戏曲

In late times of the twenties, with new drama's declining and traditional opera's flourish renewedly, many Chinese students abroad began to reconsider the future of Chinese drama.

二十年代后期，面对新剧的衰落和传统戏曲的再一次兴盛，一些从海外归来的学子开始重新思考中国戏剧的未来之路。

It is a specifical art language which creat...

它是在长期的历史发展过程中，历经无数代戏曲艺术家的创造才形成的一种特定的艺术语汇。

So, Chinese opera can be more splendent, only through development and innovation on the basis of keeping essential characteristic.

在保留本质特色的基础上加以创新和发展，中国戏曲才能拥有更加灿烂的明天。

Li Si, Hunan native, is currently learning modern dance in Beijing Vacational Institute of Local Opera and Arts.

李思，湖南人，现为北京戏曲职业艺术学院现代舞系学生。

Zhao Kejun hails from Gansu, he graduated from Central University of Nationalities with master degree, and is currently a lecturer of Beijing Vacational Institute of Local Opera and Arts.

赵克军，甘肃人氏，中央民族大学舞蹈学院硕士毕业，现为北京戏曲艺术职业学院讲师。

Luo Dewen, Guangxi native, he graduated from Beijing Vacational Institute of Local Opera and Arts, and is currently a dance teacher of Beijing Insititue of Modern Music.

罗德文，广西桂林人氏，毕业于北京戏曲学院，现为北京现代音乐学院老师。

In the second chapter, I comparatively analyzed the political and cultural background of the Silent drama , as well as the philosophy, developing of the opera theory itself and Li Yus various kinds of encounter and so on. As a result, we can better understand and maintain the social condition and history background of its birth and some of the regularities during the development of Chinese novels.

第二部分比较全面分析了&无声戏&理论得以生成的政治文化氛围、哲学思潮、戏曲小说理论自身的发展及李渔生平遭际等种种因素，以便于认识和把握这一理论产生的社会条件、历史背景及中国小说理论发展和演进的某些规律。

Yuan za ju is one of the most important literature phenomena in the antiquity literature.

摘 要：元杂剧是中国古代文学史上最重要的文学现象之一，也是戏曲发展的高峰阶段，塑造了很多女性形象。

Meanwhile , the geographical displacement between China and Thailand indicated this particular art exchanged its position of bonier and center in the whole pattern due to the hidden social background and historical origins from which people can gain enlightenment .

同时，潮剧在泰国与中国之间的地理位移意味着这一特殊戏曲艺术在整体格局中的边缘与中心地位的互换，其后隐藏着特定的社会背景和历史渊源，给予人们深刻而独特的文化启示。

During his career as a dramatist, Fielding had attempted a considerable number of forms of plays: witty comedies of manners or intrigues in the Restoration tradition, farces or ballad operas with political implications, and burlesques and satires that bear heavily upon the status-quo of England.

在他作为职业剧作家，曾试图派遣相当数量的形式发挥：风趣幽默的风格还是在尔虞我诈的恢复传统戏曲与民谣闹剧或政治含义，车体和嘲讽，并有重大的现状英格兰。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。