戏曲

Ditty, drama and zarzuela etc. were improved greatly, and formed unique style respectively. This thesis carries out the preliminary study on the music of song in Ming Dynasty.

时调小曲、戏曲音乐、说唱音乐、歌舞音乐等唱乐形式空前的繁荣，形成了各自独特的艺术风格和发展曲线，并对后世唱乐产生了深远的影响。

Quirky Zora and dreamy Chad Dylan Cooper, star of the teen drama "Mackenzie Falls" that films in the adjacent studio, and his simmering rivalry with the cast of "So Random!"

古怪的Zora (Allisyn Ashley胳膊)和梦想的乍得迪伦在毗邻演播室摄制青少年的戏曲"Mackenzie Falls"的木桶匠，星和他与任意的"So塑象的煨的竞争！"

All the influences, at first, they might be the only and unavoidable choice which was restricted by the temporal situation, or just the bequeather of the undeveloped Sister Culture.

在此基础上，对戏曲话语模式的审美特点进行简单的归纳和分析。

Those choric portions with which the tragedy is interlaced constitute, as it were, the matrix of the dialogue, that is to say, of the entire stage-world of the actual drama.

所以，那些交织在悲剧中的合唱部分，就仿佛是全部所谓对白——即，整个舞台境界，戏曲本部——的娘胎。

The establishment of these Coban, in order to train a large number of Hebei Bangzi artistic talents, who have enjoyed the name on the stage at the Metropolitan Opera inter-cloud fields (stage name ring Miracle, double-shun classes sit Branch), Yang Yun spectrum (the stage name of Crepis grass, Xiang-Qing, and Ban Chuke), well known in the vast rural areas of Hebei, Liu Si-hong, Ruey-Fen Liou, etc..

这些科班的建立，为河北梆子培养了一大批艺术人才，如曾享名于京华戏曲舞台上的田际云（艺名响九霄，双顺班坐科）、杨韵谱（艺名还阳草，祥庆和班出科），饮誉于河北广大农村的刘四红、刘瑞芬等。

In the second part, some traditional highlights of Puxian Opera such as Killing Dog, Zhu Chaolian, and Three Whips Beat Back Two Maces are fragmentally analyzed, and the relationship between the gong and drum drop and the performance in Puxian Opera is illustrated from three aspects.

第二部分、文章通过对传统莆仙戏的折子戏《杀狗》、《朱朝连》、《三鞭回两锏》等剧目的片断分析，分三方面论述了莆仙戏锣鼓点与戏曲表演的相互关系。

Histrionism in bawdyhouse has different connotation and form compared with it in the teagarden.

青楼演剧具有和茶园演剧不同的文化内涵和演剧形式，是&正规&戏曲舞台之外，十分重要的演出形式。

The words "Pai-Chang"or "Pai5 Tiunn5" have many meanings But when used in traditional opera or music and explained as a kind of formal musical performance they are only applied in Taiwanese Peguan and Nanguan cultural circle particularly in Peguan circle There are two kinds of characters of "Pai-Chang" in terms of the function of the performance namely artistry and folk custom In Tainian city "Pai-Chang" which refers to the formal vocal performance without makeup and acting; nevertheless is used by the amateur actors' organizations of Peking opera as well Such a phenomenon raises two questions: first of all Although Peking the origin of Peking opera has vocal performance of Peking opera "Pai-Chang" is never used either artistry or folklore therefore how does this jargon hand down to the Peking opera circle in Tainan city ?

「排场」(pai5 tiunn5或ㄆㄞˊㄔㄤˇ)一词，用於戏曲音乐方面，做音乐的正式演出型态解释者，为台湾南北管文化圈所特有，其中又以北管最常使用。其以表演目的或弁郧荌粥洃嚏A可分为艺术性与民俗性两种。然而，在台南市及其周边的京剧文化圈内，亦使用有「排场」(pai5 tiunn5或ㄆㄞˊㄔㄤˇ)此一语汇，也指京剧的「正式清唱演出」。本研究动机基於对目前仅见於台南市及其周边之民俗性京调排场的两点疑惑：其一，按京剧的形成地－－北京，虽亦有京剧的清唱演出，然不论为艺术性或民俗性，北京人都不称为「排场」，那麼台南市京剧圈的排场语汇是如何得来的呢？代表了何种意义？

With the enlargement of studying domain and going deep into for Chinese traditional play history, some writers works which are not well-known in the past are viewed highly by people. For example, Meng Cheng-shun who is a playwriter in the period of Late Ming and Early Qing dynasty.

随着中国戏曲史研究领域的不断扩大和深入，一些过去不被重视的作家、作品逐渐引起了人们的探讨兴趣，如明末清初的剧作家孟称舜就是其中之一。

It is the most influential and presentative of all operas in China.

它是中国所有戏曲中最有影响力和最具代表性的。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。