该把亚拿萨哥拉著作开章这句话灵活运用于戏曲上：&泰初万物混淆，然后理性出现，创立秩序。&

Because of the limit of the length on this paper, the study shall only focus on the principle of voice production, training of voice production, and application of head voice and chest voice.

由於篇幅有限，本文仅从戏曲声乐的发声原理、发声训练、真假声运用等方面分别探讨之。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。