戏剧的

Concerning music, their ideals were based on their perception of ancient Greek musical drama, in which the declamation of the text was of utmost importance.

由于当时Florentine Camerata的一些专业的学者在Giovanni de' Bardi教堂的宫殿里非正式的会晤）一起讨论艺术和科学，对于音乐而言，他们的理念基于对古希腊音乐戏剧的概念，那就是认为对剧本的宣叙在戏剧中是最重要的。

From the global viewpoint and criteria of play, the Chinese and foreign classical drama have the common feature of popularization such as generalisation of characters, life-orientation of conflicts and wide-ranging of content, which are the essences of drama.

如果用真正全球性的眼光和戏剧性的标准来打量中外古典正剧，首先在戏剧要素上就体现出了大众性特征，它主要表现在人物的普遍化、冲突的日常化和内容的泛化这三个方面，这是戏剧的艺术本质所致。

Serious interpretation stick by historical fact, construct the scenario with inner historical contradiction, shape the event and historical character. Playful interpretation has a jocosity style and seldom stick by historical fact,(以后现代式无深度戏仿消解历史,并以此形成事件核心和模式化的人物形象;)Dissociated between these two styles is sub-serious interpretation, reconstructure history with fabled drama conflict, and shape the event and dramatized character.

历史正说剧忠于史实、风格严肃，以历史的内在矛盾性构建戏剧，并以此形成事件核心和历史化的人物形象；而历史戏说剧风格戏谑、几无史实，以后现代式无深度戏仿消解历史，并以此形成事件核心和模式化的人物形象；游离于二者之间的过渡类型即是历史亚正说剧，以虚构的戏剧冲突性重构历史，并以此形成事件核心和戏剧化的人物形象。

Opera seria, rising in these situations, is characterised with serious polt, dignity historical material and arias which are the focus of music.

在这些条件中成长起来的正歌剧具有严肃的情节，高贵的历史题材，和以咏叹调为中心的音乐特征：其戏剧的本质是展现真正的人生悲剧，是专门为音乐而作的戏剧。

A careful analysis proves that the main part of former Chao Yu's dramas is a prisonlike world, but, on the verge of the prisonlike world, there is a bright"horizon"which is an ideal world.

细致的文本分析表明曹禺前期戏剧深层结构的主体部分都是闭锁的世界，而在这个闭锁的世界的边缘则存在着充满亮色的&天边外&即理想国，所以，闭锁的世界和理想国分别是曹禺前期戏剧的主体结构和边缘结构。

If we can say the theme of former Chao Yu's dramas is how the characters choose between the laws of prisonlike world and ideal world, then, the theme of the latter is how the characters are chosen by the law of"the clear sky".

如果说曹禺前期戏剧的主题是剧中人如何在两种世道——闭锁的世界的世道和理想国的世道——之间进行选择的话，那么，后期曹禺戏剧的主题则是剧中人如何接受世道的选择。

In order to publicizes his viewpoint well, He has chosen the play literature form, in the play work, the leading character often is in under the different situation , Needs to make the different choice, They use own choice to explain oneself is free not free, is the heroic or coward.

为了更好地宣扬他的观点，他选择了戏剧的文学形式，在他的戏剧作品中，主人公往往处于不同的情境下，需要做出不同的选择，他们用自己的选择说明了自己是自由的还是不自由的，是英雄还是懦夫。

Most former researches on Chao Yu overemphasizes the multi-meaningness of Chao Yu's dramas and ignores the point that there is a common deep structure in it.

以往的曹禺研究大多过于注意曹禺戏剧的多义性，而对曹禺戏剧丰富的意义空间中是否存在着共同的深层结构这个重大的理论问题，却基本上未加追问和探讨。

He thought that music should serve for drama. He predigested music and plot. He cast away the traditional showing-off technique and advocated the natural and unsophisticated representation. He emphasized that opera should have profound meaning and sought the authenticity of an opera. He also combined every representational skills into a whole, getting rid of all of the superfluous stuff.

主张音乐要为戏剧服务，简化音乐及情节，摈弃传统的炫技要求，提倡自然淳朴的表现，并强调歌剧应有深刻的内容，追求戏剧的真实性，力求将歌剧的各种表现手段融会一体。

The nature of opera seria is to expose the real tragedy of life.

在这些条件中成长起来的正歌剧具有严肃的情节，高贵的历史题材，和以咏叹调为中心的音乐特征：其戏剧的本质是展现真正的人生悲剧，是专门为音乐而作的戏剧。

The absorption and distribution of chromium were studied in ryeusing nutrient culture technique and pot experiment.

采用不同浓度K2CrO4(0，0.4，0.8和1.2 mmol/L)的Hoagland营养液处理黑麦幼苗，测定铬在黑麦体内的亚细胞分布、铬化学形态及不同部位的积累。

By analyzing theory foundation of mathematical morphology in the digital image processing, researching morphology arithmetic of the binary Image, discussing two basic forms for the least structure element: dilation and erosion.

通过分析数学形态学在图像中的理论基础，研究二值图像的形态分析算法，探讨最小结构元素的两种基本形态：膨胀和腐蚀；分析了数学形态学复杂算法的基本原理，把数学形态学的部分并行处理理念引入到家实际应用中。