戏剧性的

First of all, the first chapter mainly analyze the phenomenon of homosexual and the love which Song Liling as an actor in Opera for his homosexual complex lays on Gallimard.The second chapter maily analyzes Song Liling\'s hatred towards Occident by looking back to the history that China is humiliated by Occident for one hundred years and the background Song Liling lived in.This part also expatiates how he plays M.Butterfly who is loved by Gallimard and finally control Gallimard in order to take revenge on Occident.The third chapter maily combines the Floid\'s Id with Superego theory to analyze that Song Liling dramatically compromise the contradiction between his homosexual love and racial hatred and he is converted into a Pinkerton role entangled by this complex and can not get the recognition from morality and justice.

其中，第一节主要分析中国戏园中同性恋存在的现象，以及作为男旦的戏剧演员宋丽玲因同性恋情结而对伽利玛产生一定的同性之爱；第二节主要通过回顾中国百年来受到西方帝国主义凌辱的历史并结合宋丽玲生活的时代(来源：a6ABecC论文网www.abclunwen.com)背景来分析其对西方产生的种族之恨，并详细阐释了他如何通过扮演伽利玛心目中的蝴蝶夫人来最终达到控制伽利玛，报复西方的目的；第三节主要结合弗洛伊德的本我与超我理论来分析宋丽玲戏剧性地调解内心对伽利玛的同性之爱与种族之恨的矛盾，以及在这种爱与恨的纠结之下转化为平克顿式的角色，失去了道义上的认可。

At the same time, it produced a series of imaginings that became deeper and deeper – it was like a hypothetical point that allowed me to be completely immersed in the actual cultural background. Various human weaknesses have certain solemn and stirringly dramatic elements. In order to adapt to the basic visual experience, in order to allow the audience to easily accept and enjoy the underlying elements of the work, I intentionally left white spaces, they looked like hints in a guessing game. The viewer who understands would have a good laugh after becoming suddenly enlightened. This enables the viewer and me to have a sort of conspiratorial relationship, its meaning does not reside in the painting itself, but in the shared cultural background of myself and the audience as well as the shared attitude of such a cultural background. This makes it believable, a hidden bridge, often in a somewhat clear yet somewhat mysterious moment, two strangers who have never met are able to achieve a profound understanding, like that happiness of suddenly catching someone when playing hide and seek as a child ...

同时，阐发了一系列的联想，并使之不断地深入，它就像一个假设的点，将我置身于整个现实文化背景之中，这里人的种种缺陷带有某种悲壮成分的戏剧性，为了适应基本的视觉经验，为了使观众一目了然地接受并乐于体味作品中的潜在因素提供某种线索，我留有一些空白，它类似猜谜游戏中的启示，能使会心的观众茅塞顿开后一场哑然失笑，能使我和观众之间形成一种合谋关系，其意义不在画面本身，而在于我和观众之间存有共同的现实文化背景，以及对这种文化背景所持有的共同态度，它也就是有了可信性，就像冥冥中桥梁，常常在时而明晰时而神秘的一瞬，两个素昧平生的陌生人之间突然达到了心领神会的境地，如同儿时捉迷藏游戏中突然捉到对方时的开心……。

Wordworth in his preface contended,and most ably contended, for a reformation in our poetic diction,as he has envinced the truth of passion, and the dramatic propriety of those figures and metaphors in the original poets,which,stript of their justifying reasons and converted into mere artifices of connection or ornament, constitute the characteristics falsity in the poetic style of the moderns;and as far as ha has,with equal acuteness and clearness, pointed out the process by which this change was effected and the resemblances between that state into which the reader's mind is thrown by the pleasurable confusion of thought from an unaccustomed train of words and images and that state which is induced by the natural language of impassioned feeling,he undertook a useful task and deserves all praise,both for the attempt and for the execution.

正如当时Mr.Wordworth在序言中写的最能干争论一样，在我们的诗用词改革中，他提升了那些创造诗人的激情，其中s隐喻戏剧性礼他们的辩护理由和转换为连接或装饰只是手腕上，构成了现代人的诗意风格特征是虚假的，并尽量医管局指出同样尖锐和明晰，出过程，这种变化是影响和在其中间的读者的心灵抛出的思想愉悦混乱的文字和图像习惯培养和该国是由慷慨激昂的感觉自然语言诱导国家有相似之处，他进行了有益的工作，值得所有的赞扬，既是为了尝试和执行

I was 8, and Ritchie Blackmore's sinewy, sinister riffing on the "Made In Japan" version of "Child In Time," coupled with Ian Gillan's dramatic, gorgeous howling, Jon Lord's ominous neo-classical Hammond organ, and the dynamic interplay of the Roger Glover-Ian Paice rhythm section, tore the top of my head off.

我是8号和瑞奇blackmore的sinewy ，险恶riffing对&日本制造&版的&儿童时间&，再加上伊恩gillan的戏剧性，华丽的啸声，琼主不祥的新古典主义哈蒙德器官，与动态的相互作用的罗杰格洛弗-伊恩paice节奏科，撕毁顶我的头起飞。

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。