戏剧的

No He won't have it , he knows his whole back city's ropes It don't matter, he's dope He knows that, but he's broke He's so stacked that he knows When he goes back to his mobile home, that's when it's Back to the lab again yo This whole rap shit He better go capture this moment and hope it don't pass him You better lose yourself in the music, the moment You own it, you better never let it go You only get one shot, do not miss your chance to blow This opportunity comes once in a lifetime yo The soul's escaping, through this hole that it's gaping This world is mine for the taking Make me king, as we move toward a, new world order A normal life is borin, but superstardom's close to post mortar It only grows harder, only grows hotter He blows us all over these hoes is all on him Coast to coast shows, he's know as the globetrotter Lonely roads, God only knows He's grown farther from home, he's no father He goes home and barely knows his own daughter But hold your nose cuz here goes the cold water His bosses don't want him no mo, he's cold product They moved on to the next schmoe who flows He nose dove and sold nada So the soap opera is told and unfolds I suppose it's old potna, but the beat goes on Da da dum da dum da da You better lose yourself in the music, the moment You own it, you better never let it go You only get one shot, do not miss your chance to blow This opportunity comes once in a lifetime yo No more games, I'ma change what you call rage Tear this mothafuckin roof off like 2 dogs caged I was playin in the beginnin, the mood all changed I been chewed up and spit out and booed off stage But I kept rhymin and stepwritin the next cypher Best believe somebody's payin the pied piper All the pain inside amplified by the fact That I can't get by with my 9 to 5 And I can't provide the right type of life for my family Cuz man, these goddam food stamps don't buy diapers And it's no movie, there's no Mekhi Phifer, this is my life And these times are so hard and it's getting even harder Tryin to feed and water my seed, plus See dishonor caught up bein a father and a prima donna Baby mama drama's screamin on and Too much for me to wanna Stay in one spot, another jam or not Has gotten me to the point, I'm like a snail I've got to formulate a plot fore I end up in jail or shot Success is my only mothafuckin option, failure's not Mom, I love you, but this trail has got to go I cannot grow old in Salem's lot So here I go is my shot.

无 他不会有，他知道他的整个回城的绳索它不处理此事，但他的涂料他知道，但他的突破他的，所以堆叠他知道当他回到他的手机在家，就什么时候，它的回到实验室又摇摇这整个说唱为Shit 他最好去捕捉这一刻，并希望它不通过他您更好地失去了自己在音乐，时刻你拥有它，你最好永远不会放手你只能获得一杆，千万不要错过你的机会，以打击这个机遇而来的一生中只有一次的心灵灵魂的逃亡，透过这个洞，它的溃烂这个世界是矿井为录取令我国王，因为我们走向一个新的世界秩序过正常的生活，是borin ，但superstardom的接近邮政砂浆它不仅日益困难，只有长大白热化他的打击我们所有这些锄头，是所有对他的海岸到海岸的表演，他知道作为globetrotter 寂寞的道路，只有上帝知道他的成长到离家远，他的父亲并没有他回家，勉强知道自己的女儿但对于你的鼻子cuz这里有云冷水他的老板不希望他没有谟，他的冷战产物他们转移到下一schmoe谁流向他的鼻子鸽派和出售纳达所以肥皂歌剧是告诉，并逐步落实我想它的旧potna ，但在街上巡逻下去大达达姆弹达达姆弹达大您更好地失去了自己在音乐，时刻你拥有它，你最好永远不会放手你只能获得一杆，千万不要错过你的机会，以打击这个机遇而来的一生中只有一次的心灵没有更多游戏，我是改变你们称之为愤怒催泪这mothafuckin屋顶起飞一样二日犬笼我是playin在beginnin ，心情，一切都变了我是咀嚼起来，吐出一片嘘声起飞阶段但我一直rhymin和stepwritin未来的CYPHER 最好相信有人的payin该pied伯尔所有的痛苦内扩增事实我不能得到我的9至5月我不能提供适当类型的生命，因为我的家庭 cuz男子，这些goddam粮票不买尿布它的不看电影，有没有mekhi phifer ，这是我的生命这些时代，所以很难和它变得更难 tryin到饲料和水我的种子，加上见荣辱赶上了bein父亲和表面唐娜宝宝妈妈戏剧的尖叫和太多，我想留在现场的一个，另一个果酱或不得到了我的一点，我想蜗牛我必须制订一项阴谋前列我结束了在监狱或打针成功是我唯一的mothafuckin选择，失败的不是妈妈，我爱你，但这个线索已经去我不能老在塞勒姆的地段所以在这里，我去的是我的了一枪。

The Pipaji is one of the drama works of the Chinese first-rate, there are a lot of articles or works about it since Ming Qing ,.Method that that is different, angle that is different, there is some contestation problems under basically and affirmative premise, such as how to evaluate the mian role Caibojie, how to judge its topic, how to evaluate its praise or its mistake in melodies and writings .and the contend for Pipaji and Xixiangji, the relation of Pipaji with Ming and Qing dramas etc. It\'s general concentration of these problems is text originally of analysis and hold up.

《琵琶记》是中国古典戏剧的名著，明清以来有众多的文章、专著论及到了这部作品，方法不同，角度各异，在基本肯定的前提下一直存在一些争议性的问题，如对其主要人物蔡伯喈的评价，对它的主题的判断、对其音律和辞采的褒贬、《琵琶记》与《西厢记》的优劣之争、《琵琶记》与明清传奇的关系等相关问题，这些问题一般集中在对其文本的分析和把握上。

When Griffis eagerly anticipates the narrative montage after Hollywood the mainstream, the Chaplin accident in is also emphasizing the single lens' expressive force, although he has also utilized some similar "Modern Time" begins the sheep and worker's two lens such performance montage technique, but more time he in faithful with panoram lens performance movement experience time,"Modern Time" mid summer Luo river the scene which sings in the dining room, the fixed positive panoram angle of view, the similar play's onlooking way, the audience can only see Xia the Luo one-man show, can obtain in merely the dining room from lens' laughter people's response,This is certainly for the more comprehensive clear performance its comedy movement and the scene, but actually unavoidably has "adheres to traitors" suspicion of the stage show.

当格里菲斯在好莱坞引领起叙事蒙太奇的主流之后，卓别林意外的还在强调著单个镜头的表现力，虽然他也运用了一些类似《摩登时代》开头绵羊和工人的两个镜头那样的表现蒙太奇手法，但更多的时候他还是在忠实的用全景镜头表现动作的经验时间，《摩登时代》中夏洛尔在餐厅中唱歌的场面，固定的正面全景视角，类似戏剧的观看方式，观众只能看到夏尔洛的独角戏，仅仅能从镜头之外的笑声中得到餐厅里人们的反应，这当然是为了更全面清楚的表现其喜剧动作和场景，但却难免有&附逆&舞台表演之嫌。

What interested him was the drama of feeling and intelligence in such an unspectacular experience as a chaperoned American girl's journey to Europe, her acquisition of a legacy, her hesitations over marriage, and her mistaken choices, often misled by those who wish to take advantage of her.

什么样的有利害关系他是在这样一是一陪伴美国girl's去欧洲的旅程，她的一遗产的获得，她的关于婚姻犹豫和常常被希望发生作用的那些给她的错误的选择错误引导不引人注意的经验中戏剧的感觉和智力有利的她。

Decked out in her traditional garb — a long-sleeved and long-skirted dress that could have been a costume for a Victorian period drama if not for the hat, an oversized, cloth-covered pan with what appeared to bea baguette sitting on top - she culled disapprovingly through a bin of potatoes and harrumphed before she hiked up her prodigious skirts and walked out.

在她传统装束的外面覆盖着-一条长袖长裙体的衣服，如果不是那顶帽子，这身装束完全可以做为维多利亚时代戏剧的道具，而那顶帽子则是一个超大的、由布料遮盖着的盘子，顶部竖着一个看起来像法国棍子面包样的东西-她不以为然地在一筐马铃薯中挑拣着，当她拉起庞大的裙子站立起来时嗓子里发出哼哼声，然后走了出去。

Wearing masks and costumes, they often impersonated other people, animals, or supernatural beings, and mimed the desired effect -- success in hunt or battle, the coming rain, the revival of the Sun -- as an actor might. Eventually such dramatic representations were separated from religious activities.

首先通过一个讲解人来运用模仿、表演和对话，然后再由不同的人扮演各自的角色；另一个与之紧密相关的理论将戏剧的起源追溯至舞蹈，这些舞蹈大体上是有节奏感的和体操式的那一类，或者是对动物动作和声音的模仿。

In fact, most interactive story experiences built to date have either been highly episodic (generally those narrative experiences built by the game industry, e.g., adventure games), have employed a hypertextual logic of association rather than a logic of dramatic probability and causality (generally those experiences built by fine artists and writers), or have focused on story not as a highly structured experience created by an author for consumption by an audience, but rather as a shared social construction facilitating human communication (e.g., multiuser worlds such as MUDs, MOOs,and avatar spaces ; massive multiplayer games such as Everquest and Ultima Online ; and games such as Purple Moon's Rocket series or Will Wright's The Sims).

实际上，目前大多数的互动故事经验都是高度段落化的（一般这些故事性体验来自于游戏产业，例如，冒险游戏），有意或无意使用超文本的组成逻辑而不是戏剧的逻辑（一般这种体验都由艺术家和作家营造）；聚焦到一个并非由作家为观众消费而创造的高度结构化的故事上，而是一种社团式的共同创造的公共结构（例如多用户系统 MUDs， MOOs 或者替身空间；大型多用户游戏 Everquest 和 Ultima Online ；或者 Purple Moon 公司的 Rocket 系列、 Will Wright 公司的 The Sims 游戏）。

It looked for the direct performance or metaphor of drama in daily life or the political symbols of country. After 1980's, based on ""thick-descriptive"" ethnographies on art, it called for renegotiating the relationship between art and anthropology in order to the further development of anthropology of Art.

解释人类学从日常生活的游戏、国家的政治象征中找寻戏剧的直接展演或隐喻，探寻社会生活的符号意蕴；80年代的艺术人类学在反思&深描&艺术的阐释民族志的基础上，重新审视艺术与人类学之间的关系，以此为发展艺术人类学的途径。

It looked for the direct performance ormetaphor of drama in daily life or the political symbols ofcountry. After 1980"s, based on "thick-descriptiveethnographies on art, it called for renegotiating therelationship between art and anthropology in order to thefurther development of anthropology of Art.

解释人类学从日常生活的游戏、国家的政治象征中找寻戏剧的直接展演或隐喻，探寻社会生活的符号意蕴；80年代的艺术人类学在反思&深描&艺术的阐释民族志的基础上，重新审视艺术与人类学之间的关系，以此为发展艺术人类学的途径。

These 20 talented individuals are now being hosted in Carlton Holiday Super Suites while they undergo intensive training for their acting and vocal skills, body language as well as personal grooming. They will start meeting the public in road shows come 26th and 27th May at ntv7's UrbanLive mall roadshow in Ipoh – so viewers and fans have the chance to get up close with their favourite thespians.

20强人选将在比赛开始的第一阶段，一男一女配对的形式进行台上的互动式综艺戏剧的淘汰赛，每对将会给予大会设定主体，分别接受嘉宾艺人的演技考验。ntv7的观众朋友可以透过简讯的方式投票决定参赛者的去留，每星期得分最低的一男一女参赛者将被淘汰出局。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。