戏曲

Installation on storage card is now possible, and the Beta happily coexists with preinstalled versions of Opera Mobile.

安装在储存卡现在是可能的，和β快乐并存的戏曲版本和预装移动。

In recent years has enlivened at the drama, the movie and above the television screen.

近年来一直活跃在戏曲、电影和电视屏幕之上。

The special features of this plan are its interdisciplinary (anthropological, historical, and literary) combination of methods and visions and its broad use of artifacts, documents (investigative reports, local gazettes, travel writings, and even novels and plays), and visual images in presenting and expounding upon the elements of "people and locality"(people and their relationship with their environmental ecology),"people and people"(the various social identities and distinctions between peoples), and "people and heaven"(the life customs and religious beliefs of humankind) associated with these archived items.

本计划之特色在於结合跨学科方法与视野，广泛运用各种文物、文书（调查报告、方志游记、乃至小说、戏曲等材料）与图像资料，来诠释与呈现这些材料背后的「人与地」、「人与人」(人群间各种社会认同、区分)、「人与天」（人类之生命礼俗与宗教信仰）等情境，同时呈现中国族群研究的多元论述与探讨中国民族形成的历史过程。

According to the research results, the source of ritual instruments of temple's honor guard contains not only the origin of national ceremony system in China's feudal ages but also the conception of "honor guard of gods","parades of effigies","Nuo plays", and the prodding of "honor guard in sacrificial rites","knighting for gods from government","folk drama". Under these processes of development, the ritual instruments of temple's honor guard were spread widely in folk temples, and were introduced into Taiwan in early Ching dynasty.

研究结果发现，寺庙仪仗器物的产生渊源乃由国家仪仗礼制所发展而来，但这并非是唯一的源头，中间尚包含了由国家仪仗礼制所发展出来的「仙仗」概念以及「行像」、「傩戏」等俗作为概念根基，以及「官方祀典仪仗」、「官方封赐神明的风潮」、「民间戏曲」等现象的推波助澜，始让中国民间寺庙使用仪仗器物之俗有所普及并流传发展至今，而大约在清代中叶，随著中国移民前来拓垦，将此俗正式带入台湾。

These people are reading advertisements for performances of a folk opera about the Japanese massacres in China.

这些人是读广告表演，民歌戏曲对于日本的大屠杀在中国。

The transition in Chinese religious rites, popular culture that repulses and restricts Chinese opera have caused Chinese opera to be in survival crisis and fade out of the Chinese society.

在马来西亚的现代化进程中，把握机遇以拓展华语戏曲艺术的生存空间，以文化自救的方式实现华人文化权的诉求，这是至关重要的。

Classical tragicomedy is the cristal of Chinese culture, and best represents the Chinese culture spirit. But regretfully Chinese dramatists followed the Western footsteps, put most of their energy onto the classical tragedy and neglect the study of classical tragicomedy. They classified many classical tragicomedies into the category of tragedy. It brought about the confusion in the classification of Chinese classical drama.

古典悲喜剧是中国文化的结晶，最能代表中国文化精神，遗憾的是我国戏剧界往往步西方的后尘，集中精力研究古典悲剧，忽略了对古典悲喜剧的探讨；又因为对古典悲喜剧的价值认识不足，有意无意地将许多悲喜剧划入悲剧范畴，造成我国古典戏曲分类上的混乱。

These folk artists who well-versed in the way of society can not only skilled in a variety of Chinese opera and ballad, but also good at improvisational performance as you warmed with wine, one and yet another folk or popular songs make you could not refrain from laughter.

这些饱经世事沧桑、混迹于三教九流、游走于龙鱼之间的艺人，不仅可以为你演唱各种戏曲、民谣，还善于察言观色，在你觥筹交错，酒酣耳热之际，用最时尚的妙言谐语为你现编现演，一首首流行歌曲和民谣演绎得让你忍俊不禁、捧腹开怀。

Quyi refers to folk vocal art forms such as ballad singing, story-telling, comic dialogue, clapper talk and crosstalk.

曲艺是种民间的声乐艺术形式，例如戏曲，评书，滑稽戏，绕口令和相声。

Over the years, he has played various genre of music including symphonies from classical to contemporary, concertos, operas, ballet music, Chinese folk music and traditional Chinese operas.

多年来，他演奏了大量古今中外的交响乐作品以及协奏曲、歌剧、芭蕾舞音乐、中国民间音乐、戏曲音乐等。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。